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Ambiguous Identities : = Interpreting Gender, Ethnicity, and Religion in Bosch's Wilgefortis Triptych.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Ambiguous Identities :/
Reminder of title:
Interpreting Gender, Ethnicity, and Religion in Bosch's Wilgefortis Triptych.
Author:
Malone, Daiya E.
Description:
1 online resource (77 pages)
Notes:
Source: Masters Abstracts International, Volume: 84-11.
Contained By:
Masters Abstracts International84-11.
Subject:
Art history. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30317460click for full text (PQDT)
ISBN:
9798379491260
Ambiguous Identities : = Interpreting Gender, Ethnicity, and Religion in Bosch's Wilgefortis Triptych.
Malone, Daiya E.
Ambiguous Identities :
Interpreting Gender, Ethnicity, and Religion in Bosch's Wilgefortis Triptych. - 1 online resource (77 pages)
Source: Masters Abstracts International, Volume: 84-11.
Thesis (M.A.)--American University, 2023.
Includes bibliographical references
Hieronymus Bosch's Crucifixion of Saint Wilgefortis triptych offers a perplexing depiction of the saint's legendary martyrdom. This thesis illuminates Bosch's complex and ambiguous portrayal of various gender, ethnic, and religious identities that early modern audiences may have interpreted from St. Wilgefortis's hagiography. These numerous identities are presented in a simultaneous manner: the figures from the medieval legend are dressed in costumes contemporary to Bosch, therefore linking Wilgefortis's Muslim and pagan persecutors to Christ's Jewish and Roman mockers. To create this sense of multivalency, Bosch relied upon the early modern viewer's artistic visual literacy. This is demonstrated primarily through the unconventional emphasis of Wilgefortis's femininity in tandem with her crucified posture as well as the dramatic poses of the male observers, which echo the traditional female mourners. Comprehensively, the gender, ethnic, and religious identities portrayed in the triptych present the viewer with a vast commentary on the spiritual and political beliefs and practices widespread throughout the Netherlands during the fifteenth and sixteenth centuries.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379491260Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
BoschIndex Terms--Genre/Form:
542853
Electronic books.
Ambiguous Identities : = Interpreting Gender, Ethnicity, and Religion in Bosch's Wilgefortis Triptych.
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Interpreting Gender, Ethnicity, and Religion in Bosch's Wilgefortis Triptych.
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Hieronymus Bosch's Crucifixion of Saint Wilgefortis triptych offers a perplexing depiction of the saint's legendary martyrdom. This thesis illuminates Bosch's complex and ambiguous portrayal of various gender, ethnic, and religious identities that early modern audiences may have interpreted from St. Wilgefortis's hagiography. These numerous identities are presented in a simultaneous manner: the figures from the medieval legend are dressed in costumes contemporary to Bosch, therefore linking Wilgefortis's Muslim and pagan persecutors to Christ's Jewish and Roman mockers. To create this sense of multivalency, Bosch relied upon the early modern viewer's artistic visual literacy. This is demonstrated primarily through the unconventional emphasis of Wilgefortis's femininity in tandem with her crucified posture as well as the dramatic poses of the male observers, which echo the traditional female mourners. Comprehensively, the gender, ethnic, and religious identities portrayed in the triptych present the viewer with a vast commentary on the spiritual and political beliefs and practices widespread throughout the Netherlands during the fifteenth and sixteenth centuries.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30317460
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click for full text (PQDT)
based on 0 review(s)
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