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Modern Chinese Literature in Hong Kong : = A Study of Bafang (1979-1990).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Modern Chinese Literature in Hong Kong :/
Reminder of title:
A Study of Bafang (1979-1990).
Author:
Lok, Sin-ming.
Description:
1 online resource (230 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Contained By:
Dissertations Abstracts International83-03A.
Subject:
Modern literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28735924click for full text (PQDT)
ISBN:
9798535514574
Modern Chinese Literature in Hong Kong : = A Study of Bafang (1979-1990).
Lok, Sin-ming.
Modern Chinese Literature in Hong Kong :
A Study of Bafang (1979-1990). - 1 online resource (230 pages)
Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Thesis (Ph.D.)--Hong Kong University of Science and Technology (Hong Kong), 2020.
Includes bibliographical references
As Cultural Revolution ended in late 1970s, Chinese intellectuals were again in their quest for modernity by referencing western cultures. However, as soon as the "Reform and Opening" policy was promulgated, the Chinese cultural modernity failed to resurrect the zeitgeist of May Fourth era. At the same time, literature of critical realism was no longer popular after social movements in Hong Kong lost its momentum. Bafang Wenyi Congkan 八方文藝叢刊 (1979-1990) determined to create a nonpartisan magazine for Chinese writers on the Mainland and overseas. This thesis proposes that Bafang has reconsidered the cultural scene of China and overcame the Cold War ideology by addressing the notion of "Modern". The case study of Bafang illustrates the perspective of Hong Kong intellectuals and looks for alternative routes to widen the scope of modern Chinese literature and arts. The thesis consists of six parts. The first part is the introduction, which situates the seeking of Chinese cultural modernity of Bafang in the historical and political background of China from late 1970s to early 1990s. The second part investigates how Chinese writers developed an unofficial literature model by integrating realism and modernism. The third part illustrates how Bafang referenced to Eastern European Literature and tried to propose social reform through Chinese Avant-garde Literature. The fourth part discusses the creative transformation of the Chinese "Wenren" (literati) tradition and how Hong Kong intellectuals adopted it in 1980s. The fifth part examines Chen Ying-zhen's perspective of social intellectual history and its impact on Hong Kong literature. The sixth and last part concludes the importance of Bafang to Hong Kong Literature and Chinese Literature.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798535514574Subjects--Topical Terms:
2122750
Modern literature.
Subjects--Index Terms:
Modern Chinese literatureIndex Terms--Genre/Form:
542853
Electronic books.
Modern Chinese Literature in Hong Kong : = A Study of Bafang (1979-1990).
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A Study of Bafang (1979-1990).
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Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
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Advisor: Fan, Sin Piu.
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Thesis (Ph.D.)--Hong Kong University of Science and Technology (Hong Kong), 2020.
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Includes bibliographical references
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As Cultural Revolution ended in late 1970s, Chinese intellectuals were again in their quest for modernity by referencing western cultures. However, as soon as the "Reform and Opening" policy was promulgated, the Chinese cultural modernity failed to resurrect the zeitgeist of May Fourth era. At the same time, literature of critical realism was no longer popular after social movements in Hong Kong lost its momentum. Bafang Wenyi Congkan 八方文藝叢刊 (1979-1990) determined to create a nonpartisan magazine for Chinese writers on the Mainland and overseas. This thesis proposes that Bafang has reconsidered the cultural scene of China and overcame the Cold War ideology by addressing the notion of "Modern". The case study of Bafang illustrates the perspective of Hong Kong intellectuals and looks for alternative routes to widen the scope of modern Chinese literature and arts. The thesis consists of six parts. The first part is the introduction, which situates the seeking of Chinese cultural modernity of Bafang in the historical and political background of China from late 1970s to early 1990s. The second part investigates how Chinese writers developed an unofficial literature model by integrating realism and modernism. The third part illustrates how Bafang referenced to Eastern European Literature and tried to propose social reform through Chinese Avant-garde Literature. The fourth part discusses the creative transformation of the Chinese "Wenren" (literati) tradition and how Hong Kong intellectuals adopted it in 1980s. The fifth part examines Chen Ying-zhen's perspective of social intellectual history and its impact on Hong Kong literature. The sixth and last part concludes the importance of Bafang to Hong Kong Literature and Chinese Literature.
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Modern literature.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28735924
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click for full text (PQDT)
based on 0 review(s)
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