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Sergei Rachmaninoff's Compositional Influences and Stylistic Evolution as Observed in the Two Versions of Sonata No. 2 in B♭ Minor, Op. 36.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sergei Rachmaninoff's Compositional Influences and Stylistic Evolution as Observed in the Two Versions of Sonata No. 2 in B♭ Minor, Op. 36./
Author:	Stuparevic, Marko .
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	158 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Contained By:	Dissertations Abstracts International82-03A.
Subject:	Performing arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27547705
ISBN:	9798664746105

Sergei Rachmaninoff's Compositional Influences and Stylistic Evolution as Observed in the Two Versions of Sonata No. 2 in B♭ Minor, Op. 36.
Stuparevic, Marko .

Sergei Rachmaninoff's Compositional Influences and Stylistic Evolution as Observed in the Two Versions of Sonata No. 2 in B♭ Minor, Op. 36. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 158 p.

Source: Dissertations Abstracts International, Volume: 82-03, Section: A.

Thesis (D.M.A.)--University of Hartford, 2020.

This item must not be sold to any third party vendors.

The purpose of this research is to explore the stylistic characteristics of Rachmaninoff's musical language through the lens of the original and revised versions of his Second Piano Sonata, Op. 36 in B♭ minor. Written in 1913, "at the height of his powers", and revised in 1931 during a different period of his life, this work offers insight into various compositional tendencies of his early, middle and late career. His compositional development will be observed not only through the genesis of the Sonata's first and revised versions, but also through consideration of Rachmaninoff's position within music history and his other works. A subchapter will be dedicated to the Sonata's revisions done by Vladimir Horowitz.To fully understand Rachmaninoff's unique style, the reader will learn about traditional and modernist tendencies in his music including: use of altered scales, unique treatment of harmony, cyclic use of thematic material, influences of symbolism, religious and folk music. The focus of the last chapter will be on the comparison of the general compositional traits including form, texture and climax points, between the original and revised edition. In this chapter, I will inspect the relationship with the theory of the "golden mean", as a proportional theory Rachmaninoff experimented with around 1910.

ISBN: 9798664746105Subjects--Topical Terms:

523119
Performing arts.
Subjects--Index Terms:

Rachmaninoff

Sergei Rachmaninoff's Compositional Influences and Stylistic Evolution as Observed in the Two Versions of Sonata No. 2 in B♭ Minor, Op. 36.
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245 1 0 $a Sergei Rachmaninoff's Compositional Influences and Stylistic Evolution as Observed in the Two Versions of Sonata No. 2 in B♭ Minor, Op. 36.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 158 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
500 $a Advisor: Nott, Kenneth.
502 $a Thesis (D.M.A.)--University of Hartford, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a The purpose of this research is to explore the stylistic characteristics of Rachmaninoff's musical language through the lens of the original and revised versions of his Second Piano Sonata, Op. 36 in B♭ minor. Written in 1913, "at the height of his powers", and revised in 1931 during a different period of his life, this work offers insight into various compositional tendencies of his early, middle and late career. His compositional development will be observed not only through the genesis of the Sonata's first and revised versions, but also through consideration of Rachmaninoff's position within music history and his other works. A subchapter will be dedicated to the Sonata's revisions done by Vladimir Horowitz.To fully understand Rachmaninoff's unique style, the reader will learn about traditional and modernist tendencies in his music including: use of altered scales, unique treatment of harmony, cyclic use of thematic material, influences of symbolism, religious and folk music. The focus of the last chapter will be on the comparison of the general compositional traits including form, texture and climax points, between the original and revised edition. In this chapter, I will inspect the relationship with the theory of the "golden mean", as a proportional theory Rachmaninoff experimented with around 1910.
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