東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

From Chaos to Ambiguity : = A Theology of Noise/Rock.

Record Type:	Electronic resources : Monograph/item
Title/Author:	From Chaos to Ambiguity :/
Reminder of title:	A Theology of Noise/Rock.
Author:	Hunt, Jeremy.
Description:	1 online resource (191 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-04, Section: A.
Contained By:	Dissertations Abstracts International84-04A.
Subject:	Theology. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29393515click for full text (PQDT)
ISBN:	9798351408637

From Chaos to Ambiguity : = A Theology of Noise/Rock.
Hunt, Jeremy.

From Chaos to Ambiguity :A Theology of Noise/Rock. - 1 online resource (191 pages)

Source: Dissertations Abstracts International, Volume: 84-04, Section: A.

Thesis (Ph.D.)--Fuller Theological Seminary, Center for Advanced Theological Study, 2022.

Includes bibliographical references

This dissertation argues that noise rock is a culturally significant and vital and subgenre of rock music and that it offers multiple starting points for theological dialogue and engagement. It explores the nature and feel of noise rock by providing various gateways for listening to the music itself, from both leading noise rock bands and more obscure artists within the genre. It includes a very brief genealogy of the genre by way of its "ancestors," punk and no wave, in order to identify what common threads are found in all three genres and what aspects are unique to the formation and sound of noise rock.From there, we venture into a historical overview of noise rock, highlighting the pioneers of the genre and how they carved new paths musically within the United States. In tandem with that exploration, we also wrestle with the ontology of noise itself and the ways in which it functions when combined with music and musical structure (or lack thereof). At this point, we take all that has come before and apply it in-depth to two key bands within noise rock, Oxbow and God Bullies. Each group receives their own focus within their respective chapters, looking into their histories, the conceptual themes that each wrestled with throughout parts of their discography, and closing with various frameworks for interpreting that work theologically.Finally, we close out this noisy journey first with a look at how noise rock intersects with three vibrant strains of theology: transgression, liberation, and weakness; and second with a conclusion that attempts to build out an actual theology of noise/rock. This constructive theology is focused on four key elements: active ears, empathetic hearts, attuned minds, and new tongues. Each of these is meant to bring together noise/rock and theology in ways that are mutually beneficial, celebrating what noise rock offer up to our existence, while encouraging a broadening and deepening of what a generous and humane theology could look like in conversation with the genre.If we seek out the Sonus Dei wherever it might be heard, I believe that one of its centers might just be noise rock...if we have ears to hear, hearts that are quick to be patient, minds that are willing to understand, all while forming fresh language for engaging with the people and communities around us.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798351408637Subjects--Topical Terms:

516533
Theology.
Subjects--Index Terms:

CultureIndex Terms--Genre/Form:

542853
Electronic books.

From Chaos to Ambiguity : = A Theology of Noise/Rock.
LDR:03715nmm a2200409K 4500 001 2364068
005 20231130104631.5
006 m o d
007 cr mn ---uuuuu
008 241011s2022 xx obm 000 0 eng d
020 $a 9798351408637
035 $a (MiAaPQ)AAI29393515
035 $a AAI29393515
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Hunt, Jeremy. $3 3704861
245 1 0 $a From Chaos to Ambiguity : $b A Theology of Noise/Rock.
264 0 $c 2022
300 $a 1 online resource (191 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 84-04, Section: A.
500 $a Advisor: Callaway, Kutter.
502 $a Thesis (Ph.D.)--Fuller Theological Seminary, Center for Advanced Theological Study, 2022.
504 $a Includes bibliographical references
520 $a This dissertation argues that noise rock is a culturally significant and vital and subgenre of rock music and that it offers multiple starting points for theological dialogue and engagement. It explores the nature and feel of noise rock by providing various gateways for listening to the music itself, from both leading noise rock bands and more obscure artists within the genre. It includes a very brief genealogy of the genre by way of its "ancestors," punk and no wave, in order to identify what common threads are found in all three genres and what aspects are unique to the formation and sound of noise rock.From there, we venture into a historical overview of noise rock, highlighting the pioneers of the genre and how they carved new paths musically within the United States. In tandem with that exploration, we also wrestle with the ontology of noise itself and the ways in which it functions when combined with music and musical structure (or lack thereof). At this point, we take all that has come before and apply it in-depth to two key bands within noise rock, Oxbow and God Bullies. Each group receives their own focus within their respective chapters, looking into their histories, the conceptual themes that each wrestled with throughout parts of their discography, and closing with various frameworks for interpreting that work theologically.Finally, we close out this noisy journey first with a look at how noise rock intersects with three vibrant strains of theology: transgression, liberation, and weakness; and second with a conclusion that attempts to build out an actual theology of noise/rock. This constructive theology is focused on four key elements: active ears, empathetic hearts, attuned minds, and new tongues. Each of these is meant to bring together noise/rock and theology in ways that are mutually beneficial, celebrating what noise rock offer up to our existence, while encouraging a broadening and deepening of what a generous and humane theology could look like in conversation with the genre.If we seek out the Sonus Dei wherever it might be heard, I believe that one of its centers might just be noise rock...if we have ears to hear, hearts that are quick to be patient, minds that are willing to understand, all while forming fresh language for engaging with the people and communities around us.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Theology. $3 516533
650 4 $a Music. $3 516178
650 4 $a Music history. $3 3342382
653 $a Culture
653 $a Music
653 $a No Wave
653 $a Noise rock
653 $a Punk rock
653 $a Theology
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0469
690 $a 0413
690 $a 0208
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Fuller Theological Seminary, Center for Advanced Theological Study. $b Center for Advanced Theological Studies. $3 3181309
773 0 $t Dissertations Abstracts International $g 84-04A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29393515 $z click for full text (PQDT)