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The Russian Modernist masquerade : = Deception, rhetoric, and theatrical transposition.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Russian Modernist masquerade :/
其他題名:	Deception, rhetoric, and theatrical transposition.
作者:	McQuillen, Colleen Kerry.
面頁冊數:	1 online resource (204 pages)
附註:	Source: Dissertations Abstracts International, Volume: 68-09, Section: A.
Contained By:	Dissertations Abstracts International68-09A.
標題:	Slavic literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3237289click for full text (PQDT)
ISBN:	9780542916786

The Russian Modernist masquerade : = Deception, rhetoric, and theatrical transposition.
McQuillen, Colleen Kerry.

The Russian Modernist masquerade :Deception, rhetoric, and theatrical transposition. - 1 online resource (204 pages)

Source: Dissertations Abstracts International, Volume: 68-09, Section: A.

Thesis (Ph.D.)--Columbia University, 2006.

Includes bibliographical references

This study explores the meanings and functions of mask, masking, and masquerade in three semiotic systems (social behavior, literature, and theater) within Russian culture, and it considers the compatibility and equivalency of these semiospheres. Masquerading and masquerades as social phenomena and as literary constructions offer an inviting space in which translation between sign systems can take place, in part because transformation is at the very heart of masquerade itself. Chapter 1 examines the cultural and literary history of masking and masquerade in Russia, including folk and Church beliefs; holiday celebrations, Imperial masquerades, political imposture, high-society balls, as well as eighteenth- and nineteenth-century literary representations. Chapters 2 through 4 explore the inscription of Russia's historical experience with masquerade into Modernist literature, and the centrality of the themes of deception, conspiracy, spectacle, betrayal, and transformation in the literary masquerades. The texts analyzed include Fyodor Dostoevsky's Demons (Besy, 1872), Fyodor Sologub's Petty Demon (Melkii bes, 1902), Aleksandr Blok's Fairbooth Show (Balaganchik, 1906), Andrei Bely's Petersburg (Peterburg, 1912), Anna Akhmatova's Poem without a Hero (Poema bez geroia, 1940-62), and Mikhail Bulgakov's Master and Margarita (Master i Margarita 1939, published in 1966). These chapters also analyze how the language in which the literary representations of masquerade are composed enacts and supports the themes that the masquerades emblematize. Chapter 5 investigates the masquerade as a site of semiotic transference between literature and stage performance by examining the transpositions for stage of each literary text named above. The transpositions studied are Konstantin Nemirovich-Danchenko's Nikolai Stavrogin, Sologub's reworking of Petty Demon, Bely's transformation of his novel into the play Death of a Senator, Blok's reworking of his eponymous poem "Fairbooth Show," Akhmatova's sketches for a ballet libretto based on Poem, and Yurii Liubimov's stage productions of Master and Margarita.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9780542916786Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

DeceptionIndex Terms--Genre/Form:

542853
Electronic books.

The Russian Modernist masquerade : = Deception, rhetoric, and theatrical transposition.
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500 $a Publisher info.: Dissertation/Thesis.
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504 $a Includes bibliographical references
520 $a This study explores the meanings and functions of mask, masking, and masquerade in three semiotic systems (social behavior, literature, and theater) within Russian culture, and it considers the compatibility and equivalency of these semiospheres. Masquerading and masquerades as social phenomena and as literary constructions offer an inviting space in which translation between sign systems can take place, in part because transformation is at the very heart of masquerade itself. Chapter 1 examines the cultural and literary history of masking and masquerade in Russia, including folk and Church beliefs; holiday celebrations, Imperial masquerades, political imposture, high-society balls, as well as eighteenth- and nineteenth-century literary representations. Chapters 2 through 4 explore the inscription of Russia's historical experience with masquerade into Modernist literature, and the centrality of the themes of deception, conspiracy, spectacle, betrayal, and transformation in the literary masquerades. The texts analyzed include Fyodor Dostoevsky's Demons (Besy, 1872), Fyodor Sologub's Petty Demon (Melkii bes, 1902), Aleksandr Blok's Fairbooth Show (Balaganchik, 1906), Andrei Bely's Petersburg (Peterburg, 1912), Anna Akhmatova's Poem without a Hero (Poema bez geroia, 1940-62), and Mikhail Bulgakov's Master and Margarita (Master i Margarita 1939, published in 1966). These chapters also analyze how the language in which the literary representations of masquerade are composed enacts and supports the themes that the masquerades emblematize. Chapter 5 investigates the masquerade as a site of semiotic transference between literature and stage performance by examining the transpositions for stage of each literary text named above. The transpositions studied are Konstantin Nemirovich-Danchenko's Nikolai Stavrogin, Sologub's reworking of Petty Demon, Bely's transformation of his novel into the play Death of a Senator, Blok's reworking of his eponymous poem "Fairbooth Show," Akhmatova's sketches for a ballet libretto based on Poem, and Yurii Liubimov's stage productions of Master and Margarita.
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650 4 $a Theater. $3 522973
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653 $a Masquerade
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653 $a Rhetoric
653 $a Russian
653 $a Semiotics
653 $a Theatrical
653 $a Transposition
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710 2 $a Columbia University. $3 571054
773 0 $t Dissertations Abstracts International $g 68-09A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3237289 $z click for full text (PQDT)