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The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) :/
Reminder of title:	A Musical Guide.
Author:	Kim, Sarah .
Description:	1 online resource (85 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 81-11, Section: A.
Contained By:	Dissertations Abstracts International81-11A.
Subject:	Performing arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27671233click for full text (PQDT)
ISBN:	9798645454234

The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.
Kim, Sarah .

The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) :A Musical Guide. - 1 online resource (85 pages)

Source: Dissertations Abstracts International, Volume: 81-11, Section: A.

Thesis (D.M.A.)--University of Nevada, Las Vegas, 2019.

Includes bibliographical references

This document explores what Gagok (Korean Art Song) consists of, the origins and history of it and how one may approach it musically, vocally and interpret it textually. The main questions I answer in this document include: What makes these art songs distinctly Korean? What significance does the role of Eastern Asian history have in order to closely tie the inspiration of writing Gagok? How does the text and music express these important historical events? The answers to these questions are essential to understanding Gagok by analyzing and interpreting the songs also in relation to approach learning them.The research of this document is focused on a select set of art songs, briefly examining Nan Pa Hong (1897-1941) and primarily spending more time on the selections by Dong Jin Kim (1913-2009) and Isang Yun (1917-1995), three contrasting Korean composers of three distinct eras. Hong is the pioneer of Korean art song, drawing upon simplicity. Kim's writing displays a Korean traditional style. He studied in Korea but was influenced by music introduced by Western missionaries. Lastly, Yun's early writing is also traditional in style but was mainly influenced by Modern Western styles. He spent his later career in Germany in his later years. An overarching question of this document is: How do the origins of the art songs of Nan Pa Hong evolve into further emphasizing the traditional Korean style of Dong Jin Kim? Then, where did Isang Yun venture to compositionally in order to make a deliberate decision to experiment from the conventional traditions? Furthermore, how did all three composers with different influences depict and connect the overall Korean historical structure and identity in music? This document explores and answers these relevant questions for a clearer understanding of Gagok on a deeper level.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798645454234Subjects--Topical Terms:

523119
Performing arts.
Subjects--Index Terms:

Korean art songIndex Terms--Genre/Form:

542853
Electronic books.

The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.
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520 $a This document explores what Gagok (Korean Art Song) consists of, the origins and history of it and how one may approach it musically, vocally and interpret it textually. The main questions I answer in this document include: What makes these art songs distinctly Korean? What significance does the role of Eastern Asian history have in order to closely tie the inspiration of writing Gagok? How does the text and music express these important historical events? The answers to these questions are essential to understanding Gagok by analyzing and interpreting the songs also in relation to approach learning them.The research of this document is focused on a select set of art songs, briefly examining Nan Pa Hong (1897-1941) and primarily spending more time on the selections by Dong Jin Kim (1913-2009) and Isang Yun (1917-1995), three contrasting Korean composers of three distinct eras. Hong is the pioneer of Korean art song, drawing upon simplicity. Kim's writing displays a Korean traditional style. He studied in Korea but was influenced by music introduced by Western missionaries. Lastly, Yun's early writing is also traditional in style but was mainly influenced by Modern Western styles. He spent his later career in Germany in his later years. An overarching question of this document is: How do the origins of the art songs of Nan Pa Hong evolve into further emphasizing the traditional Korean style of Dong Jin Kim? Then, where did Isang Yun venture to compositionally in order to make a deliberate decision to experiment from the conventional traditions? Furthermore, how did all three composers with different influences depict and connect the overall Korean historical structure and identity in music? This document explores and answers these relevant questions for a clearer understanding of Gagok on a deeper level.
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