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A literature of conscience : = Yevtushenko's post-Stalin poetry.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A literature of conscience :/
其他題名:	Yevtushenko's post-Stalin poetry.
作者:	Safarik, Amy Kathleen.
面頁冊數:	1 online resource (94 pages)
附註:	Source: Masters Abstracts International, Volume: 70-07.
Contained By:	Masters Abstracts International70-07.
標題:	Slavic literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR43798click for full text (PQDT)
ISBN:	9780494437988

A literature of conscience : = Yevtushenko's post-Stalin poetry.
Safarik, Amy Kathleen.

A literature of conscience :Yevtushenko's post-Stalin poetry. - 1 online resource (94 pages)

Source: Masters Abstracts International, Volume: 70-07.

Thesis (M.A.)--University of Waterloo (Canada), 2008.

Includes bibliographical references

The tradition of civic poetry occupies a unique place in the history of Russian literature. The civic poet (grazhdanskii poet) characteristically addresses socio-political issues and injustices relevant to the era in opposition to the established authority. This often comes out of a sense of responsibility to the nation. During the Thaw period (1953-63), an interval of relative artistic freedom that followed decades of severe artistic control, Y. Yevtushenko (1932-)was among the first poets who dared to speak critically about the social and political injustices that occurred during Stalin's dictatorship. At that time, his civic-oriented poetry focused primarily on the reassessment of historical, social, and political values in the post-Stalin era. The aim of the present study is to evaluate Yevtushenko's position within the tradition of civic poets and to illustrate his stylistic ability to combine lyrical intimacy and autobiographic experiences with national and international issues in the genre of civic poetry. I approach the subject using a methodology of close examination: a formal and structural analysis of select poems in the original Russian. In addition, relevant social, political, and historical conditions are taken into account, as well as Mayakovsky's influence on Yevtushenko's poetry. This research offers a definition of the term "civic poet" and supplies a historical survey of civic poetry that dates back to the satires of the eighteenth century. I specifically refer to the Russian icons of this genre: G. Derzhavin, A. Pushkin, K. Ryleev, M. Lermontov, N. Nekrasov, and V. Mayakovsky. I start my evaluation of Yevtushenko as a civic poet by examining his narrative poem, Stantsiia Zima (1956), and proceed with a detailed analysis of his most important political poems of the Thaw period: "Babii Yar" (1961) and "Nasledniki Stalina" (Heirs of Stalin, 1962). In addition, I assess Yevtushenko's political and cultural acts throughout his career. Finally, I further analyze select poems by Yevtushenko that were published from 1990 to 2005, to offer a new and more complete view of Yevtushenko's place in the canon of Russian civic poets. The first chapter of this thesis provides a brief historical and socio-political background of poetry in the Soviet Union leading up to the Thaw period. The second chapter is devoted to the literary tradition of the genre of civic poetry in Russian literature. The third chapter focuses on an extensive analysis of Yevtushenko's most important political poems of the Thaw period: "Babii Yar" and "Nasledniki Stalina." The fourth chapter examines Yevtushenko's more recent poetry, as well as his latest cultural activities, to determine his standing as a civic poet from another point of view. The study's conclusion provides some thoughts of Yevtushenko's artistic and public role in contemporary arts.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9780494437988Subjects--Topical Terms:

2144740
Slavic literature.
Index Terms--Genre/Form:

542853
Electronic books.

A literature of conscience : = Yevtushenko's post-Stalin poetry.
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500 $a Publisher info.: Dissertation/Thesis.
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504 $a Includes bibliographical references
520 $a The tradition of civic poetry occupies a unique place in the history of Russian literature. The civic poet (grazhdanskii poet) characteristically addresses socio-political issues and injustices relevant to the era in opposition to the established authority. This often comes out of a sense of responsibility to the nation. During the Thaw period (1953-63), an interval of relative artistic freedom that followed decades of severe artistic control, Y. Yevtushenko (1932-)was among the first poets who dared to speak critically about the social and political injustices that occurred during Stalin's dictatorship. At that time, his civic-oriented poetry focused primarily on the reassessment of historical, social, and political values in the post-Stalin era. The aim of the present study is to evaluate Yevtushenko's position within the tradition of civic poets and to illustrate his stylistic ability to combine lyrical intimacy and autobiographic experiences with national and international issues in the genre of civic poetry. I approach the subject using a methodology of close examination: a formal and structural analysis of select poems in the original Russian. In addition, relevant social, political, and historical conditions are taken into account, as well as Mayakovsky's influence on Yevtushenko's poetry. This research offers a definition of the term "civic poet" and supplies a historical survey of civic poetry that dates back to the satires of the eighteenth century. I specifically refer to the Russian icons of this genre: G. Derzhavin, A. Pushkin, K. Ryleev, M. Lermontov, N. Nekrasov, and V. Mayakovsky. I start my evaluation of Yevtushenko as a civic poet by examining his narrative poem, Stantsiia Zima (1956), and proceed with a detailed analysis of his most important political poems of the Thaw period: "Babii Yar" (1961) and "Nasledniki Stalina" (Heirs of Stalin, 1962). In addition, I assess Yevtushenko's political and cultural acts throughout his career. Finally, I further analyze select poems by Yevtushenko that were published from 1990 to 2005, to offer a new and more complete view of Yevtushenko's place in the canon of Russian civic poets. The first chapter of this thesis provides a brief historical and socio-political background of poetry in the Soviet Union leading up to the Thaw period. The second chapter is devoted to the literary tradition of the genre of civic poetry in Russian literature. The third chapter focuses on an extensive analysis of Yevtushenko's most important political poems of the Thaw period: "Babii Yar" and "Nasledniki Stalina." The fourth chapter examines Yevtushenko's more recent poetry, as well as his latest cultural activities, to determine his standing as a civic poet from another point of view. The study's conclusion provides some thoughts of Yevtushenko's artistic and public role in contemporary arts.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR43798 $z click for full text (PQDT)