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Reaction to Positivism and the Metaphysics of Sex in Russian Literature of the First Quarter of the Twentieth Century.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Reaction to Positivism and the Metaphysics of Sex in Russian Literature of the First Quarter of the Twentieth Century./
Author:
Korenblum, Marina.
Description:
1 online resource (161 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 46-07, Section: A.
Contained By:
Dissertations Abstracts International46-07A.
Subject:
Slavic literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8617583click for full text (PQDT)
ISBN:
9798205747035
Reaction to Positivism and the Metaphysics of Sex in Russian Literature of the First Quarter of the Twentieth Century.
Korenblum, Marina.
Reaction to Positivism and the Metaphysics of Sex in Russian Literature of the First Quarter of the Twentieth Century.
- 1 online resource (161 pages)
Source: Dissertations Abstracts International, Volume: 46-07, Section: A.
Thesis (Ph.D.)--Brown University, 1985.
Includes bibliographical references
The crisis of Russian Symbolism that occurred near the beginning of the present century and coincided with a neo-Christian revival, was characterized by an intense "quest of the soul" on the part of some Symbolist writers, such as Merezkovskij, Gippius, Culkov, Belyj, and others. For the writers interested in the history of religion and dogma Vladimir Solov'ev's teaching of esoteric Christian love, on one hand, and, on the other, Adolf von Harnack's studies of Gnostic influences on early Christianity helped to re-introduce, in a more obvious form, some remarkable themes into Russian literature, androgyny being one of them. The notions of religious love, androgyny as an original state of being as well as of the male-female opposition viewed as a cosmic principle surfaced in creative and critical literature alike. The present study discusses this aspect of Russian literary history of the period between 1900 and early 1920's when a consistent use was made by various, but mostly Symbolist, writers, of the male- female duality. Having originated in antiquity, this notion of the dichotomy of the feminine and the masculine survived in the esoteric tradition and informed European, as well as Russian, literature of the beginning of the century, by a distinct metaphysical rhetoric. The origins, literary applivations and the eventual demise of a fascinating Russian poetico-philosophical movement that gave character to the last idealistic, spiritualistic Romantic period in Russian literature are given a detailed analysis in the text of the dissertation.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798205747035Subjects--Topical Terms:
2144740
Slavic literature.
Index Terms--Genre/Form:
542853
Electronic books.
Reaction to Positivism and the Metaphysics of Sex in Russian Literature of the First Quarter of the Twentieth Century.
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Reaction to Positivism and the Metaphysics of Sex in Russian Literature of the First Quarter of the Twentieth Century.
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Source: Dissertations Abstracts International, Volume: 46-07, Section: A.
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Thesis (Ph.D.)--Brown University, 1985.
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Includes bibliographical references
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The crisis of Russian Symbolism that occurred near the beginning of the present century and coincided with a neo-Christian revival, was characterized by an intense "quest of the soul" on the part of some Symbolist writers, such as Merezkovskij, Gippius, Culkov, Belyj, and others. For the writers interested in the history of religion and dogma Vladimir Solov'ev's teaching of esoteric Christian love, on one hand, and, on the other, Adolf von Harnack's studies of Gnostic influences on early Christianity helped to re-introduce, in a more obvious form, some remarkable themes into Russian literature, androgyny being one of them. The notions of religious love, androgyny as an original state of being as well as of the male-female opposition viewed as a cosmic principle surfaced in creative and critical literature alike. The present study discusses this aspect of Russian literary history of the period between 1900 and early 1920's when a consistent use was made by various, but mostly Symbolist, writers, of the male- female duality. Having originated in antiquity, this notion of the dichotomy of the feminine and the masculine survived in the esoteric tradition and informed European, as well as Russian, literature of the beginning of the century, by a distinct metaphysical rhetoric. The origins, literary applivations and the eventual demise of a fascinating Russian poetico-philosophical movement that gave character to the last idealistic, spiritualistic Romantic period in Russian literature are given a detailed analysis in the text of the dissertation.
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Electronic reproduction.
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Ann Arbor, Mich. :
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ProQuest,
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2023
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Mode of access: World Wide Web
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Slavic literature.
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2144740
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Electronic books.
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ProQuest Information and Learning Co.
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46-07A.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8617583
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click for full text (PQDT)
based on 0 review(s)
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