東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Walk into the Spirits: Exploring the Possibility That Perception and Cognition Can Be Influenced by the Form and Content of Interior Space and the Psycho-Spatial Relationship between the Subject and Object.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Walk into the Spirits: Exploring the Possibility That Perception and Cognition Can Be Influenced by the Form and Content of Interior Space and the Psycho-Spatial Relationship between the Subject and Object./
Author:	Hsieh, Yi-Ting.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	102 p.
Notes:	Source: Masters Abstracts International, Volume: 83-02.
Contained By:	Masters Abstracts International83-02.
Subject:	Design. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28547910
ISBN:	9798534652840

Walk into the Spirits: Exploring the Possibility That Perception and Cognition Can Be Influenced by the Form and Content of Interior Space and the Psycho-Spatial Relationship between the Subject and Object.
Hsieh, Yi-Ting.

Walk into the Spirits: Exploring the Possibility That Perception and Cognition Can Be Influenced by the Form and Content of Interior Space and the Psycho-Spatial Relationship between the Subject and Object. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 102 p.

Source: Masters Abstracts International, Volume: 83-02.

Thesis (M.F.A.)--Pratt Institute, 2021.

This item must not be sold to any third party vendors.

"Consciousness, the world, and the human body as a perceiving thing are intricately intertwined and mutually engaged." However, one's body is not only an object; it's the indispensable condition of human experience and a constituent of one's perceptual openness to the world. Exploring the nature of experience, Walter Benjamin developed the concept of Aura, a desirable though perpetually elusive state of cognition. Aura encapsulates the eternal moment when an individual appreciates the beauty in an object or a work of art, unique to that time and space. Aura includes the connection that arises in the distance between the work of Art, the viewer, and the experience of their perception.In "Eye and Mind," Maurice Merleau-Ponty suggests that experiencing Art illustrates the act of viewing the world with both openness and immersion. This interaction between the body and the world is a genuine representation of the continuum of existence. Merleau-Ponty also references the body as the medium of consciousness. On the other hand, museums, the building intended to store and exhibit objects of artistic and cultural interest, are generally seen as the medium of Art. This proposal will investigate the perceived relationships between the body and the museum and between consciousness and Art. The subjectivity of the body in space will be explored through a series of spaces and conditions involving oppression, spatial tension, and physical movement through different scales of space. By opening up the enclosed silo system, the building invites people to use their bodies as a means to engage with the site. Likewise, this reveals the nature of the spaces within the site. Movement through space affects both the perception of the space and of the Art within the space. Rethinking the museum or gallery environment to test how the body and the mind react through the space itself provides a unique experience. By creating space where people encounter art pieces through the deliberate behavior of the body as it adapts to its quality, scale, and amenity, users will experience the art in relation to its current spatial context and in relation to their own position in it.

ISBN: 9798534652840Subjects--Topical Terms:

518875
Design.
Subjects--Index Terms:

Art

Walk into the Spirits: Exploring the Possibility That Perception and Cognition Can Be Influenced by the Form and Content of Interior Space and the Psycho-Spatial Relationship between the Subject and Object.
LDR:03436nmm a2200385 4500 001 2343244
005 20220502104209.5
008 241004s2021 ||||||||||||||||| ||eng d
020 $a 9798534652840
035 $a (MiAaPQ)AAI28547910
035 $a AAI28547910
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hsieh, Yi-Ting. $3 3681748
245 1 0 $a Walk into the Spirits: Exploring the Possibility That Perception and Cognition Can Be Influenced by the Form and Content of Interior Space and the Psycho-Spatial Relationship between the Subject and Object.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 102 p.
500 $a Source: Masters Abstracts International, Volume: 83-02.
500 $a Advisor: Zawadzki, Edwin;Foley, David.
502 $a Thesis (M.F.A.)--Pratt Institute, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a "Consciousness, the world, and the human body as a perceiving thing are intricately intertwined and mutually engaged." However, one's body is not only an object; it's the indispensable condition of human experience and a constituent of one's perceptual openness to the world. Exploring the nature of experience, Walter Benjamin developed the concept of Aura, a desirable though perpetually elusive state of cognition. Aura encapsulates the eternal moment when an individual appreciates the beauty in an object or a work of art, unique to that time and space. Aura includes the connection that arises in the distance between the work of Art, the viewer, and the experience of their perception.In "Eye and Mind," Maurice Merleau-Ponty suggests that experiencing Art illustrates the act of viewing the world with both openness and immersion. This interaction between the body and the world is a genuine representation of the continuum of existence. Merleau-Ponty also references the body as the medium of consciousness. On the other hand, museums, the building intended to store and exhibit objects of artistic and cultural interest, are generally seen as the medium of Art. This proposal will investigate the perceived relationships between the body and the museum and between consciousness and Art. The subjectivity of the body in space will be explored through a series of spaces and conditions involving oppression, spatial tension, and physical movement through different scales of space. By opening up the enclosed silo system, the building invites people to use their bodies as a means to engage with the site. Likewise, this reveals the nature of the spaces within the site. Movement through space affects both the perception of the space and of the Art within the space. Rethinking the museum or gallery environment to test how the body and the mind react through the space itself provides a unique experience. By creating space where people encounter art pieces through the deliberate behavior of the body as it adapts to its quality, scale, and amenity, users will experience the art in relation to its current spatial context and in relation to their own position in it.
590 $a School code: 1384.
650 4 $a Design. $3 518875
650 4 $a Art galleries & museums. $3 3561426
650 4 $a Philosophy. $3 516511
650 4 $a Philosophers. $3 558041
650 4 $a Painting. $3 524049
653 $a Art
653 $a Body
653 $a Interior space
653 $a Museum
653 $a Object
653 $a Perception
690 $a 0729
690 $a 0389
690 $a 0422
710 2 $a Pratt Institute. $b Interior Design. $3 3561036
773 0 $t Masters Abstracts International $g 83-02.
790 $a 1384
791 $a M.F.A.
792 $a 2021
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28547910