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An Analysis of Amy Beach's Variations on Balkan Themes, Op. 60.

Record Type:	Electronic resources : Monograph/item
Title/Author:	An Analysis of Amy Beach's Variations on Balkan Themes, Op. 60./
Author:	Zhang, Yiwen.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	105 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-02, Section: A.
Contained By:	Dissertations Abstracts International83-02A.
Subject:	Language. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28653102
ISBN:	9798522953409

An Analysis of Amy Beach's Variations on Balkan Themes, Op. 60.
Zhang, Yiwen.

An Analysis of Amy Beach's Variations on Balkan Themes, Op. 60. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 105 p.

Source: Dissertations Abstracts International, Volume: 83-02, Section: A.

Thesis (D.M.A.)--West Virginia University, 2021.

This item must not be sold to any third party vendors.

This research paper provides an analysis of Variations on Balkan Themes, Op. 60, one of Amy Beach's most significant solo piano works. Variations on Balkan Themes exists in four different versions: the 1906 original solo piano version, a 1936 revised solo piano version, a 1942 two-piano version and fragments of an orchestral version. This paper is focused on Beach's 1906 original solo piano work. The analysis includes descriptions of the character of each variation, the structure, the pianistic figures and selected harmonic analysis as well as information comparing the four different versions. Beach's biographical information, historical background of the work and music examples of the Balkan folksongs on which Beach based the piece are also included.

ISBN: 9798522953409Subjects--Topical Terms:

643551
Language.

An Analysis of Amy Beach's Variations on Balkan Themes, Op. 60.
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520 $a This research paper provides an analysis of Variations on Balkan Themes, Op. 60, one of Amy Beach's most significant solo piano works. Variations on Balkan Themes exists in four different versions: the 1906 original solo piano version, a 1936 revised solo piano version, a 1942 two-piano version and fragments of an orchestral version. This paper is focused on Beach's 1906 original solo piano work. The analysis includes descriptions of the character of each variation, the structure, the pianistic figures and selected harmonic analysis as well as information comparing the four different versions. Beach's biographical information, historical background of the work and music examples of the Balkan folksongs on which Beach based the piece are also included.
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