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Parodic societies in Russian culture : = From the late medieval era to the late Soviet period.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Parodic societies in Russian culture :/
Reminder of title:
From the late medieval era to the late Soviet period.
Author:
Sandalska, Zlatina G.
Description:
1 online resource (238 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 74-05, Section: A.
Contained By:
Dissertations Abstracts International74-05A.
Subject:
Slavic literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3542312click for full text (PQDT)
ISBN:
9781267699619
Parodic societies in Russian culture : = From the late medieval era to the late Soviet period.
Sandalska, Zlatina G.
Parodic societies in Russian culture :
From the late medieval era to the late Soviet period. - 1 online resource (238 pages)
Source: Dissertations Abstracts International, Volume: 74-05, Section: A.
Thesis (Ph.D.)--University of Southern California, 2012.
Includes bibliographical references
This dissertation aims to show that parodic male societies in Russian culture have shared a set of themes and behaviors across history and argues that this phenomenon extends back to the late medieval period of Russian culture. The study begins with Peter the Great's All-Drunken Synod (1689-1725) and includes Arzamas (1820s), Koz'ma Prutkov (1850s), the Serapion Brotherhood (1920s) and Sergei Dovlatov's circle of the late 1960s and 1970s. These seemingly Westernizing societies engage in a return to "Russian" values by incorporating into their works elements of late medieval Russian satire, especially theatrical interludes, as a means of protesting the literary cultures and social realities of their times. Ultimately, this study examines an important aspect of Russian counterculture by showing that the ostensibly occasional and peripheral phenomenon of marginalized writers parodying aspects of the larger culture and especially the dominant institutions of literature was, in fact, a recurring and even a productive part of Russian literary culture.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9781267699619Subjects--Topical Terms:
2144740
Slavic literature.
Subjects--Index Terms:
MedievalIndex Terms--Genre/Form:
542853
Electronic books.
Parodic societies in Russian culture : = From the late medieval era to the late Soviet period.
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Source: Dissertations Abstracts International, Volume: 74-05, Section: A.
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Advisor: Seifrid, Thomas.
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Thesis (Ph.D.)--University of Southern California, 2012.
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Includes bibliographical references
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This dissertation aims to show that parodic male societies in Russian culture have shared a set of themes and behaviors across history and argues that this phenomenon extends back to the late medieval period of Russian culture. The study begins with Peter the Great's All-Drunken Synod (1689-1725) and includes Arzamas (1820s), Koz'ma Prutkov (1850s), the Serapion Brotherhood (1920s) and Sergei Dovlatov's circle of the late 1960s and 1970s. These seemingly Westernizing societies engage in a return to "Russian" values by incorporating into their works elements of late medieval Russian satire, especially theatrical interludes, as a means of protesting the literary cultures and social realities of their times. Ultimately, this study examines an important aspect of Russian counterculture by showing that the ostensibly occasional and peripheral phenomenon of marginalized writers parodying aspects of the larger culture and especially the dominant institutions of literature was, in fact, a recurring and even a productive part of Russian literary culture.
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Mode of access: World Wide Web
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3542312
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click for full text (PQDT)
based on 0 review(s)
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W9484627
電子資源
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