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The Photograph Reflected : = Appropriations of the Vernacular in Contemporary Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Photograph Reflected :/
其他題名:	Appropriations of the Vernacular in Contemporary Art.
作者:	Ferreira Alves, Cesario Manuel.
面頁冊數:	1 online resource (172 pages)
附註:	Source: Dissertations Abstracts International, Volume: 82-09, Section: A.
Contained By:	Dissertations Abstracts International82-09A.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28460562click for full text (PQDT)
ISBN:	9798597067148

The Photograph Reflected : = Appropriations of the Vernacular in Contemporary Art.
Ferreira Alves, Cesario Manuel.

The Photograph Reflected :Appropriations of the Vernacular in Contemporary Art. - 1 online resource (172 pages)

Source: Dissertations Abstracts International, Volume: 82-09, Section: A.

Thesis (Ph.D.)--University of Derby (United Kingdom), 2021.

Includes bibliographical references

This research is concerned with the appropriation of personal photographs within contemporary art practice. The scope of the investigation ranges from the study of history and theory of photography to the making of experimental artworks with vernacular photographic artefacts and images of the pre-digital era.The study focuses on tracing the origins of the concept of appropriation in the history of art and the influence of the technical and artistic developments of the photographic medium in its birth and evolution, followed by an analysis of modes of appropriation of vernacular photographs by artists in the twentieth and twenty first centuries.Through practice, there is an engagement with the appropriation of photographs from an institutional archive, found artefacts and autobiographical material, relating them in ways which take in consideration their specific morphological features, historical traces and connections to memory. What concerns this study is therefore how and if the photographs coming from these various sources relate to this unstable and permanently expanding definition of vernacular photography, and its inscription in the history of photography.The body of work to which this text refers is not documentary but it is about the limits of the document, involving a staging and performance of the concept of archive and its fragmentations. The photographs appropriated are put in evidence in the new creations through selection, sequencing, writing, displaying, performing and publishing. Each piece presented is an essay about ways of seeing and thinking the tangible matter of old vernacular photographs.The technological tools used in the process of study, transformation and presentation of practice are the ones available today. They allow us to demonstrate that photography as always been a technological tool in permanent change and a motor to the dominant cultural and political systems of our era. Contemporary digital devices of presentation and analysis of photographic images became a key aspect of the practice associated with this research as a means to make photography reflect on itself.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798597067148Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

PhotographyIndex Terms--Genre/Form:

542853
Electronic books.

The Photograph Reflected : = Appropriations of the Vernacular in Contemporary Art.
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