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Di Nak Sagiden : = How to Eat with Your Hands and Survive a Baptism.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Di Nak Sagiden :/
Reminder of title:	How to Eat with Your Hands and Survive a Baptism.
Author:	Rivera, Doris Agag.
Description:	1 online resource (30 pages)
Notes:	Source: Masters Abstracts International, Volume: 84-04.
Contained By:	Masters Abstracts International84-04.
Subject:	Southeast Asian studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29214063click for full text (PQDT)
ISBN:	9798352939147

Di Nak Sagiden : = How to Eat with Your Hands and Survive a Baptism.
Rivera, Doris Agag.

Di Nak Sagiden :How to Eat with Your Hands and Survive a Baptism. - 1 online resource (30 pages)

Source: Masters Abstracts International, Volume: 84-04.

Thesis (M.F.A.)--University of California, Irvine, 2022.

Includes bibliographical references

Di nak sagiden: how to eat with your hands and survive a baptism centers the concept of mimicry around Catholic objecthood in order to examine and ruminate the ways in which a visual language through repetition and seriality may sustain agency and resistance under the weight of Western Christianization. In acknowledging how Philippine culture persists to preserve and perpetuate colonial practices and the desire for whiteness, I interrogate the actuality of the 'post'-colonial state of the Philippines and its diaspora. I then proceed to explore ways in which ritual Catholic objects may be distorted to subvert their sacred purpose, whilst simultaneously resuscitating a precolonial state and imagining a postcolonial one. These ideas and concepts were explored in the work of my Master's Thesis Exhibition bearing the same title, Di nak sagiden: how to eat with your hands and survive a baptism, which took the form of a sculptural installation at the Contemporary Art Center Gallery, UC Irvine, in April of 2022. Thinking through the writings of Franz Fanon and Homi K. Bhabha, objects are situated at the confliction of Fanon's colonized intellectual and Bhabha's mimicry in order to locate the site in which distortion operates in service of a subversive potentiality. They are Bhabha's the same but not quite, and it is from this un-likeness that colonized copies may realize their menacing potential to disrupt the homogeneity of the colonizing entity within a material framework. This arrangement of ritual objects - all quite, somewhat, in a repeated slippage, an excess of idiosyncrasy - borrow their likeness from Catholic objecthood.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798352939147Subjects--Topical Terms:

3344898
Southeast Asian studies.
Subjects--Index Terms:

CatholicismIndex Terms--Genre/Form:

542853
Electronic books.

Di Nak Sagiden : = How to Eat with Your Hands and Survive a Baptism.
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504 $a Includes bibliographical references
520 $a Di nak sagiden: how to eat with your hands and survive a baptism centers the concept of mimicry around Catholic objecthood in order to examine and ruminate the ways in which a visual language through repetition and seriality may sustain agency and resistance under the weight of Western Christianization. In acknowledging how Philippine culture persists to preserve and perpetuate colonial practices and the desire for whiteness, I interrogate the actuality of the 'post'-colonial state of the Philippines and its diaspora. I then proceed to explore ways in which ritual Catholic objects may be distorted to subvert their sacred purpose, whilst simultaneously resuscitating a precolonial state and imagining a postcolonial one. These ideas and concepts were explored in the work of my Master's Thesis Exhibition bearing the same title, Di nak sagiden: how to eat with your hands and survive a baptism, which took the form of a sculptural installation at the Contemporary Art Center Gallery, UC Irvine, in April of 2022. Thinking through the writings of Franz Fanon and Homi K. Bhabha, objects are situated at the confliction of Fanon's colonized intellectual and Bhabha's mimicry in order to locate the site in which distortion operates in service of a subversive potentiality. They are Bhabha's the same but not quite, and it is from this un-likeness that colonized copies may realize their menacing potential to disrupt the homogeneity of the colonizing entity within a material framework. This arrangement of ritual objects - all quite, somewhat, in a repeated slippage, an excess of idiosyncrasy - borrow their likeness from Catholic objecthood.
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538 $a Mode of access: World Wide Web
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650 4 $a Fine arts. $3 2122690
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653 $a Indoctrination
653 $a Baptism centers
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29214063 $z click for full text (PQDT)