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Glass in the Art World: How Glass Crosses over into Contemporary Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Glass in the Art World: How Glass Crosses over into Contemporary Art./
作者:	Reischman, Danielle.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:	72 p.
附註:	Source: Masters Abstracts International, Volume: 83-12.
Contained By:	Masters Abstracts International83-12.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29061103
ISBN:	9798438783329

Glass in the Art World: How Glass Crosses over into Contemporary Art.
Reischman, Danielle.

Glass in the Art World: How Glass Crosses over into Contemporary Art. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 72 p.

Source: Masters Abstracts International, Volume: 83-12.

Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2022.

This item must not be sold to any third party vendors.

Throughout history, the glass medium had typically been considered a medium of craft rather than a fine art. This was due to the medium being used for functional purposes, such as vases, drinking cups, pitchers, and other vessels. Craft can be defined as handmade objects of clay, fiber, glass, metal, or wood; thus, the assumption that all glass work is craft is valid. However, in more recent years, glass has been crossing over into the contemporary art market due to the high content-driven works and diverse uses of the glass medium. Challenging the way glass is being considered an artistic medium is being done by many glass artists and artists working with glass, including Dale Chihuly, Toots Zynsky, Beth Lipman, and Josiah McElheny. This paper discusses the various ways in which these artists are making the transition from craft to contemporary art. Chapter 1 discusses the studio glass movement, the Pilchuck Glass School, the first-generation glass artists, and the second-generation artists working with glass. The glass pieces made by these artists are essential to recognize because the diversity of their work shows the various ways the glass medium has been interpreted. Chapter 2 explains the artworld presence of the artists and their glass artworks, including gallery representation, exhibitions, and studio practice. Understanding how the art experts classify the artists and represent them, along with how these artists are exhibited, demonstrates how glass artists have started to cross over into contemporary art. Chapter 3 analyzes the contemporary glass market, comparing glass sculptures and installations to ceramic works of art, viewing how databases are classifying the glass artworks, and receiving direct information from the gallery representatives on the artists' markets.

ISBN: 9798438783329Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Contemporary art

Glass in the Art World: How Glass Crosses over into Contemporary Art.
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520 $a Throughout history, the glass medium had typically been considered a medium of craft rather than a fine art. This was due to the medium being used for functional purposes, such as vases, drinking cups, pitchers, and other vessels. Craft can be defined as handmade objects of clay, fiber, glass, metal, or wood; thus, the assumption that all glass work is craft is valid. However, in more recent years, glass has been crossing over into the contemporary art market due to the high content-driven works and diverse uses of the glass medium. Challenging the way glass is being considered an artistic medium is being done by many glass artists and artists working with glass, including Dale Chihuly, Toots Zynsky, Beth Lipman, and Josiah McElheny. This paper discusses the various ways in which these artists are making the transition from craft to contemporary art. Chapter 1 discusses the studio glass movement, the Pilchuck Glass School, the first-generation glass artists, and the second-generation artists working with glass. The glass pieces made by these artists are essential to recognize because the diversity of their work shows the various ways the glass medium has been interpreted. Chapter 2 explains the artworld presence of the artists and their glass artworks, including gallery representation, exhibitions, and studio practice. Understanding how the art experts classify the artists and represent them, along with how these artists are exhibited, demonstrates how glass artists have started to cross over into contemporary art. Chapter 3 analyzes the contemporary glass market, comparing glass sculptures and installations to ceramic works of art, viewing how databases are classifying the glass artworks, and receiving direct information from the gallery representatives on the artists' markets.
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