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Guillaume Apollinaire : = Catalyst for Primitivism, for Picabia and Duchamp.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Guillaume Apollinaire :/
其他題名:	Catalyst for Primitivism, for Picabia and Duchamp.
作者:	Samaltanou-Tsiakma, Ekaterini.
面頁冊數:	1 online resource (317 pages)
附註:	Source: Dissertations Abstracts International, Volume: 42-07, Section: A.
Contained By:	Dissertations Abstracts International42-07A.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8219071click for full text (PQDT)
ISBN:	9798641548111

Guillaume Apollinaire : = Catalyst for Primitivism, for Picabia and Duchamp.
Samaltanou-Tsiakma, Ekaterini.

Guillaume Apollinaire :Catalyst for Primitivism, for Picabia and Duchamp. - 1 online resource (317 pages)

Source: Dissertations Abstracts International, Volume: 42-07, Section: A.

Thesis (Ph.D.)--University of Virginia, 1981.

Includes bibliographical references

Literary critics and art historians have accorded Apollinaire major attention. Yet their numerous studies of his work focus primarily on his relationship to Cubism, Orphism or Simultanism. They leave unexplored two pivotal aspects of his activities in the art world; his penchant for primitivism and his role as influential animateur. Primitivism not only permeated Apollinaire's poetry and prose, but also his writings on art. It played a determining role in his career, transcending and subsuming all the other "isms" of the period. The opening chapter introduces the phenomenon of primitivism in the arts in the first two decades of the century. The second studies Apollinaire's neglected role as promoter and spokesman for Negro art. The third focuses on his presence as inspiring force for Picabia and Duchamp, the two artists who, in their primitive involvement with language, paralleled the plastic innovations of Apollinaire's Calligrams. The accumulation of material modifies the image of Apollinaire as the "Pope of Cubism" and reveals him as a catalytic force or phare of modern art, igniting the torch of primitivism. Several unsigned notes found among Apollinaire's personal clippings--not included in his collected writings on art--an unpublished text on Negro art, heretofore unknown letters, and Picasso's earliest statements on African and Greek art, are brought to light. These new materials illuminate Apollinaire's position as an ardent supporter of the primitive esthetic, from his first references to it around 1907 until his last in 1918, on the eve of his death. As the best friend and mentor of Picasso, Apollinaire shared his "discovery" of African art and encouraged him in his first confrontation with the Negroes. In a smaller vein, he inspired Picabia's and Duchamp's first raw experiments with language, puns and word-games. He recognised instinct and intuition as energizing forces of creativity and discovered in all forms of primitive and na(')ive art, a source of inspiration. This study proposes to demonstrate that Apollinaire's penchant for primitivism emerged from his spiritual side, his philosophical background, his insatiable curiosity, his desire to shock, and his thirst for novelty and experimentation. These personal characteristics make him both an admirer and a promoter of it; for that endeavor, he deserves to be called a catalyst. Apollinaire's life and work beautifully illustrate how the primitive flows into the modern. He emerges from this study not only as a precursor of Dada and Surrealism, but also as an incarnation of "the lively childhood of our era.".

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798641548111Subjects--Topical Terms:

2122690
Fine arts.
Index Terms--Genre/Form:

542853
Electronic books.

Guillaume Apollinaire : = Catalyst for Primitivism, for Picabia and Duchamp.
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245 1 0 $a Guillaume Apollinaire : $b Catalyst for Primitivism, for Picabia and Duchamp.
264 0 $c 1981
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500 $a Source: Dissertations Abstracts International, Volume: 42-07, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
502 $a Thesis (Ph.D.)--University of Virginia, 1981.
504 $a Includes bibliographical references
520 $a Literary critics and art historians have accorded Apollinaire major attention. Yet their numerous studies of his work focus primarily on his relationship to Cubism, Orphism or Simultanism. They leave unexplored two pivotal aspects of his activities in the art world; his penchant for primitivism and his role as influential animateur. Primitivism not only permeated Apollinaire's poetry and prose, but also his writings on art. It played a determining role in his career, transcending and subsuming all the other "isms" of the period. The opening chapter introduces the phenomenon of primitivism in the arts in the first two decades of the century. The second studies Apollinaire's neglected role as promoter and spokesman for Negro art. The third focuses on his presence as inspiring force for Picabia and Duchamp, the two artists who, in their primitive involvement with language, paralleled the plastic innovations of Apollinaire's Calligrams. The accumulation of material modifies the image of Apollinaire as the "Pope of Cubism" and reveals him as a catalytic force or phare of modern art, igniting the torch of primitivism. Several unsigned notes found among Apollinaire's personal clippings--not included in his collected writings on art--an unpublished text on Negro art, heretofore unknown letters, and Picasso's earliest statements on African and Greek art, are brought to light. These new materials illuminate Apollinaire's position as an ardent supporter of the primitive esthetic, from his first references to it around 1907 until his last in 1918, on the eve of his death. As the best friend and mentor of Picasso, Apollinaire shared his "discovery" of African art and encouraged him in his first confrontation with the Negroes. In a smaller vein, he inspired Picabia's and Duchamp's first raw experiments with language, puns and word-games. He recognised instinct and intuition as energizing forces of creativity and discovered in all forms of primitive and na(')ive art, a source of inspiration. This study proposes to demonstrate that Apollinaire's penchant for primitivism emerged from his spiritual side, his philosophical background, his insatiable curiosity, his desire to shock, and his thirst for novelty and experimentation. These personal characteristics make him both an admirer and a promoter of it; for that endeavor, he deserves to be called a catalyst. Apollinaire's life and work beautifully illustrate how the primitive flows into the modern. He emerges from this study not only as a precursor of Dada and Surrealism, but also as an incarnation of "the lively childhood of our era.".
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Fine arts. $3 2122690
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0357
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a University of Virginia. $3 645578
773 0 $t Dissertations Abstracts International $g 42-07A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8219071 $z click for full text (PQDT)