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The Words We Can't Hear : = Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Words We Can't Hear :/
Reminder of title:	Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology.
Author:	Saul, Samuel Omar Dong.
Description:	1 online resource (48 pages)
Notes:	Source: Masters Abstracts International, Volume: 82-01.
Contained By:	Masters Abstracts International82-01.
Subject:	Art criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27831477click for full text (PQDT)
ISBN:	9798607366032

The Words We Can't Hear : = Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology.
Saul, Samuel Omar Dong.

The Words We Can't Hear :Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology. - 1 online resource (48 pages)

Source: Masters Abstracts International, Volume: 82-01.

Thesis (M.F.A.)--Colorado State University, 2020.

Includes bibliographical references

The work presented in this paper investigates the presumption that objects relating to humans are part of a more significant philosophical discussion. Using the philosophical framework of Graham Harman's Object-Oriented Ontology (OOO) as the theoretical foundation, the thesis explores the acknowledgment that by not thinking about the sum of the material parts of objects and the cultural meanings of their interpretations, one could experience new relationships with his/her surrounding objects. Discussions on post-structuralist language theories in contemporary art address how artists use language and cultural symbols in art-objects, challenging already established cultural meanings. In addition, psychological theories of personification of objects, and how they help understand the life of non-living things, support the idea that objects communicate in non-verbal ways to other objects in their environment without the full awareness of people. Conclusively, the thesis will attempt to translate and interpret the unique relationship of living and non-living objects; how non-verbal code is left behind and by challenging language conventions, one can experience a new relationship with objects outside the cultural norms.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798607366032Subjects--Topical Terms:

526357
Art criticism.
Subjects--Index Terms:

Contemporary artIndex Terms--Genre/Form:

542853
Electronic books.

The Words We Can't Hear : = Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology.
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500 $a Source: Masters Abstracts International, Volume: 82-01.
500 $a Advisor: Frazier, Jason.
502 $a Thesis (M.F.A.)--Colorado State University, 2020.
504 $a Includes bibliographical references
520 $a The work presented in this paper investigates the presumption that objects relating to humans are part of a more significant philosophical discussion. Using the philosophical framework of Graham Harman's Object-Oriented Ontology (OOO) as the theoretical foundation, the thesis explores the acknowledgment that by not thinking about the sum of the material parts of objects and the cultural meanings of their interpretations, one could experience new relationships with his/her surrounding objects. Discussions on post-structuralist language theories in contemporary art address how artists use language and cultural symbols in art-objects, challenging already established cultural meanings. In addition, psychological theories of personification of objects, and how they help understand the life of non-living things, support the idea that objects communicate in non-verbal ways to other objects in their environment without the full awareness of people. Conclusively, the thesis will attempt to translate and interpret the unique relationship of living and non-living objects; how non-verbal code is left behind and by challenging language conventions, one can experience a new relationship with objects outside the cultural norms.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
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650 4 $a Philosophy. $3 516511
650 4 $a Art education. $3 547650
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653 $a Object-oriented ontology
653 $a Personification of objects
653 $a Philosophy of art
653 $a Visual communication
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773 0 $t Masters Abstracts International $g 82-01.
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