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Imperfect Inclusions: Exhibiting Non-Western Art at the Museum of Modern Art, 1935-2019.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Imperfect Inclusions: Exhibiting Non-Western Art at the Museum of Modern Art, 1935-2019./
Author:	Shaw, Samantha S.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	94 p.
Notes:	Source: Masters Abstracts International, Volume: 82-10.
Contained By:	Masters Abstracts International82-10.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28259772
ISBN:	9798597087290

Imperfect Inclusions: Exhibiting Non-Western Art at the Museum of Modern Art, 1935-2019.
Shaw, Samantha S.

Imperfect Inclusions: Exhibiting Non-Western Art at the Museum of Modern Art, 1935-2019. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 94 p.

Source: Masters Abstracts International, Volume: 82-10.

Thesis (M.A.)--University of Oregon, 2020.

This item must not be sold to any third party vendors.

During its ninety-year history, the Museum of Modern Art, New York (MoMA) has undergone four major architectural renovations, accrued a permanent collection of almost 200,000 works, mounted over 5,000 exhibitions, and constructed a vast archive of publications. Apart from these transformations, the museum's curatorial mission over the decades attests to an effort in expanding its representation of modern art beyond the so- called Western canon. In brief, it went from exhibiting modern art's relationship to non- European influences in the early twentieth century to orchestrating major interventions within its concentration of great Eurocentric canonical modern masterworks in the late twentieth- and early twenty-first centuries. To trace this effort historically and assess its success and failure, I will examine major MoMA curatorial endeavors since its founding in 1929, including William Rubin's famous 1984 "'Primitivism' in Twentieth-Century Art: Affinity Between the Tribal and the Modern" exhibition and Glenn Lowry's 2019 permanent museum collection reinstallation.

ISBN: 9798597087290Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Museum of Modern Art

Imperfect Inclusions: Exhibiting Non-Western Art at the Museum of Modern Art, 1935-2019.
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300 $a 94 p.
500 $a Source: Masters Abstracts International, Volume: 82-10.
500 $a Advisor: Cheng, Joyce S.
502 $a Thesis (M.A.)--University of Oregon, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a During its ninety-year history, the Museum of Modern Art, New York (MoMA) has undergone four major architectural renovations, accrued a permanent collection of almost 200,000 works, mounted over 5,000 exhibitions, and constructed a vast archive of publications. Apart from these transformations, the museum's curatorial mission over the decades attests to an effort in expanding its representation of modern art beyond the so- called Western canon. In brief, it went from exhibiting modern art's relationship to non- European influences in the early twentieth century to orchestrating major interventions within its concentration of great Eurocentric canonical modern masterworks in the late twentieth- and early twenty-first centuries. To trace this effort historically and assess its success and failure, I will examine major MoMA curatorial endeavors since its founding in 1929, including William Rubin's famous 1984 "'Primitivism' in Twentieth-Century Art: Affinity Between the Tribal and the Modern" exhibition and Glenn Lowry's 2019 permanent museum collection reinstallation.
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653 $a Eurocentric canonical modern masterworks
653 $a Rubin, William
653 $a Lowry, Glenn
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710 2 $a University of Oregon. $b Department of the History of Art and Architecture. $3 2106195
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