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Zinaida Vengerova : = The aesthetic of the incarnation of the unincarnated.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Zinaida Vengerova :/
Reminder of title:	The aesthetic of the incarnation of the unincarnated.
Author:	Neginsky, Rosina.
Description:	1 online resource (237 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 53-11, Section: A.
Contained By:	Dissertations Abstracts International53-11A.
Subject:	Slavic literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9210936click for full text (PQDT)
ISBN:	9798208289266

Zinaida Vengerova : = The aesthetic of the incarnation of the unincarnated.
Neginsky, Rosina.

Zinaida Vengerova :The aesthetic of the incarnation of the unincarnated. - 1 online resource (237 pages)

Source: Dissertations Abstracts International, Volume: 53-11, Section: A.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1991.

Includes bibliographical references

My dissertation is dedicated to the symbolist-critic Zinaida Vengerova. I focus not only on the work of Vengerova as a critic, her primary public role, but also on her writing which demonstrates her conception and dedication to the Russian Symbolist world view as uniquely expressed by her use of characteristic symbols. The symbolistic view of existance, both earthly and other-earthly, recognizes in earthly reality, symbols that represent elements of the divine, which serve as a bridge between the two worlds. For Russian Symbolists, these symbols included beauty, the embodiment of divine goodness in human beliefs and deeds, and the refinement of the human soul in emulation of the divine spirit. The soul contained the seeds of divine goodness and their propagation is the ethical precept at the Symbolist foundation of individual goodness and the collective welfare of earthly human society. Vengerova's unique contribution to the Russian Symbolist movement, which began at the turn of the century, envisioned Symbolist ideas in all great literature. In writers as divergent as Shakespeare, Meredith and Dostoevski she finds evidence of Symbolist beauty and elements of divinity of soul in the lives and spirits of their characters. She sees across much of Western and Russian literature, attempts to incarnate the unincarnated--those elements of divine reality, beauty of soul and spirit as demonstrated by love, generosity and creativity--which must serve as a model for human behavior and feeling. She measures an artist's success by the extent to which he embodies this beauty, in form and content, in his work.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798208289266Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

RussiaIndex Terms--Genre/Form:

542853
Electronic books.

Zinaida Vengerova : = The aesthetic of the incarnation of the unincarnated.
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502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1991.
504 $a Includes bibliographical references
520 $a My dissertation is dedicated to the symbolist-critic Zinaida Vengerova. I focus not only on the work of Vengerova as a critic, her primary public role, but also on her writing which demonstrates her conception and dedication to the Russian Symbolist world view as uniquely expressed by her use of characteristic symbols. The symbolistic view of existance, both earthly and other-earthly, recognizes in earthly reality, symbols that represent elements of the divine, which serve as a bridge between the two worlds. For Russian Symbolists, these symbols included beauty, the embodiment of divine goodness in human beliefs and deeds, and the refinement of the human soul in emulation of the divine spirit. The soul contained the seeds of divine goodness and their propagation is the ethical precept at the Symbolist foundation of individual goodness and the collective welfare of earthly human society. Vengerova's unique contribution to the Russian Symbolist movement, which began at the turn of the century, envisioned Symbolist ideas in all great literature. In writers as divergent as Shakespeare, Meredith and Dostoevski she finds evidence of Symbolist beauty and elements of divinity of soul in the lives and spirits of their characters. She sees across much of Western and Russian literature, attempts to incarnate the unincarnated--those elements of divine reality, beauty of soul and spirit as demonstrated by love, generosity and creativity--which must serve as a model for human behavior and feeling. She measures an artist's success by the extent to which he embodies this beauty, in form and content, in his work.
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