Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Linked to FindBook
Google Book
Amazon
博客來
Composing with Musical Instruments : = Physicality and Instrument Intervention in the Creative Process.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Composing with Musical Instruments :/
Reminder of title:
Physicality and Instrument Intervention in the Creative Process.
Author:
Herron, Molly.
Description:
1 online resource (208 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 83-05, Section: A.
Contained By:
Dissertations Abstracts International83-05A.
Subject:
Musical composition. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28646628click for full text (PQDT)
ISBN:
9798460486922
Composing with Musical Instruments : = Physicality and Instrument Intervention in the Creative Process.
Herron, Molly.
Composing with Musical Instruments :
Physicality and Instrument Intervention in the Creative Process. - 1 online resource (208 pages)
Source: Dissertations Abstracts International, Volume: 83-05, Section: A.
Thesis (Ph.D.)--Princeton University, 2021.
Includes bibliographical references
For many composers, the physical practice of making music with an instrument plays a prominent role in their creative process. While intellectual and abstract forms of musical understanding have received much attention in scholarship, the body's knowledge and understanding of music-and its place in the creative process-is often overlooked. Composers with and without instrumental expertise incorporate the influence of instrumental understanding in their compositions. This can be through direct experience or abstract understanding and it affects music in both concrete and ephemeral ways. Instrumental knowledge can also hinder the creative process in a variety of ways for different artists. Through interviews and the analysis of composed works, the work and personal experiences of fifteen composers, including the author, form the central offering of this paper. Interspersed with first hand accounts are voices from scholars of musicology, music cognition, philosophy of perception, and music technology and instrumentality.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798460486922Subjects--Topical Terms:
3289630
Musical composition.
Subjects--Index Terms:
Creative processIndex Terms--Genre/Form:
542853
Electronic books.
Composing with Musical Instruments : = Physicality and Instrument Intervention in the Creative Process.
LDR
:02408nmm a2200385K 4500
001
2358656
005
20230824071937.5
006
m o d
007
cr mn ---uuuuu
008
241011s2021 xx obm 000 0 eng d
020
$a
9798460486922
035
$a
(MiAaPQ)AAI28646628
035
$a
AAI28646628
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Herron, Molly.
$3
3699197
245
1 0
$a
Composing with Musical Instruments :
$b
Physicality and Instrument Intervention in the Creative Process.
264
0
$c
2021
300
$a
1 online resource (208 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertations Abstracts International, Volume: 83-05, Section: A.
500
$a
Advisor: Trueman, Daniel.
502
$a
Thesis (Ph.D.)--Princeton University, 2021.
504
$a
Includes bibliographical references
520
$a
For many composers, the physical practice of making music with an instrument plays a prominent role in their creative process. While intellectual and abstract forms of musical understanding have received much attention in scholarship, the body's knowledge and understanding of music-and its place in the creative process-is often overlooked. Composers with and without instrumental expertise incorporate the influence of instrumental understanding in their compositions. This can be through direct experience or abstract understanding and it affects music in both concrete and ephemeral ways. Instrumental knowledge can also hinder the creative process in a variety of ways for different artists. Through interviews and the analysis of composed works, the work and personal experiences of fifteen composers, including the author, form the central offering of this paper. Interspersed with first hand accounts are voices from scholars of musicology, music cognition, philosophy of perception, and music technology and instrumentality.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2023
538
$a
Mode of access: World Wide Web
650
4
$a
Musical composition.
$3
3289630
650
4
$a
Music.
$3
516178
653
$a
Creative process
653
$a
Embodiment
653
$a
Music cognition
653
$a
Music composition
653
$a
Musical Instruments
655
7
$a
Electronic books.
$2
lcsh
$3
542853
690
$a
0214
690
$a
0413
710
2
$a
ProQuest Information and Learning Co.
$3
783688
710
2
$a
Princeton University.
$b
Music.
$3
2095983
773
0
$t
Dissertations Abstracts International
$g
83-05A.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28646628
$z
click for full text (PQDT)
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9481012
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login