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Museums In Chinese: Nationalism, Universalism, and the Chinese Museum.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Museums In Chinese: Nationalism, Universalism, and the Chinese Museum./
作者:	Moore, Lee Harris.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	226 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-08, Section: A.
Contained By:	Dissertations Abstracts International83-08A.
標題:	Asian studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28864765
ISBN:	9798780630845

Museums In Chinese: Nationalism, Universalism, and the Chinese Museum.
Moore, Lee Harris.

Museums In Chinese: Nationalism, Universalism, and the Chinese Museum. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 226 p.

Source: Dissertations Abstracts International, Volume: 83-08, Section: A.

Thesis (Ph.D.)--University of Oregon, 2021.

This item must not be sold to any third party vendors.

The PRC museum is becoming a space for the construction of a national identity grounded in an ethnicized notion of Han Chineseness. This dissertation traces the origins of the museum in the Chinese-speaking world, exploring how the conceptualization of the museum shifted from the universal to the nationalistic mode. In the history chapters (Chapters II and III), I explore how both discursive and built museums were initially conceptualized in the universal mode, as epistemological spaces where knowledge was conceived of in universal terms, before moving to the nationalistic mode, where knowledge was understood to produce the Chinese nation. In Chapter IV, I examine how the museum is used to construct a Chineseness grounded in an ethnicized understanding of a Han Chinese identity by close reading two museums to elucidate the extent to which the nation is authorized as the sole subject of history in PRC museums.

ISBN: 9798780630845Subjects--Topical Terms:

1571829
Asian studies.
Subjects--Index Terms:

Chinese museums

Museums In Chinese: Nationalism, Universalism, and the Chinese Museum.
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520 $a The PRC museum is becoming a space for the construction of a national identity grounded in an ethnicized notion of Han Chineseness. This dissertation traces the origins of the museum in the Chinese-speaking world, exploring how the conceptualization of the museum shifted from the universal to the nationalistic mode. In the history chapters (Chapters II and III), I explore how both discursive and built museums were initially conceptualized in the universal mode, as epistemological spaces where knowledge was conceived of in universal terms, before moving to the nationalistic mode, where knowledge was understood to produce the Chinese nation. In Chapter IV, I examine how the museum is used to construct a Chineseness grounded in an ethnicized understanding of a Han Chinese identity by close reading two museums to elucidate the extent to which the nation is authorized as the sole subject of history in PRC museums.
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