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Transcendence and spirituality in Chinese cinema = a theological exploration /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Transcendence and spirituality in Chinese cinema/ Kris H.K Chong.
Reminder of title:
a theological exploration /
Author:
Chong, Kris H. K.
Published:
London :Routledge, : 2020.,
Description:
1 online resource.
Subject:
Motion pictures - Religious aspects. - China -
Online resource:
https://www.taylorfrancis.com/books/9781003004417
ISBN:
1000095924 (electronic bk.)
Transcendence and spirituality in Chinese cinema = a theological exploration /
Chong, Kris H. K.
Transcendence and spirituality in Chinese cinema
a theological exploration /[electronic resource] :Kris H.K Chong. - London :Routledge,2020. - 1 online resource. - Routledge studies in religion and film.
This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a result, has missed out the potential insights offered by Chinese spirituality on film. Mainland Chinese films, produced within the nation's social structure, offer an excellent lingua franca of China. Illuminating the spiritual imagination of Chinese filmmakers and their yearning for transcendence, the book uses Richard A. Blake's concept of afterimage to analyse the potential theological implications of their films. It then brings Jrgen Moltmann's "immanent-transcendence" and Robert K. Johnston's "God's wider Presence" into conversation with Confucianist and Daoist ideas of there being, spirituality-speaking, "More in Life than Meets the Eye" than simply material existence. This all combines to move beyond film and allow for a Western audience to gain a new perspective on Chinese culture and traditions. One that uses familiar Western terms, while avoiding the imposition of a Western mindset. This is a new perspective on cinema, religion and Chinese culture that will be of keen interest to scholars of Religion and Film, Religious Studies, Theology, Sociology of Religion and Chinese Studies.
ISBN: 1000095924 (electronic bk.)Subjects--Topical Terms:
3675828
Motion pictures
--Religious aspects.--ChinaIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1993.5.C4
Dewey Class. No.: 791.430951
Transcendence and spirituality in Chinese cinema = a theological exploration /
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This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a result, has missed out the potential insights offered by Chinese spirituality on film. Mainland Chinese films, produced within the nation's social structure, offer an excellent lingua franca of China. Illuminating the spiritual imagination of Chinese filmmakers and their yearning for transcendence, the book uses Richard A. Blake's concept of afterimage to analyse the potential theological implications of their films. It then brings Jrgen Moltmann's "immanent-transcendence" and Robert K. Johnston's "God's wider Presence" into conversation with Confucianist and Daoist ideas of there being, spirituality-speaking, "More in Life than Meets the Eye" than simply material existence. This all combines to move beyond film and allow for a Western audience to gain a new perspective on Chinese culture and traditions. One that uses familiar Western terms, while avoiding the imposition of a Western mindset. This is a new perspective on cinema, religion and Chinese culture that will be of keen interest to scholars of Religion and Film, Religious Studies, Theology, Sociology of Religion and Chinese Studies.
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https://www.taylorfrancis.com/books/9781003004417
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W9464187
電子資源
11.線上閱覽_V
電子書
EB PN1993.5.C4
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