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The Marginalized and Ostracized Henri De Toulouse-Lautrec: How a Genetic Physical Ailment Was Key to a Noble Man's Declasse Drop in Social Class as He Paralleled Himself with the Outcast in Bohemian Montmartre = = L'Henri de Toulouse-Lautrec marginalise et ostracise: comment une maladie physique genetique etait la cle d'une chute declassee d'un homme noble en classe sociale tant qu'il s'assemble avec les participations de la Montreal de boheme.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Marginalized and Ostracized Henri De Toulouse-Lautrec: How a Genetic Physical Ailment Was Key to a Noble Man's Declasse Drop in Social Class as He Paralleled Himself with the Outcast in Bohemian Montmartre =/
其他題名:	L'Henri de Toulouse-Lautrec marginalise et ostracise: comment une maladie physique genetique etait la cle d'une chute declassee d'un homme noble en classe sociale tant qu'il s'assemble avec les participations de la Montreal de boheme.
作者:	Stanley , Jonathan Wayne.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	163 p.
附註:	Source: Masters Abstracts International, Volume: 81-12.
Contained By:	Masters Abstracts International81-12.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27993371
ISBN:	9781083649522

The Marginalized and Ostracized Henri De Toulouse-Lautrec: How a Genetic Physical Ailment Was Key to a Noble Man's Declasse Drop in Social Class as He Paralleled Himself with the Outcast in Bohemian Montmartre = = L'Henri de Toulouse-Lautrec marginalise et ostracise: comment une maladie physique genetique etait la cle d'une chute declassee d'un homme noble en classe sociale tant qu'il s'assemble avec les participations de la Montreal de boheme.
Stanley , Jonathan Wayne.

The Marginalized and Ostracized Henri De Toulouse-Lautrec: How a Genetic Physical Ailment Was Key to a Noble Man's Declasse Drop in Social Class as He Paralleled Himself with the Outcast in Bohemian Montmartre =L'Henri de Toulouse-Lautrec marginalise et ostracise: comment une maladie physique genetique etait la cle d'une chute declassee d'un homme noble en classe sociale tant qu'il s'assemble avec les participations de la Montreal de boheme. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 163 p.

Source: Masters Abstracts International, Volume: 81-12.

Thesis (M.A.)--California State University, Fresno, 2020.

This item must not be sold to any third party vendors.

The purpose of this thesis is to determine how the genetic disease pycnodysostosis determined the artwork and subject matter of the modern artist Henri de Toulouse-Lautrec as he paralleled himself with the social outcast living in bohemian Montmartre Paris during the 19th century. The class structure of European society naturally marginalized Henri de Toulouse-Lautrec for his physical ailment. Despite his noble privilege, he was ostracized for his physical height, ridiculed for his short stature as it was viewed as a freak of nature. Because of his physical differences, his peers denied him the opportunity to be a legitimate member of the aristocracy and respectable citizen of bourgeois society. This led to a general experience of alienation in such environments among his own class throughout his lifetime. Eventually, this caused him to find refuge in bohemian society, where his experience of exclusion paralleled that of other social outcasts which validated his own rejection in terms of his class and its values. This movement away from his own class transformed the focus of his art. The respectable subject matter that was once expected of him by the aristocracy was unexpectedly replaced with the bohemian as subject, an act seen as a disrespect to the establishment, including his own family. The "noble lady" was replaced with the art model, female entertainer, the prostitute and the lesbian; while the "noble gentleman" was replaced with the male anarchist, entertainer and homosexual.

ISBN: 9781083649522Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Bohemian

The Marginalized and Ostracized Henri De Toulouse-Lautrec: How a Genetic Physical Ailment Was Key to a Noble Man's Declasse Drop in Social Class as He Paralleled Himself with the Outcast in Bohemian Montmartre = = L'Henri de Toulouse-Lautrec marginalise et ostracise: comment une maladie physique genetique etait la cle d'une chute declassee d'un homme noble en classe sociale tant qu'il s'assemble avec les participations de la Montreal de boheme.
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245 1 4 $a The Marginalized and Ostracized Henri De Toulouse-Lautrec: How a Genetic Physical Ailment Was Key to a Noble Man's Declasse Drop in Social Class as He Paralleled Himself with the Outcast in Bohemian Montmartre = $b L'Henri de Toulouse-Lautrec marginalise et ostracise: comment une maladie physique genetique etait la cle d'une chute declassee d'un homme noble en classe sociale tant qu'il s'assemble avec les participations de la Montreal de boheme.
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300 $a 163 p.
500 $a Source: Masters Abstracts International, Volume: 81-12.
500 $a Advisor: Jordan, Keith M.
502 $a Thesis (M.A.)--California State University, Fresno, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a The purpose of this thesis is to determine how the genetic disease pycnodysostosis determined the artwork and subject matter of the modern artist Henri de Toulouse-Lautrec as he paralleled himself with the social outcast living in bohemian Montmartre Paris during the 19th century. The class structure of European society naturally marginalized Henri de Toulouse-Lautrec for his physical ailment. Despite his noble privilege, he was ostracized for his physical height, ridiculed for his short stature as it was viewed as a freak of nature. Because of his physical differences, his peers denied him the opportunity to be a legitimate member of the aristocracy and respectable citizen of bourgeois society. This led to a general experience of alienation in such environments among his own class throughout his lifetime. Eventually, this caused him to find refuge in bohemian society, where his experience of exclusion paralleled that of other social outcasts which validated his own rejection in terms of his class and its values. This movement away from his own class transformed the focus of his art. The respectable subject matter that was once expected of him by the aristocracy was unexpectedly replaced with the bohemian as subject, an act seen as a disrespect to the establishment, including his own family. The "noble lady" was replaced with the art model, female entertainer, the prostitute and the lesbian; while the "noble gentleman" was replaced with the male anarchist, entertainer and homosexual.
520 $a Le but de cette these est de determiner comment la maladie genetique pycnodysostose a determine l'oeuvre d'art et le sujet de l'artiste moderne Henri de Toulouse-Lautrec alors qu'il se mettait en parallele avec le paria social vivant dans le boheme de Montmartre Paris au 19eme siecle. La structure de classe de la societe europeenne a naturellement marginalise Henri de Toulouse-Lautrec pour sa maladie physique. Malgre son noble privilege, il a ete ostracise pour sa taille physique, ridiculise pour sa petite taille car il etait considere comme un monstre de la nature. En raison de ses differences physiques, ses pairs lui ont refuse l'opportunite d'etre un membre legitime de l'aristocratie et un citoyen respectable de la societe bourgeoise. Cela a conduit a une experience generale d'alienation dans de tels environnements au sein de sa propre classe tout au long de sa vie. Finalement, cela l'a amene a se refugier dans la societe boheme, ou son experience d'exclusion etait parallele a celle d'autres parias sociaux qui ont valide son propre rejet en termes de classe et de valeurs. Ce mouvement loin de sa propre classe a transforme le centre de son art. Le sujet respectable qui etait autrefois attendu de lui par l'aristocratie a ete remplace de maniere inattendue par le boheme comme sujet, un acte considere comme un manque de respect envers l'establishment, y compris sa propre famille. La «noble dame» a ete remplacee par le modele d'art, l'artiste feminine, la prostituee et la lesbienne; tandis que le «noble gentleman» a ete remplace par l'anarchiste, artiste et homosexuel masculin.
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650 4 $a European history. $2 bicssc $3 1972904
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653 $a Bohemian
653 $a Marginalized
653 $a Montmartre
653 $a Ostracized
653 $a Outcast
653 $a Pycnodysostosis
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710 2 $a California State University, Fresno. $b Art and Design. $3 2092380
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