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The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Practices of Everyday Life and the Syrian Body :/
Reminder of title:
Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
Author:
Masri Zada, Basil.
Description:
1 online resource (260 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
Contained By:
Dissertations Abstracts International84-05A.
Subject:
Fine arts. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30164340click for full text (PQDT)
ISBN:
9798352637708
The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
Masri Zada, Basil.
The Practices of Everyday Life and the Syrian Body :
Art, Life, and Political Activism of the Syrian Crisis, 2011-2022. - 1 online resource (260 pages)
Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
Thesis (Ph.D.)--Ohio University, 2022.
Includes bibliographical references
This dissertation investigates the works, thoughts, and practices of everyday life of a diverse range of emerging contemporary Syrian artists and filmmakers who created art during the Syrian crisis since 2011. Some stayed in Syria. Others fled the country. Some engaged in armed resistance or political activism. Others lost their lives. This dissertation is primarily concerned with how these individuals created art that reflected the everyday life of Syrians throughout the crisis. The focus on everyday life is crucial because it shifts scholarly attention on the Syrian crisis away from the war itself and onto the overlooked Syrians who are creatively trying to survive it. Drawing on interviews, aesthetic analysis, and participant-observation, I argue that Syrian artists try to reclaim the Syrian identity and homeland concepts back to their cultural heritages and away from political or war realities. In addition, I discuss a new model of the Syrian body of survival and its representations based on its transformations between different modes of survival practices. This dissertation seeks to enrich art history, Performance Studies, and scholarly approaches to the Syrian crisis by positioning Syrian art as a global and contemporary art phenomenon and by documenting, preserving, analyzing, and presenting its artists to the international public. It pays particular attention to Syrian art's local, regional, and global specificity while also considering how the artworks and films are produced, distributed, and presented across international art arenas. The ultimate goal of this dissertation is to clarify what it means to be Syrian today, a concept that has been mostly unrepresented, misrepresented, or distorted by stereotyping.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798352637708Subjects--Topical Terms:
2122690
Fine arts.
Subjects--Index Terms:
SyriaIndex Terms--Genre/Form:
542853
Electronic books.
The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
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Advisor: Buchanan, Charles.
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Includes bibliographical references
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This dissertation investigates the works, thoughts, and practices of everyday life of a diverse range of emerging contemporary Syrian artists and filmmakers who created art during the Syrian crisis since 2011. Some stayed in Syria. Others fled the country. Some engaged in armed resistance or political activism. Others lost their lives. This dissertation is primarily concerned with how these individuals created art that reflected the everyday life of Syrians throughout the crisis. The focus on everyday life is crucial because it shifts scholarly attention on the Syrian crisis away from the war itself and onto the overlooked Syrians who are creatively trying to survive it. Drawing on interviews, aesthetic analysis, and participant-observation, I argue that Syrian artists try to reclaim the Syrian identity and homeland concepts back to their cultural heritages and away from political or war realities. In addition, I discuss a new model of the Syrian body of survival and its representations based on its transformations between different modes of survival practices. This dissertation seeks to enrich art history, Performance Studies, and scholarly approaches to the Syrian crisis by positioning Syrian art as a global and contemporary art phenomenon and by documenting, preserving, analyzing, and presenting its artists to the international public. It pays particular attention to Syrian art's local, regional, and global specificity while also considering how the artworks and films are produced, distributed, and presented across international art arenas. The ultimate goal of this dissertation is to clarify what it means to be Syrian today, a concept that has been mostly unrepresented, misrepresented, or distorted by stereotyping.
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click for full text (PQDT)
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