東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Re/Staging: Critical Design and the Curatorial. An Analysis of Emerging Product Design and the Museum as Context.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Re/Staging: Critical Design and the Curatorial. An Analysis of Emerging Product Design and the Museum as Context./
Author:	Russell, Gillian.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:	220 p.
Notes:	Source: Dissertations Abstracts International, Volume: 79-08, Section: A.
Contained By:	Dissertations Abstracts International79-08A.
Subject:	Cultural resources management. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10768840
ISBN:	9798684645556

Re/Staging: Critical Design and the Curatorial. An Analysis of Emerging Product Design and the Museum as Context.
Russell, Gillian.

Re/Staging: Critical Design and the Curatorial. An Analysis of Emerging Product Design and the Museum as Context. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 220 p.

Source: Dissertations Abstracts International, Volume: 79-08, Section: A.

Thesis (Ph.D.)--Royal College of Art (United Kingdom), 2017.

This item must not be sold to any third party vendors.

The principle objective of this study is to examine the conditions and contexts of critical design practice, specifically as it pertains to methods of identifying, presenting and producing critical design within the space of the museum exhibition. The analysis in this study seeks to reveal a better understanding of the working practices that underpin museums' creative engagements with critical design practice while recognising the significance of critical design's behaviours of questioning, possibilising, probabilising and activating that inform such engagements.A case is presented for combining several theoretical perspectives into a multi-layered conceptual framework for examining the ideas, approaches and conditions of both critical design and its circulation through the museum exhibition. In calling upon concepts from the art world as a means of developing a philosophical understanding of design, the concept of a 'work of design' is proposed to understand the shift in practice that has occurred over the past fifteen years. Furthermore, the emphasis on a 'work of design' is explicated through a conceptualisation of critical practice as both a design of reflexive modernity and a para-model of practice - a notable device for social and cultural research. Design's circulation in the museum is problematised drawing upon theories of the curatorial to develop a model of the exhibition as a speculative activity that privileges critical thought, discourse, speculation and production. In this sense 'the curatorial' offers a space for multiple viewpoints and experiences which together create a collective endeavour that remains forever open to contestation and adjustment.Empirically, the study contributes insights into the diverse and contingent curatorial practices involved in communicating and disseminating critical design practice. The findings suggest that the new relationships that are being formed between critical design and the museum are reframing the exhibition as a tool for research - a transdisciplinary studio space whereby ideas are tested and projects take form through the performativity of multiple agents. Thus the museum is being approached as a context for experimentation; a space that exposes rather than displays, presents rather than represents, a performative space that points to a recoding of practice as production. In this way we can begin to consider the museum and its exhibitions as a model of emergence as they enter a discourse of performativity that actively engages with their subject rather than merely offering it for consumption. The result is a collective space for knowing and experiencing via the performativity of both critical design and the curatorial.

ISBN: 9798684645556Subjects--Topical Terms:

2122774
Cultural resources management.
Subjects--Index Terms:

Critical design practice

Re/Staging: Critical Design and the Curatorial. An Analysis of Emerging Product Design and the Museum as Context.
LDR:04004nmm a2200385 4500 001 2343110
005 20220502104136.5
008 241004s2017 ||||||||||||||||| ||eng d
020 $a 9798684645556
035 $a (MiAaPQ)AAI10768840
035 $a (MiAaPQ)RoyalCollegeArt2825
035 $a AAI10768840
040 $a MiAaPQ $c MiAaPQ
100 1 $a Russell, Gillian. $3 593287
245 1 0 $a Re/Staging: Critical Design and the Curatorial. An Analysis of Emerging Product Design and the Museum as Context.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 220 p.
500 $a Source: Dissertations Abstracts International, Volume: 79-08, Section: A.
502 $a Thesis (Ph.D.)--Royal College of Art (United Kingdom), 2017.
506 $a This item must not be sold to any third party vendors.
506 $a This item is not available from ProQuest Dissertations & Theses.
520 $a The principle objective of this study is to examine the conditions and contexts of critical design practice, specifically as it pertains to methods of identifying, presenting and producing critical design within the space of the museum exhibition. The analysis in this study seeks to reveal a better understanding of the working practices that underpin museums' creative engagements with critical design practice while recognising the significance of critical design's behaviours of questioning, possibilising, probabilising and activating that inform such engagements.A case is presented for combining several theoretical perspectives into a multi-layered conceptual framework for examining the ideas, approaches and conditions of both critical design and its circulation through the museum exhibition. In calling upon concepts from the art world as a means of developing a philosophical understanding of design, the concept of a 'work of design' is proposed to understand the shift in practice that has occurred over the past fifteen years. Furthermore, the emphasis on a 'work of design' is explicated through a conceptualisation of critical practice as both a design of reflexive modernity and a para-model of practice - a notable device for social and cultural research. Design's circulation in the museum is problematised drawing upon theories of the curatorial to develop a model of the exhibition as a speculative activity that privileges critical thought, discourse, speculation and production. In this sense 'the curatorial' offers a space for multiple viewpoints and experiences which together create a collective endeavour that remains forever open to contestation and adjustment.Empirically, the study contributes insights into the diverse and contingent curatorial practices involved in communicating and disseminating critical design practice. The findings suggest that the new relationships that are being formed between critical design and the museum are reframing the exhibition as a tool for research - a transdisciplinary studio space whereby ideas are tested and projects take form through the performativity of multiple agents. Thus the museum is being approached as a context for experimentation; a space that exposes rather than displays, presents rather than represents, a performative space that points to a recoding of practice as production. In this way we can begin to consider the museum and its exhibitions as a model of emergence as they enter a discourse of performativity that actively engages with their subject rather than merely offering it for consumption. The result is a collective space for knowing and experiencing via the performativity of both critical design and the curatorial.
590 $a School code: 1027.
650 4 $a Cultural resources management. $3 2122774
650 4 $a Cultural anthropology. $3 2122764
650 4 $a Design. $3 518875
650 4 $a Museum studies. $3 2122775
650 4 $a Problem solving. $3 516855
650 4 $a Hemodialysis. $3 802778
650 4 $a Research. $3 531893
650 4 $a Fashion models. $3 3681568
650 4 $a Futures. $3 657649
650 4 $a Collaboration. $3 3556296
650 4 $a Culture. $3 517003
650 4 $a Ideology. $3 521772
650 4 $a Science. $3 516376
650 4 $a Values. $3 518648
650 4 $a Politics. $3 685427
650 4 $a Art exhibits. $3 3681459
650 4 $a Imagination. $3 542038
650 4 $a Industrial design. $3 957379
650 4 $a Sheep. $3 664903
650 4 $a Book reviews. $3 3556298
650 4 $a Museums. $3 569592
650 4 $a Aesthetics. $3 523036
650 4 $a Furniture. $3 2074661
650 4 $a Textile design. $3 911055
650 4 $a Medical equipment. $3 3560831
650 4 $a Kidneys. $3 2108687
653 $a Critical design practice
653 $a Cultural research
653 $a Museum studies
690 $a 0730
690 $a 0389
690 $a 0436
690 $a 0326
690 $a 0650
710 2 $a Royal College of Art (United Kingdom). $3 3551804
773 0 $t Dissertations Abstracts International $g 79-08A.
790 $a 1027
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10768840