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A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality./
Author:	Prosser, Simon Kenneth Scott.
Description:	1 online resource (260 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 83-01, Section: A.
Contained By:	Dissertations Abstracts International83-01A.
Subject:	Music theory. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28547708click for full text (PQDT)
ISBN:	9798516962417

A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality.
Prosser, Simon Kenneth Scott.

A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality. - 1 online resource (260 pages)

Source: Dissertations Abstracts International, Volume: 83-01, Section: A.

Thesis (Ph.D.)--City University of New York, 2021.

Includes bibliographical references

Prevalent modern-day theories of tonal hierarchy for eighteenth-century music, especially those influenced by the ideas of Heinrich Schenker, have been called into question by schema theorists such as Robert Gjerdingen and Vasili Byros, who argue from both cognitive and historical evidence that eighteenth-century tonal cognition was sequential or "windowed" rather than hierarchical. This dissertation seeks to recuperate the concept of tonal hierarchy in eighteenth-century music, drawing on research that reconstructs the implicit tonal theories of the partimento and thoroughbass traditions, as well as concepts of hierarchy from schema theory itself, to formulate a historically and cognitively grounded theory of tonal hierarchy for eighteenth-century music from a schema-theoretic perspective. It also theorizes a set of "middleground" schemata that structure the larger tonal discourse of eighteenth-century compositions.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798516962417Subjects--Topical Terms:

547155
Music theory.
Subjects--Index Terms:

PartimentoIndex Terms--Genre/Form:

542853
Electronic books.

A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality.
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500 $a Advisor: Burstein, L. Poundie.
502 $a Thesis (Ph.D.)--City University of New York, 2021.
504 $a Includes bibliographical references
520 $a Prevalent modern-day theories of tonal hierarchy for eighteenth-century music, especially those influenced by the ideas of Heinrich Schenker, have been called into question by schema theorists such as Robert Gjerdingen and Vasili Byros, who argue from both cognitive and historical evidence that eighteenth-century tonal cognition was sequential or "windowed" rather than hierarchical. This dissertation seeks to recuperate the concept of tonal hierarchy in eighteenth-century music, drawing on research that reconstructs the implicit tonal theories of the partimento and thoroughbass traditions, as well as concepts of hierarchy from schema theory itself, to formulate a historically and cognitively grounded theory of tonal hierarchy for eighteenth-century music from a schema-theoretic perspective. It also theorizes a set of "middleground" schemata that structure the larger tonal discourse of eighteenth-century compositions.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Music theory. $3 547155
650 4 $a Musical composition. $3 3289630
650 4 $a Music. $3 516178
650 4 $a History. $3 516518
650 4 $a Quartets (Musical works). $3 3699553
650 4 $a Culture. $3 517003
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