東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Fragmented unity : = Thought, language and reality in the poetry of Vvedensky, Harms, and Olienikov.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Fragmented unity :/
其他題名:	Thought, language and reality in the poetry of Vvedensky, Harms, and Olienikov.
作者:	Epstein, Thomas Ralph.
面頁冊數:	1 online resource (370 pages)
附註:	Source: Dissertations Abstracts International, Volume: 56-05, Section: A.
Contained By:	Dissertations Abstracts International56-05A.
標題:	Slavic literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9433351click for full text (PQDT)
ISBN:	9798208929940

Fragmented unity : = Thought, language and reality in the poetry of Vvedensky, Harms, and Olienikov.
Epstein, Thomas Ralph.

Fragmented unity :Thought, language and reality in the poetry of Vvedensky, Harms, and Olienikov. - 1 online resource (370 pages)

Source: Dissertations Abstracts International, Volume: 56-05, Section: A.

Thesis (Ph.D.)--Brown University, 1994.

Includes bibliographical references

This dissertation is a survey of the personal and the literary-intellectual relations among three poets--Alexander Vvedensky, Nikolai Oleinikov, and Daniel Harms--and two philosophers--Yakov Druskin and Leonid Lipavsky--who constituted the unofficial Chinar' group, itself a subgroup of the better known Oberiu literary association. Harms (1905-1942) and Vvedensky (1904-1941), along with Nikolai Zabolotsky (1903-1958), are three of the leading figures of the third generation of Russian Modernism, particularly its Petersburg variant. Although the poetry of Harms and Vvedensky, like all the avant-garde art of the 1920s, grew out of the legacy of Russian Futurism, it was not bound to it; indeed it is Harms and Vvedensky's rejection of Futurist utopianism and solipsism--both linguistic and social--that created a foundation for their own discoveries. The first chapters of this study describe the path that led Harms and Vvedensky from the tutelage of the transrationalists Alexander Tufanov and Igor Terent'ev, and the eminence grise of the avant-garde Kazimir Malevich, to their own highly original form of Modern art. The key to their discoveries was their association with Nikolai Oleinikov, Yakov Druskin and Leonid Lipavsky. Lipavsky and Druskin, who had been students of N. O. Lossky until his--and their--purge from the philosophy department of the Leningrad University, combined a Bergsonian metaphysical critique of rationalism with a nascent existentialism. Oleinikov provided an omnivorous intelligence and skepticism, revealed in his parodic verse, that helped to curb the potential excesses of the other Chinars. The resulting poetry is, like Surrealist art, embedded in life and its objects--an alogical, seething life that poetry tries to express. For Harms and Vvedensky real art implies a radical break with conventional notions of time, space, and meaning. The dissertation describes the contents of their critique of reality and its expression in reason-based language, both of which point to essential analogies with French Surrealism.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798208929940Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

Harms, DanielIndex Terms--Genre/Form:

542853
Electronic books.

Fragmented unity : = Thought, language and reality in the poetry of Vvedensky, Harms, and Olienikov.
LDR:03426nmm a2200373K 4500 001 2362300
005 20231027103402.5
006 m o d
007 cr mn ---uuuuu
008 241011s1994 xx obm 000 0 eng d
020 $a 9798208929940
035 $a (MiAaPQ)AAI9433351
035 $a AAI9433351
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Epstein, Thomas Ralph. $3 3703023
245 1 0 $a Fragmented unity : $b Thought, language and reality in the poetry of Vvedensky, Harms, and Olienikov.
264 0 $c 1994
300 $a 1 online resource (370 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 56-05, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Levitsky, Alexander.
502 $a Thesis (Ph.D.)--Brown University, 1994.
504 $a Includes bibliographical references
520 $a This dissertation is a survey of the personal and the literary-intellectual relations among three poets--Alexander Vvedensky, Nikolai Oleinikov, and Daniel Harms--and two philosophers--Yakov Druskin and Leonid Lipavsky--who constituted the unofficial Chinar' group, itself a subgroup of the better known Oberiu literary association. Harms (1905-1942) and Vvedensky (1904-1941), along with Nikolai Zabolotsky (1903-1958), are three of the leading figures of the third generation of Russian Modernism, particularly its Petersburg variant. Although the poetry of Harms and Vvedensky, like all the avant-garde art of the 1920s, grew out of the legacy of Russian Futurism, it was not bound to it; indeed it is Harms and Vvedensky's rejection of Futurist utopianism and solipsism--both linguistic and social--that created a foundation for their own discoveries. The first chapters of this study describe the path that led Harms and Vvedensky from the tutelage of the transrationalists Alexander Tufanov and Igor Terent'ev, and the eminence grise of the avant-garde Kazimir Malevich, to their own highly original form of Modern art. The key to their discoveries was their association with Nikolai Oleinikov, Yakov Druskin and Leonid Lipavsky. Lipavsky and Druskin, who had been students of N. O. Lossky until his--and their--purge from the philosophy department of the Leningrad University, combined a Bergsonian metaphysical critique of rationalism with a nascent existentialism. Oleinikov provided an omnivorous intelligence and skepticism, revealed in his parodic verse, that helped to curb the potential excesses of the other Chinars. The resulting poetry is, like Surrealist art, embedded in life and its objects--an alogical, seething life that poetry tries to express. For Harms and Vvedensky real art implies a radical break with conventional notions of time, space, and meaning. The dissertation describes the contents of their critique of reality and its expression in reason-based language, both of which point to essential analogies with French Surrealism.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Slavic literature. $3 2144740
653 $a Harms, Daniel
653 $a Oleinikov, Nikolai
653 $a Russia
653 $a Vvedensky, Alexander
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0314
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Brown University. $3 766761
773 0 $t Dissertations Abstracts International $g 56-05A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9433351 $z click for full text (PQDT)