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The Ventriloquism of Blackness : = A Critical Discourse Analysis of Digital Blackface and the Performance of Blackness on TikTok.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Ventriloquism of Blackness :/
Reminder of title:
A Critical Discourse Analysis of Digital Blackface and the Performance of Blackness on TikTok.
Author:
Ladd, Aubra H.
Description:
1 online resource (122 pages)
Notes:
Source: Masters Abstracts International, Volume: 84-11.
Contained By:
Masters Abstracts International84-11.
Subject:
Communication. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30493405click for full text (PQDT)
ISBN:
9798379556464
The Ventriloquism of Blackness : = A Critical Discourse Analysis of Digital Blackface and the Performance of Blackness on TikTok.
Ladd, Aubra H.
The Ventriloquism of Blackness :
A Critical Discourse Analysis of Digital Blackface and the Performance of Blackness on TikTok. - 1 online resource (122 pages)
Source: Masters Abstracts International, Volume: 84-11.
Thesis (M.A.)--Saint Louis University, 2023.
Includes bibliographical references
TikTok, the 7th largest social media network with over 1 billion active users, has provided a communal space for Generation Z'ers, millennials, and Baby boomers alike to create content that is both popular, inventive, and in the same vein, a recycling of many jokes and experiences that others have previous shared. Built as an app for "remixing content," TikTok since its conception has provided space for digital thievery seen in the constant strike and pushback from the onset of several black creators. Acknowledging the dynamics of short-form video apps in the past and the culture TikTok creators have fortified, this paper focuses on TikTok, the most popular social network among Generation Z, analyzing how the platform lends itself to digital blackface. By examining TikTok, this study provides an analysis of the links between digital blackface, minstrelsy, and racist algorithms by analyzing widely viewed and shared TikToks regarding the themes of blaccents, choreography, blackface, voiceover, and hair and makeup through Fairclough's three-dimensional framework of analysis: descriptions, interpretation, and explanation.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379556464Subjects--Topical Terms:
524709
Communication.
Subjects--Index Terms:
BlacknessIndex Terms--Genre/Form:
542853
Electronic books.
The Ventriloquism of Blackness : = A Critical Discourse Analysis of Digital Blackface and the Performance of Blackness on TikTok.
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Includes bibliographical references
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TikTok, the 7th largest social media network with over 1 billion active users, has provided a communal space for Generation Z'ers, millennials, and Baby boomers alike to create content that is both popular, inventive, and in the same vein, a recycling of many jokes and experiences that others have previous shared. Built as an app for "remixing content," TikTok since its conception has provided space for digital thievery seen in the constant strike and pushback from the onset of several black creators. Acknowledging the dynamics of short-form video apps in the past and the culture TikTok creators have fortified, this paper focuses on TikTok, the most popular social network among Generation Z, analyzing how the platform lends itself to digital blackface. By examining TikTok, this study provides an analysis of the links between digital blackface, minstrelsy, and racist algorithms by analyzing widely viewed and shared TikToks regarding the themes of blaccents, choreography, blackface, voiceover, and hair and makeup through Fairclough's three-dimensional framework of analysis: descriptions, interpretation, and explanation.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30493405
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click for full text (PQDT)
based on 0 review(s)
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