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We Would Strike : = Documentary Beyond Representation in a Post-Industrial Spanish Town.
Record Type:
Electronic resources : Monograph/item
Title/Author:
We Would Strike :/
Reminder of title:
Documentary Beyond Representation in a Post-Industrial Spanish Town.
Author:
Delgado Pereira, Arturo J.
Description:
1 online resource (175 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 84-08, Section: A.
Contained By:
Dissertations Abstracts International84-08A.
Subject:
Fine arts. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29998351click for full text (PQDT)
ISBN:
9798371921048
We Would Strike : = Documentary Beyond Representation in a Post-Industrial Spanish Town.
Delgado Pereira, Arturo J.
We Would Strike :
Documentary Beyond Representation in a Post-Industrial Spanish Town. - 1 online resource (175 pages)
Source: Dissertations Abstracts International, Volume: 84-08, Section: A.
Thesis (Ph.D.)--University of California, Santa Cruz, 2022.
Includes bibliographical references
Before a documentary film becomes representation -something about reality- it is an event that happens in reality. It is a creative and social process that intervenes in the place and historical time where it takes place. This dissertation builds from the artistic research I developed for the film project Encierro, a documentary reenactment of a mining strike in my hometown of Almaden (Ciudad Real) in 1984. Engaging reenactment practices and a speculative scenario as a mode of intervening in reality, Encierro proposes what if 11 people would lock underground for 11 days now when the mine of Almaden is closed for production, and we suffer the ruinous effects of the lack of restructuring plans? Apart from engaging our collective mining past-performing the form and duration of a previous workers' strike-Encierro proposes the underground as a living and symbolic space to foster a series of conversations, encounters, and social and political propositions to reimagine Almaden.This dissertation explores the capacity of fieldwork, artistic methodologies, and documentary shooting to intervene in reality. It presents documentary fieldwork and shooting as spaces of in-betweenness, anchored in the field's reality and removed from it, as it happens with ritual, play, and carnival. Building from this liminality, and foregrounding process over representation, this artistic research aims to present documentary shooting as potential spaces for personal, social, and political experimentation beyond documentation, representation, and signification. Ultimately, Encierro raises the question of whether the recreation of a strike can also be considered an iteration of a strike, even though in post-industrial Almaden there is no more mining, no more production to close, and this "strike" does not come from a labor action, but from artistic practice.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798371921048Subjects--Topical Terms:
2122690
Fine arts.
Subjects--Index Terms:
MiningIndex Terms--Genre/Form:
542853
Electronic books.
We Would Strike : = Documentary Beyond Representation in a Post-Industrial Spanish Town.
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Documentary Beyond Representation in a Post-Industrial Spanish Town.
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Source: Dissertations Abstracts International, Volume: 84-08, Section: A.
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Advisor: Friz, Anna.
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Thesis (Ph.D.)--University of California, Santa Cruz, 2022.
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Includes bibliographical references
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Before a documentary film becomes representation -something about reality- it is an event that happens in reality. It is a creative and social process that intervenes in the place and historical time where it takes place. This dissertation builds from the artistic research I developed for the film project Encierro, a documentary reenactment of a mining strike in my hometown of Almaden (Ciudad Real) in 1984. Engaging reenactment practices and a speculative scenario as a mode of intervening in reality, Encierro proposes what if 11 people would lock underground for 11 days now when the mine of Almaden is closed for production, and we suffer the ruinous effects of the lack of restructuring plans? Apart from engaging our collective mining past-performing the form and duration of a previous workers' strike-Encierro proposes the underground as a living and symbolic space to foster a series of conversations, encounters, and social and political propositions to reimagine Almaden.This dissertation explores the capacity of fieldwork, artistic methodologies, and documentary shooting to intervene in reality. It presents documentary fieldwork and shooting as spaces of in-betweenness, anchored in the field's reality and removed from it, as it happens with ritual, play, and carnival. Building from this liminality, and foregrounding process over representation, this artistic research aims to present documentary shooting as potential spaces for personal, social, and political experimentation beyond documentation, representation, and signification. Ultimately, Encierro raises the question of whether the recreation of a strike can also be considered an iteration of a strike, even though in post-industrial Almaden there is no more mining, no more production to close, and this "strike" does not come from a labor action, but from artistic practice.
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Ann Arbor, Mich. :
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ProQuest,
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Mode of access: World Wide Web
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University of California, Santa Cruz.
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84-08A.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29998351
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click for full text (PQDT)
based on 0 review(s)
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