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Bio-Rhythms / Digi-Rhythms : = Synthesising the Digitally Mediated Body Through Performative Methodologies.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Bio-Rhythms / Digi-Rhythms :/
Reminder of title:	Synthesising the Digitally Mediated Body Through Performative Methodologies.
Author:	Hughes, Kathryn Lawson .
Description:	1 online resource (305 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 83-02, Section: B.
Contained By:	Dissertations Abstracts International83-02B.
Subject:	Physiology. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28667834click for full text (PQDT)
ISBN:	9798516911125

Bio-Rhythms / Digi-Rhythms : = Synthesising the Digitally Mediated Body Through Performative Methodologies.
Hughes, Kathryn Lawson .

Bio-Rhythms / Digi-Rhythms :Synthesising the Digitally Mediated Body Through Performative Methodologies. - 1 online resource (305 pages)

Source: Dissertations Abstracts International, Volume: 83-02, Section: B.

Thesis (Ph.D.)--University of Wales Trinity Saint David (United Kingdom), 2021.

Includes bibliographical references

This research focuses on contemporary practices of digital self-tracking, popularised through the rise in biometric devices, which enable subjects to track their health in terms of biometric data and movements such as the Quantified Self which provide a platform for individuals to share their health data and self-tracking practices. This research explores how biometric devices enable us to simultaneously selfproduce our identities and allow data versions of ourselves to be 'captured' by bigdata analytics, which subsequently inform the health parameters of a biopolitical discourse. As digital devices increasingly permeate our lives, the 'biorhythms' of embodied experience are arguably given less cultural significance. This research proposes the development of a subjective negotiation of the body, through performative and embodied aesthetic research methodologies, which will develop a theoretical framework for how we might better 'speak' our bodies in a post-digital context. Using the theory of Rhythmanalysis (2004), developed by Henri Lefebvre, rhythm will be adopted as a metaphor for re-thinking our interrelation with digital interfaces, beyond the limiting parameters of a dualistic understanding of the biological body and the digitally-mediated body. This research proposes a 'rhythm-analytical' approach, a space between the sensory body (bio-rhythm) and its mediation through the digital (digi-rhythm), as a methodology to synthesise bio/digital polarities.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798516911125Subjects--Topical Terms:

518431
Physiology.
Index Terms--Genre/Form:

542853
Electronic books.

Bio-Rhythms / Digi-Rhythms : = Synthesising the Digitally Mediated Body Through Performative Methodologies.
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500 $a Source: Dissertations Abstracts International, Volume: 83-02, Section: B.
502 $a Thesis (Ph.D.)--University of Wales Trinity Saint David (United Kingdom), 2021.
504 $a Includes bibliographical references
520 $a This research focuses on contemporary practices of digital self-tracking, popularised through the rise in biometric devices, which enable subjects to track their health in terms of biometric data and movements such as the Quantified Self which provide a platform for individuals to share their health data and self-tracking practices. This research explores how biometric devices enable us to simultaneously selfproduce our identities and allow data versions of ourselves to be 'captured' by bigdata analytics, which subsequently inform the health parameters of a biopolitical discourse. As digital devices increasingly permeate our lives, the 'biorhythms' of embodied experience are arguably given less cultural significance. This research proposes the development of a subjective negotiation of the body, through performative and embodied aesthetic research methodologies, which will develop a theoretical framework for how we might better 'speak' our bodies in a post-digital context. Using the theory of Rhythmanalysis (2004), developed by Henri Lefebvre, rhythm will be adopted as a metaphor for re-thinking our interrelation with digital interfaces, beyond the limiting parameters of a dualistic understanding of the biological body and the digitally-mediated body. This research proposes a 'rhythm-analytical' approach, a space between the sensory body (bio-rhythm) and its mediation through the digital (digi-rhythm), as a methodology to synthesise bio/digital polarities.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
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710 2 $a University of Wales Trinity Saint David (United Kingdom). $3 3542779
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