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A Study on the Nature of Chinese Poetry from Shijing to Regulated Verse.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A Study on the Nature of Chinese Poetry from Shijing to Regulated Verse./
作者:	Yan, Han.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	429 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Contained By:	Dissertations Abstracts International83-03A.
標題:	Linguistics. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28719327
ISBN:	9798538110179

A Study on the Nature of Chinese Poetry from Shijing to Regulated Verse.
Yan, Han.

A Study on the Nature of Chinese Poetry from Shijing to Regulated Verse. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 429 p.

Source: Dissertations Abstracts International, Volume: 83-03, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2021.

This item must not be sold to any third party vendors.

This study sets out to seek for the nature of Chinese poetry over a wide range of time span through syntactic analysis, prosodic approach and musical exploration. Given the existence of many diverse genres and templates of Chinese poetry, which has drawn the attention of interdisciplinary studies, this study looks to the development of Chinese poetry and tries to provide solid explanations for the poetic regularities from different angles. Chapter I introduces the basic elements, structure and key terms of poetry in general. The widely accepted theoretical frameworks on Chinese regulated-style verse in previous studies are introduced and discussed. Starting with the introduction of Shijing's origins and classification, certain odes are selected to discuss the poetic mechanism and the prosodic features reflected in the music-related facts in Chapter II. The close relationship between poetic features of Shijing and the Chinese classical music paves the way for revealing the trigger in the regularization of Chinese regulated-style verse. Chapter III probes into the metrical schemes of selected pentasyllabic songs of the Music Bureau and investigates the feasibilities of the stress-oriented models. The results of the tests challenge the application of the metrical theory of English verse to Chinese verse indiscriminately. In Chapter IV, a schematized new model to standardize the poetic prosody on metrical patterns of the regulated-style verse is established. The theory of Accented Durational Boundary (ADB) develops a new way of analyzing the regularization of Chinese regulated-style verse. Chapter V centers around the role that poetic syntax plays in the process of composing a regulated-style verse. A comparison of the syntactic consistency of ancient poems and pentasyllabic regulated verse is carried out. Additionally, the relationship and mismatch between the syntactic features and the metrical schemes reflected by Chinese regulated-style verse and the corresponding translated English verse in different versions are examined. The study conducted in this chapter is an extension of the modified models of the poetic prosody speculated in the previous chapters, and it also responds to the challenge of simply and unconditionally applying the metrical system of stress-timed languages to Chinese verse.

ISBN: 9798538110179Subjects--Topical Terms:

524476
Linguistics.
Subjects--Index Terms:

Chinese poetry

A Study on the Nature of Chinese Poetry from Shijing to Regulated Verse.
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520 $a This study sets out to seek for the nature of Chinese poetry over a wide range of time span through syntactic analysis, prosodic approach and musical exploration. Given the existence of many diverse genres and templates of Chinese poetry, which has drawn the attention of interdisciplinary studies, this study looks to the development of Chinese poetry and tries to provide solid explanations for the poetic regularities from different angles. Chapter I introduces the basic elements, structure and key terms of poetry in general. The widely accepted theoretical frameworks on Chinese regulated-style verse in previous studies are introduced and discussed. Starting with the introduction of Shijing's origins and classification, certain odes are selected to discuss the poetic mechanism and the prosodic features reflected in the music-related facts in Chapter II. The close relationship between poetic features of Shijing and the Chinese classical music paves the way for revealing the trigger in the regularization of Chinese regulated-style verse. Chapter III probes into the metrical schemes of selected pentasyllabic songs of the Music Bureau and investigates the feasibilities of the stress-oriented models. The results of the tests challenge the application of the metrical theory of English verse to Chinese verse indiscriminately. In Chapter IV, a schematized new model to standardize the poetic prosody on metrical patterns of the regulated-style verse is established. The theory of Accented Durational Boundary (ADB) develops a new way of analyzing the regularization of Chinese regulated-style verse. Chapter V centers around the role that poetic syntax plays in the process of composing a regulated-style verse. A comparison of the syntactic consistency of ancient poems and pentasyllabic regulated verse is carried out. Additionally, the relationship and mismatch between the syntactic features and the metrical schemes reflected by Chinese regulated-style verse and the corresponding translated English verse in different versions are examined. The study conducted in this chapter is an extension of the modified models of the poetic prosody speculated in the previous chapters, and it also responds to the challenge of simply and unconditionally applying the metrical system of stress-timed languages to Chinese verse.
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