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Resurface.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Resurface./
作者:	Temple, Kelly Ann.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	65 p.
附註:	Source: Masters Abstracts International, Volume: 81-05.
Contained By:	Masters Abstracts International81-05.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22620546
ISBN:	9781088396674

Resurface.
Temple, Kelly Ann.

Resurface. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 65 p.

Source: Masters Abstracts International, Volume: 81-05.

Thesis (M.F.A.)--San Diego State University, 2019.

This item must not be sold to any third party vendors.

Resurface is an exhibition of jewelry objects that are intended to elicit sensations ofadmiration, contempt, and self-reflection by surrounding the wearer/viewer with flesh-likematerials, sterile surfaces, and decorative elements. By capturing and blurred moments wherethe mechanical and biological touch, this exhibition looks to amend our preconceived notionsof the supplemented body and positions the surface of the body as a precious material.The work in Resurface questions the reaction to the failed or supplemented body. If itwere not one of automatic recoil, how would our perceptions of the body differ, and to whatsocietal affect? The work explores this through a series of jewelry objects that combinebodily forms and surfaces with structures and shapes prevalent in jewelry and ornament.Oscillating between references of ornamentation and bodily organs, these works createmoments of curiosity and unease. The work highlights the surface of the human bodythrough mimicry of it. Inflated skin-like forms framed in metal imply sites of imaginedinterventions. Microbial cellulose (MiC), a material used in medicine for wound care is usedto represent the human body. The process of growing, manipulating, and combining thismaterial with fabricated metal parts has allowed me to create a dialog between the living andnon-living; the human and machine. When worn, these organic and mechanicalcombinations conjure notions of unnecessary adornment, physical identity and selfownership,through the failed, repaired, or supplemented body. Placing these works on the body as jewels suggests that there is value in the experience of the failed body.I aim to redefine the way we view the supplemented body. I imagine the wearer toexperience levels of bodily awareness, appreciation, and estrangement as they look down onthese necklaces and brooches marked with aging skin like qualities. The goal is to expose anddesensitize the viewer, encouraging the acceptance and normalization of the supplementedbody.Resurface was displayed in the University Gallery at San Diego State University from April29th - May 10th, 2019. Images of this thesis project are on file at the School of Art andDesign at San Diego State University.

ISBN: 9781088396674Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Jewelry

Resurface.
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500 $a Source: Masters Abstracts International, Volume: 81-05.
500 $a Advisor: Quick, Kerianne.
502 $a Thesis (M.F.A.)--San Diego State University, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a Resurface is an exhibition of jewelry objects that are intended to elicit sensations ofadmiration, contempt, and self-reflection by surrounding the wearer/viewer with flesh-likematerials, sterile surfaces, and decorative elements. By capturing and blurred moments wherethe mechanical and biological touch, this exhibition looks to amend our preconceived notionsof the supplemented body and positions the surface of the body as a precious material.The work in Resurface questions the reaction to the failed or supplemented body. If itwere not one of automatic recoil, how would our perceptions of the body differ, and to whatsocietal affect? The work explores this through a series of jewelry objects that combinebodily forms and surfaces with structures and shapes prevalent in jewelry and ornament.Oscillating between references of ornamentation and bodily organs, these works createmoments of curiosity and unease. The work highlights the surface of the human bodythrough mimicry of it. Inflated skin-like forms framed in metal imply sites of imaginedinterventions. Microbial cellulose (MiC), a material used in medicine for wound care is usedto represent the human body. The process of growing, manipulating, and combining thismaterial with fabricated metal parts has allowed me to create a dialog between the living andnon-living; the human and machine. When worn, these organic and mechanicalcombinations conjure notions of unnecessary adornment, physical identity and selfownership,through the failed, repaired, or supplemented body. Placing these works on the body as jewels suggests that there is value in the experience of the failed body.I aim to redefine the way we view the supplemented body. I imagine the wearer toexperience levels of bodily awareness, appreciation, and estrangement as they look down onthese necklaces and brooches marked with aging skin like qualities. The goal is to expose anddesensitize the viewer, encouraging the acceptance and normalization of the supplementedbody.Resurface was displayed in the University Gallery at San Diego State University from April29th - May 10th, 2019. Images of this thesis project are on file at the School of Art andDesign at San Diego State University.
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