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A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies./
Author:	Bohnet, Sean M.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	94 p.
Notes:	Source: Masters Abstracts International, Volume: 82-12.
Contained By:	Masters Abstracts International82-12.
Subject:	Music history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28417971
ISBN:	9798515271596

A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.
Bohnet, Sean M.

A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 94 p.

Source: Masters Abstracts International, Volume: 82-12.

Thesis (M.A.)--University of Idaho, 2021.

This item must not be sold to any third party vendors.

In this thesis, I will offer three transcriptions from Claude Goudimel's (1514-1572) Les pseaumes mis en rime Francoise par Clement Marot et Theodore de Beza, mis en musique a quarte parties par Claude Goudimel (The Psalms Set in French Meter by Clement Marot and Theodore Beza, Put in Four Part Harmony by Claude Goudimel) alongside a historically informed account of the work in order to address a gap within the scholarship dedicated to Protestant Christian music. I have designed this study to expand the field of Protestant sacred music by providing a new approach to the modern transcriptions of Claude Goudimel's aforementioned work, also known as the Genevan or Huguenot Psalter. I offer these transcriptions in the spirit of inspiring further present-day appreciation for this masterwork. Along with providing a new approach to the transcription of the harmonizations, this thesis demonstrates how an historical interpretation of Goudimel's rendering of the Geneva Psalter provides further meaning to liturgical and recreational performers and audiences. This thesis stands as guiding example for future efforts in transcribing and a source for liturgical musical directors to follow.

ISBN: 9798515271596Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

Christian songs

A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.
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245 1 0 $a A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.
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500 $a Source: Masters Abstracts International, Volume: 82-12.
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520 $a In this thesis, I will offer three transcriptions from Claude Goudimel's (1514-1572) Les pseaumes mis en rime Francoise par Clement Marot et Theodore de Beza, mis en musique a quarte parties par Claude Goudimel (The Psalms Set in French Meter by Clement Marot and Theodore Beza, Put in Four Part Harmony by Claude Goudimel) alongside a historically informed account of the work in order to address a gap within the scholarship dedicated to Protestant Christian music. I have designed this study to expand the field of Protestant sacred music by providing a new approach to the modern transcriptions of Claude Goudimel's aforementioned work, also known as the Genevan or Huguenot Psalter. I offer these transcriptions in the spirit of inspiring further present-day appreciation for this masterwork. Along with providing a new approach to the transcription of the harmonizations, this thesis demonstrates how an historical interpretation of Goudimel's rendering of the Geneva Psalter provides further meaning to liturgical and recreational performers and audiences. This thesis stands as guiding example for future efforts in transcribing and a source for liturgical musical directors to follow.
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653 $a Protestant sacred music
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