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Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung./
Author:	Laaveg, Daniel.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	307 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-02, Section: A.
Contained By:	Dissertations Abstracts International83-02A.
Subject:	Biographies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28314407
ISBN:	9798534659917

Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.
Laaveg, Daniel.

Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 307 p.

Source: Dissertations Abstracts International, Volume: 83-02, Section: A.

Thesis (D.M.A.)--The University of Iowa, 2021.

This item must not be sold to any third party vendors.

Gerhard Krapf (1924-2008) contributed to the North American Orgelbewegung (OrganReform Movement) as an organist, professor, church musician, writer, consultant, and composer.Born in Germany and drafted into the German Army for World War II, he survived three yearsof war and three years in Soviet labor camps, before resuming his education and immigrating tothe United States in 1953 for his multi-faceted career. He started the organ department at theUniversity of Iowa in 1961 and the University of Alberta in 1977. Krapf displayed a strongpreference for teaching and performing polyphonic music of the Renaissance and Baroque usinghistorically-informed practices, though he consistently demonstrated a flexible and non-dogmaticapproach. Krapf's articles, books, and translations demonstrate his passion for the tenets of theOrgelbewegung, particularly the superiority of the mechanical-action instruments. In this Essay,seven of his organ solo compositions are studied, including Totentanz, Second Organ Sonata forThanksgiving, and Chorale Triptych on Lord, Keep Us Steadfast in Your Word. The variation ofhymn tunes forms the basis of his predominantly multi-movement works. His music featuresindependent contrapuntal lines, transparent registrations, animated rhythms, and a harmoniclanguage that gradually shifted from highly dissonant with little use of triads to thoroughly tonaland standard chord progressions.

ISBN: 9798534659917Subjects--Topical Terms:

795061
Biographies.
Subjects--Index Terms:

Krapf, Gerhard

Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.
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520 $a Gerhard Krapf (1924-2008) contributed to the North American Orgelbewegung (OrganReform Movement) as an organist, professor, church musician, writer, consultant, and composer.Born in Germany and drafted into the German Army for World War II, he survived three yearsof war and three years in Soviet labor camps, before resuming his education and immigrating tothe United States in 1953 for his multi-faceted career. He started the organ department at theUniversity of Iowa in 1961 and the University of Alberta in 1977. Krapf displayed a strongpreference for teaching and performing polyphonic music of the Renaissance and Baroque usinghistorically-informed practices, though he consistently demonstrated a flexible and non-dogmaticapproach. Krapf's articles, books, and translations demonstrate his passion for the tenets of theOrgelbewegung, particularly the superiority of the mechanical-action instruments. In this Essay,seven of his organ solo compositions are studied, including Totentanz, Second Organ Sonata forThanksgiving, and Chorale Triptych on Lord, Keep Us Steadfast in Your Word. The variation ofhymn tunes forms the basis of his predominantly multi-movement works. His music featuresindependent contrapuntal lines, transparent registrations, animated rhythms, and a harmoniclanguage that gradually shifted from highly dissonant with little use of triads to thoroughly tonaland standard chord progressions.
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