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Multiplicity and Belonging among New York City Improviser-Composers, 2000-2011.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Multiplicity and Belonging among New York City Improviser-Composers, 2000-2011./
Author:	Scherbenske, Amanda L.
Description:	1 online resource (265 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 78-06, Section: A.
Contained By:	Dissertations Abstracts International78-06A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10164990click for full text (PQDT)
ISBN:	9781369193992

Multiplicity and Belonging among New York City Improviser-Composers, 2000-2011.
Scherbenske, Amanda L.

Multiplicity and Belonging among New York City Improviser-Composers, 2000-2011. - 1 online resource (265 pages)

Source: Dissertations Abstracts International, Volume: 78-06, Section: A.

Thesis (Ph.D.)--Wesleyan University, 2014.

Includes bibliographical references

This dissertation engages musical multiplicity and belonging among New York City-based improviser-composers active since the early 2000s. It uses concepts from network theory and extends scholarship on multiplicity to discuss the complex entanglement of sounds, settings, identities, and discourses. It argues that while improviser-composers participate in myriad genres, their shared sensibilities are outgrowths of the creative and political labors of elder generations of African American experimental artists. Improviser-composers forge unique relationships to an African American musical history that has embraced artistic inclusion and rejected essentialist narratives. It contends that improviser-composers perform multiplicity and form their own assemblage of belonging by developing and maintaining a personal network. Improviser-composers collaborate with colleagues, employ many musical styles, and traverse scenes and art worlds to ends that are more than musical: they do so to negotiate belonging and contest essentialism. Ultimately, this dissertation challenges such reified binaries as black/white, jazz/classical, and improviser/composer in American musics.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9781369193992Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

EthnomusicologyIndex Terms--Genre/Form:

542853
Electronic books.

Multiplicity and Belonging among New York City Improviser-Composers, 2000-2011.
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245 1 0 $a Multiplicity and Belonging among New York City Improviser-Composers, 2000-2011.
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300 $a 1 online resource (265 pages)
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500 $a Source: Dissertations Abstracts International, Volume: 78-06, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Slobin, Mark.
502 $a Thesis (Ph.D.)--Wesleyan University, 2014.
504 $a Includes bibliographical references
520 $a This dissertation engages musical multiplicity and belonging among New York City-based improviser-composers active since the early 2000s. It uses concepts from network theory and extends scholarship on multiplicity to discuss the complex entanglement of sounds, settings, identities, and discourses. It argues that while improviser-composers participate in myriad genres, their shared sensibilities are outgrowths of the creative and political labors of elder generations of African American experimental artists. Improviser-composers forge unique relationships to an African American musical history that has embraced artistic inclusion and rejected essentialist narratives. It contends that improviser-composers perform multiplicity and form their own assemblage of belonging by developing and maintaining a personal network. Improviser-composers collaborate with colleagues, employ many musical styles, and traverse scenes and art worlds to ends that are more than musical: they do so to negotiate belonging and contest essentialism. Ultimately, this dissertation challenges such reified binaries as black/white, jazz/classical, and improviser/composer in American musics.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
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650 4 $a Sociology. $3 516174
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653 $a Improvisation
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653 $a Network
653 $a New York City
653 $a New music
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773 0 $t Dissertations Abstracts International $g 78-06A.
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