東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s./
Author:	Fialkowski, Jennifer.
Description:	1 online resource (62 pages)
Notes:	Source: Masters Abstracts International, Volume: 84-09.
Contained By:	Masters Abstracts International84-09.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30240916click for full text (PQDT)
ISBN:	9798377600183

The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s.
Fialkowski, Jennifer.

The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s. - 1 online resource (62 pages)

Source: Masters Abstracts International, Volume: 84-09.

Thesis (M.A.)--Sotheby's Institute of Art - New York, 2023.

Includes bibliographical references

This paper explores various controversies within female performance art during the 1960s and 1970s in the United States, specifically performances where the artists is nude. It largely highlights the New York scene across two decades but does not only explore the artists working on the East Coast. Through focusing on performances from a multitude of women artists, this paper hopes to uncover why there were controversies with these performances. In addition, the study of works will focus on the nude female body often as the primary material within the work. While much of this paper will use the term "female" because of the presence of female genitalia in the performances, it is important to note that this paper is in no way claiming that genitals equate to gender or sex equates to gender. The categorization of works into active and passive categories hopes to understand better the artists' intentions and the public's reaction to the works. Before this paper finds itself in the nitty gritty of the 1960s and 1970s scene, it is essential first to understand the roots of performance art and better acknowledge those who, while having a significant impact on the field, will not be explored further in this paper.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798377600183Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

FeministIndex Terms--Genre/Form:

542853
Electronic books.

The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s.
LDR:02597nmm a2200409K 4500 001 2359101
005 20230906055314.5
006 m o d
007 cr mn ---uuuuu
008 241011s2023 xx obm 000 0 eng d
020 $a 9798377600183
035 $a (MiAaPQ)AAI30240916
035 $a AAI30240916
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Fialkowski, Jennifer. $3 3699674
245 1 4 $a The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s.
264 0 $c 2023
300 $a 1 online resource (62 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 84-09.
500 $a Advisor: Berecz, Agnes.
502 $a Thesis (M.A.)--Sotheby's Institute of Art - New York, 2023.
504 $a Includes bibliographical references
520 $a This paper explores various controversies within female performance art during the 1960s and 1970s in the United States, specifically performances where the artists is nude. It largely highlights the New York scene across two decades but does not only explore the artists working on the East Coast. Through focusing on performances from a multitude of women artists, this paper hopes to uncover why there were controversies with these performances. In addition, the study of works will focus on the nude female body often as the primary material within the work. While much of this paper will use the term "female" because of the presence of female genitalia in the performances, it is important to note that this paper is in no way claiming that genitals equate to gender or sex equates to gender. The categorization of works into active and passive categories hopes to understand better the artists' intentions and the public's reaction to the works. Before this paper finds itself in the nitty gritty of the 1960s and 1970s scene, it is essential first to understand the roots of performance art and better acknowledge those who, while having a significant impact on the field, will not be explored further in this paper.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 2122701
650 4 $a Art criticism. $3 526357
650 4 $a Womens studies. $3 2122688
650 4 $a Performing arts education. $3 3173434
653 $a Feminist
653 $a Nude body
653 $a Performance art
653 $a Controversy
653 $a Female performance
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0377
690 $a 0453
690 $a 0365
690 $a 0457
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Sotheby's Institute of Art - New York. $b Contemporary Art. $3 2093307
773 0 $t Masters Abstracts International $g 84-09.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30240916 $z click for full text (PQDT)