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Standard Practices : = Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Standard Practices :/
Reminder of title:	Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music.
Author:	Baker, Ben.
Description:	1 online resource (322 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 82-10, Section: A.
Contained By:	Dissertations Abstracts International82-10A.
Subject:	Music history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28415150click for full text (PQDT)
ISBN:	9798708750648

Standard Practices : = Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music.
Baker, Ben.

Standard Practices :Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music. - 1 online resource (322 pages)

Source: Dissertations Abstracts International, Volume: 82-10, Section: A.

Thesis (Ph.D.)--University of Rochester, 2021.

Includes bibliographical references

This dissertation examines acoustic jazz performances of recorded, post-1960 popular music, focusing on the compositional and improvisational transformations involved in these performances and how they configure the intertextual relationship between a jazz palimpsest and its source recording. After situating this modern performance practice between existing recreative traditions in popular music and jazz, the study proposes a flexible model for this intertextual relationship that plots interdependencies between musical transformations, perceptions of creative agency, and a listener's assumptions about ontology and expressive intent. Using a limited corpus of jazz recordings as a representative sample of the broader performance practice, three case studies then couple targeted examinations of particular musical transformations with analyses of performances by three jazz piano trios. The first study examines formal repetition schemes and reharmonizations in arrangements by Brad Mehldau; the second theorizes the complication of duple metric hierarchies in asymmetric grooves by Vijay Iyer; and the third examines the function of irony, coordinating parameters, and referent types in the arranging and improvisational practices of The Bad Plus.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798708750648Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

AgencyIndex Terms--Genre/Form:

542853
Electronic books.

Standard Practices : = Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music.
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245 1 0 $a Standard Practices : $b Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music.
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500 $a Source: Dissertations Abstracts International, Volume: 82-10, Section: A.
500 $a Advisor: Covach, John.
502 $a Thesis (Ph.D.)--University of Rochester, 2021.
504 $a Includes bibliographical references
520 $a This dissertation examines acoustic jazz performances of recorded, post-1960 popular music, focusing on the compositional and improvisational transformations involved in these performances and how they configure the intertextual relationship between a jazz palimpsest and its source recording. After situating this modern performance practice between existing recreative traditions in popular music and jazz, the study proposes a flexible model for this intertextual relationship that plots interdependencies between musical transformations, perceptions of creative agency, and a listener's assumptions about ontology and expressive intent. Using a limited corpus of jazz recordings as a representative sample of the broader performance practice, three case studies then couple targeted examinations of particular musical transformations with analyses of performances by three jazz piano trios. The first study examines formal repetition schemes and reharmonizations in arrangements by Brad Mehldau; the second theorizes the complication of duple metric hierarchies in asymmetric grooves by Vijay Iyer; and the third examines the function of irony, coordinating parameters, and referent types in the arranging and improvisational practices of The Bad Plus.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Music history. $3 3342382
650 4 $a Jazz. $3 603331
653 $a Agency
653 $a Improvisation
653 $a Intertextuality
653 $a Jazz
653 $a Popular music
653 $a Standard
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690 $a 0208
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a University of Rochester. $b Eastman School of Music. $3 2105259
773 0 $t Dissertations Abstracts International $g 82-10A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28415150 $z click for full text (PQDT)