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Creating Receptive Spaces Within the Gallery : = a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Creating Receptive Spaces Within the Gallery :/
Reminder of title:
a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation.
Author:
Armus, Tawny Skye.
Description:
1 online resource (60 pages)
Notes:
Source: Masters Abstracts International, Volume: 84-01.
Contained By:
Masters Abstracts International84-01.
Subject:
Art criticism. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29252477click for full text (PQDT)
ISBN:
9798819390528
Creating Receptive Spaces Within the Gallery : = a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation.
Armus, Tawny Skye.
Creating Receptive Spaces Within the Gallery :
a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation. - 1 online resource (60 pages)
Source: Masters Abstracts International, Volume: 84-01.
Thesis (M.F.A.)--The University of Memphis, 2022.
Includes bibliographical references
Through the use of personal place and memory, the artist fosters environments in the gallery to navigate healing from trauma. By cultivating this type of space, survivors of trauma can begin to dissect and navigate through imagery of another survivor in order to visualize ways in which to navigate their own. The artist, Tawny Skye, begins to explore this route by recreating her bedroom in a public gallery. Inviting others to openly gaze at her work, she is bearing her trauma for the audience without directly triggering them with the graphic imagery which is known to cause discomfort, panic attacks, and even flashbacks. She sees avoiding these triggers for her audience as significant as anything else in the #metoo conversation. This work begins to find ways for survivors to openly discuss experiences of sexual assault without further harm. Influenced by the works of Suzanne Lacy, Liza Lou, Tracy Emin, and ancient feminine sculptures, Tawny is using personalized visual imagery to convey emotional navigation, intimacy, and trauma healing. Landscape sculptures serve as reliquaries for her story in combination with paintings in which she alters her body in reference to the process of healing from trauma.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798819390528Subjects--Topical Terms:
526357
Art criticism.
Subjects--Index Terms:
#metooIndex Terms--Genre/Form:
542853
Electronic books.
Creating Receptive Spaces Within the Gallery : = a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation.
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a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation.
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Source: Masters Abstracts International, Volume: 84-01.
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Advisor: Roberts, Kate; Lou, Richard.
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Through the use of personal place and memory, the artist fosters environments in the gallery to navigate healing from trauma. By cultivating this type of space, survivors of trauma can begin to dissect and navigate through imagery of another survivor in order to visualize ways in which to navigate their own. The artist, Tawny Skye, begins to explore this route by recreating her bedroom in a public gallery. Inviting others to openly gaze at her work, she is bearing her trauma for the audience without directly triggering them with the graphic imagery which is known to cause discomfort, panic attacks, and even flashbacks. She sees avoiding these triggers for her audience as significant as anything else in the #metoo conversation. This work begins to find ways for survivors to openly discuss experiences of sexual assault without further harm. Influenced by the works of Suzanne Lacy, Liza Lou, Tracy Emin, and ancient feminine sculptures, Tawny is using personalized visual imagery to convey emotional navigation, intimacy, and trauma healing. Landscape sculptures serve as reliquaries for her story in combination with paintings in which she alters her body in reference to the process of healing from trauma.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29252477
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click for full text (PQDT)
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