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Mapping the Auditory Landscape of Natalya Gorbanevskaya's Pre-Emigration Poetry.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Mapping the Auditory Landscape of Natalya Gorbanevskaya's Pre-Emigration Poetry./
作者:	Azari, Melissa M.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	416 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-04, Section: A.
Contained By:	Dissertations Abstracts International83-04A.
標題:	Slavic literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28767970
ISBN:	9798544297802

Mapping the Auditory Landscape of Natalya Gorbanevskaya's Pre-Emigration Poetry.
Azari, Melissa M.

Mapping the Auditory Landscape of Natalya Gorbanevskaya's Pre-Emigration Poetry. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 416 p.

Source: Dissertations Abstracts International, Volume: 83-04, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2021.

This item must not be sold to any third party vendors.

This dissertation establishes sound and music as foundational elements of Natalya Gorbanevskaya's pre-emigration poetics. Following in the footsteps of sound studies research that considers both how a person's specific personal and cultural context influences their perception of sound and how sound emerges as a reflection of culture, this work focuses on the cultural significance attached to specific sounds and music within Gorbanevskaya's auditory context. By exploring these connotations, this study illustrates that sound images form the basis of one of Gorbanevskaya's primary poetic themes: the eternal endurance of those principles that give her life meaning (artistic creation, cultural memory, religious faith, personal freedom) in the face of the looming, seemingly apocalyptic trauma of twentieth-century life, which threatens the repression and devastation of these principles. This dissertation analyzes poems from Gorbanevskaya's pre-emigration poetry that portray both sides of this theme (the persistence of her values, as well as the trauma of her era) through auditory imagery. Each chapter of this dissertation explores how Gorbanevskaya uses sound to represent her values: Chapter Two focuses on sounds of nature as symbolic of artistic creation; Chapter Three approaches music as a symbol of classical culture and personal freedom; Chapter Four examines the sounds of bells and trumpets as auditory symbols of religious faith. Throughout, sounds of the modern world, as well as the silencing of music, are shown to represent that which threatens the principles Gorbanevskaya holds dear. I examine the connections Gorbanevskaya makes to related themes from Russian literary tradition, and consider the influence of poets including Osip Mandelstam, Boris Pasternak, Anna Akhmatova, and Joseph Brodsky upon her work of this time. This study also considers how specific sound references (to artists, instruments, songs, noises, etc.) are reflected in the sound patterns of the poems themselves. Gorbanevskaya also has a legacy of human rights activism that has somewhat eclipsed her poetic oeuvre. Following in the footsteps of scholars such as Allan Reid and Georgy Levinton, this dissertation aims to contribute to the recentering of Gorbanevskaya's poetry as a critical component of her legacy and as a rich topic of study.

ISBN: 9798544297802Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

Gorbanevskaya, Natalya

Mapping the Auditory Landscape of Natalya Gorbanevskaya's Pre-Emigration Poetry.
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