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Producing Bhangra : = Music, Culture and Technology - Mediating Culture in Music Production.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Producing Bhangra :/
Reminder of title:	Music, Culture and Technology - Mediating Culture in Music Production.
Author:	Lightman, Richard Henry.
Description:	1 online resource (254 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
Contained By:	Dissertations Abstracts International84-05A.
Subject:	Popular music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30158922click for full text (PQDT)
ISBN:	9798352995556

Producing Bhangra : = Music, Culture and Technology - Mediating Culture in Music Production.
Lightman, Richard Henry.

Producing Bhangra :Music, Culture and Technology - Mediating Culture in Music Production. - 1 online resource (254 pages)

Source: Dissertations Abstracts International, Volume: 84-05, Section: A.

Thesis (Ph.D.)--University of Kent (United Kingdom), 2022.

Includes bibliographical references

Lightman's ethnographic research examines the evolution of the South Asian diaspora-based bhangra music brought to the UK and its ultimate hybridization and adaptation by diverse cultures seeking new identities and new commercial avenues. The focus of the research is based on Lightman's experience as a bhangra record producer in the early 1990s; his encounter with the negotiation and translation of musical form and cultural expectations, and the mediation between South Asian and Western sensibilities. Bhangra, originally a celebratory harvest music that accompanied dance, provided the secular space for the translation of ethnic music into a new diverse British music incorporating influences from rock, pop, reggae, soca, Bollywood and the technological advances made in synthesizer technology driven by Western popular mainstream genres and musicians. A majority of the initial mediation and subsequent research relating to this thesis, took place in recording studios. The subtexts of culturally grounded expectation and technological prowess, created unspoken power struggles between the stakeholders in opposition to the express intent to collaborate and produce a creative and commercially successful product. The outcome is a discourse of multicultural mediation which is herein evidenced and interrogated.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798352995556Subjects--Topical Terms:

555592
Popular music.
Index Terms--Genre/Form:

542853
Electronic books.

Producing Bhangra : = Music, Culture and Technology - Mediating Culture in Music Production.
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245 1 0 $a Producing Bhangra : $b Music, Culture and Technology - Mediating Culture in Music Production.
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500 $a Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
500 $a Advisor: Glauert, Amanda.
502 $a Thesis (Ph.D.)--University of Kent (United Kingdom), 2022.
504 $a Includes bibliographical references
520 $a Lightman's ethnographic research examines the evolution of the South Asian diaspora-based bhangra music brought to the UK and its ultimate hybridization and adaptation by diverse cultures seeking new identities and new commercial avenues. The focus of the research is based on Lightman's experience as a bhangra record producer in the early 1990s; his encounter with the negotiation and translation of musical form and cultural expectations, and the mediation between South Asian and Western sensibilities. Bhangra, originally a celebratory harvest music that accompanied dance, provided the secular space for the translation of ethnic music into a new diverse British music incorporating influences from rock, pop, reggae, soca, Bollywood and the technological advances made in synthesizer technology driven by Western popular mainstream genres and musicians. A majority of the initial mediation and subsequent research relating to this thesis, took place in recording studios. The subtexts of culturally grounded expectation and technological prowess, created unspoken power struggles between the stakeholders in opposition to the express intent to collaborate and produce a creative and commercially successful product. The outcome is a discourse of multicultural mediation which is herein evidenced and interrogated.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Popular music. $3 555592
650 4 $a Reggae. $3 3688711
650 4 $a Musicians & conductors. $3 3556280
650 4 $a Hindus. $3 3684730
650 4 $a Cultural heritage. $3 3321334
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650 4 $a Music. $3 516178
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710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a University of Kent (United Kingdom). $3 3642032
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