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The Russian historical novel from Romanticism to Symbolism : = Fact, fiction, and the poetics of genre.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Russian historical novel from Romanticism to Symbolism :/
Reminder of title:	Fact, fiction, and the poetics of genre.
Author:	Ungurianu, Dan Ivanovich.
Description:	1 online resource (377 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 57-02, Section: A.
Contained By:	Dissertations Abstracts International57-02A.
Subject:	Slavic literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9528644click for full text (PQDT)
ISBN:	9798209283706

The Russian historical novel from Romanticism to Symbolism : = Fact, fiction, and the poetics of genre.
Ungurianu, Dan Ivanovich.

The Russian historical novel from Romanticism to Symbolism :Fact, fiction, and the poetics of genre. - 1 online resource (377 pages)

Source: Dissertations Abstracts International, Volume: 57-02, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 1995.

Includes bibliographical references

The historical novel is a prominent genre in the Russian tradition. It both contributes to the country's literary canon and plays an important role in the history of literature. The genre comes to the forefront of Russian belles lettres in quantitative terms and popularity twice during the nineteenth century: in the 1830's, and in the 1870's and 80's. Turn-of-the-century works are not as numerous; however, they also constitute a visible phenomenon. Despite its importance, the genre is understudied, since existing scholarship mostly concentrates on "major" writers. In addition, there are no satisfactory general works. Therefore, I cover the period from the origins of the historical novel in Russia up to 1917. I also draw on a wide range of authors, including Zagoskin, Bulgarin, Lazhechnikov, Polevoi, Vel'tman, Pushkin, Aleksei Tolstoi, Lev Tolstoi, Salias, Danilevskii, Mordovtsev, Vsevolod Solov'ev, Briusov, Merezhkovskii. The main focus of the work is the evolution of the poetics of the genre, at the core of which lie particular modes of interaction between fiction and history. This interaction, which has become a topic of intense theoretical exploration in application to historiography (Danto, Hayden White, et al.), generates a peculiar dynamics of the "documental literature" (Lidiia Ginzburg). I argue that, despite the existence of what Bakhtin calls the "memory of the genre," the development of the historical novel does not represent a continuous "linear" process, but falls into three periods with their own distinct poetics based on more general literary and cultural paradigms: Romanticism, Realism, Symbolism. Historical novels of various periods share common elements; however, these elements--to use Tynianov's terminology--acquire different functions, depending on the larger system which they enter. The Romantic historical novel is informed by the Romantic binary picture of the world and Romantic irony. The Realistic historical novel is based on a monistic outlook and the "scientific" penchant of the epoch. And the Symbolist novel--merging history and art in search for eternal correspondences--becomes as much mythological as historical. Proving these ideas, I view the genre in a broad contemporary context, which includes pertinent trends in historiography and contemporary readers' perceptions.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798209283706Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

novelIndex Terms--Genre/Form:

542853
Electronic books.

The Russian historical novel from Romanticism to Symbolism : = Fact, fiction, and the poetics of genre.
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500 $a Source: Dissertations Abstracts International, Volume: 57-02, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Bethea, David M.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 1995.
504 $a Includes bibliographical references
520 $a The historical novel is a prominent genre in the Russian tradition. It both contributes to the country's literary canon and plays an important role in the history of literature. The genre comes to the forefront of Russian belles lettres in quantitative terms and popularity twice during the nineteenth century: in the 1830's, and in the 1870's and 80's. Turn-of-the-century works are not as numerous; however, they also constitute a visible phenomenon. Despite its importance, the genre is understudied, since existing scholarship mostly concentrates on "major" writers. In addition, there are no satisfactory general works. Therefore, I cover the period from the origins of the historical novel in Russia up to 1917. I also draw on a wide range of authors, including Zagoskin, Bulgarin, Lazhechnikov, Polevoi, Vel'tman, Pushkin, Aleksei Tolstoi, Lev Tolstoi, Salias, Danilevskii, Mordovtsev, Vsevolod Solov'ev, Briusov, Merezhkovskii. The main focus of the work is the evolution of the poetics of the genre, at the core of which lie particular modes of interaction between fiction and history. This interaction, which has become a topic of intense theoretical exploration in application to historiography (Danto, Hayden White, et al.), generates a peculiar dynamics of the "documental literature" (Lidiia Ginzburg). I argue that, despite the existence of what Bakhtin calls the "memory of the genre," the development of the historical novel does not represent a continuous "linear" process, but falls into three periods with their own distinct poetics based on more general literary and cultural paradigms: Romanticism, Realism, Symbolism. Historical novels of various periods share common elements; however, these elements--to use Tynianov's terminology--acquire different functions, depending on the larger system which they enter. The Romantic historical novel is informed by the Romantic binary picture of the world and Romantic irony. The Realistic historical novel is based on a monistic outlook and the "scientific" penchant of the epoch. And the Symbolist novel--merging history and art in search for eternal correspondences--becomes as much mythological as historical. Proving these ideas, I view the genre in a broad contemporary context, which includes pertinent trends in historiography and contemporary readers' perceptions.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Slavic literature. $3 2144740
650 4 $a European history. $2 bicssc $3 1972904
653 $a novel
655 7 $a Electronic books. $2 lcsh $3 542853
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710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a The University of Wisconsin - Madison. $3 626640
773 0 $t Dissertations Abstracts International $g 57-02A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9528644 $z click for full text (PQDT)