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Composing Timbre Spaces, Composing Timbre in Space : = An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Composing Timbre Spaces, Composing Timbre in Space :/
Reminder of title:	An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications.
Author:	Reid, Leah Christinne.
Description:	1 online resource (168 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 82-04, Section: A.
Contained By:	Dissertations Abstracts International82-04A.
Subject:	Musical composition. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28122699click for full text (PQDT)
ISBN:	9798664737462

Composing Timbre Spaces, Composing Timbre in Space : = An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications.
Reid, Leah Christinne.

Composing Timbre Spaces, Composing Timbre in Space :An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications. - 1 online resource (168 pages)

Source: Dissertations Abstracts International, Volume: 82-04, Section: A.

Thesis (D.M.A.)--Stanford University, 2013.

Includes bibliographical references

This final project is comprised of three works completed over the past two years, and an introductory paper that briefly outlines the approaches to timbre taken in each piece. All three of the compositions approach timbre from a different perspective and explore the possibilities and compositional applications of multidimensional timbre representations. The final project does not present a comprehensive history of timbre, all the research that has been undertaken on the topic, or a complete account of the composers who have used timbre models. Rather, the models and compositions presented here are meant to provide insight into my own compositional thought process. The three original pieces illustrate a trajectory through which composing with timbre yielded new creative insights and compositional techniques. Emergent in these works is a common theme and exploration of "timbre space" and "timbre in space."The first piece presented in this portfolio is Ostiatim, for string quartet. It explores timbre space as a morphing device for sculpting material. Ostiatim was premiered by the Jack Quartet.The second piece, Clocca, for chamber ensemble, examines timbre space as a structuring device. Clocca was premiered by the Talea Ensemble.Finally, the third piece in the collection, Occupied Spaces, for two piano and percussion, explores a series of timbral spaces, presented as "rooms, " which grow, shrink, and continuously shift in shape. Unlike Ostiatim and Clocca, this final piece explores timbre in space. Occupied Spaces was premiered by the ensemble Yarn/Wire.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798664737462Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

TimbreIndex Terms--Genre/Form:

542853
Electronic books.

Composing Timbre Spaces, Composing Timbre in Space : = An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications.
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520 $a This final project is comprised of three works completed over the past two years, and an introductory paper that briefly outlines the approaches to timbre taken in each piece. All three of the compositions approach timbre from a different perspective and explore the possibilities and compositional applications of multidimensional timbre representations. The final project does not present a comprehensive history of timbre, all the research that has been undertaken on the topic, or a complete account of the composers who have used timbre models. Rather, the models and compositions presented here are meant to provide insight into my own compositional thought process. The three original pieces illustrate a trajectory through which composing with timbre yielded new creative insights and compositional techniques. Emergent in these works is a common theme and exploration of "timbre space" and "timbre in space."The first piece presented in this portfolio is Ostiatim, for string quartet. It explores timbre space as a morphing device for sculpting material. Ostiatim was premiered by the Jack Quartet.The second piece, Clocca, for chamber ensemble, examines timbre space as a structuring device. Clocca was premiered by the Talea Ensemble.Finally, the third piece in the collection, Occupied Spaces, for two piano and percussion, explores a series of timbral spaces, presented as "rooms, " which grow, shrink, and continuously shift in shape. Unlike Ostiatim and Clocca, this final piece explores timbre in space. Occupied Spaces was premiered by the ensemble Yarn/Wire.
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