| Record Type: |
Electronic resources
: Monograph/item
|
| Title/Author: |
Handbook of research on the relationship between autobiographical memory and photography/ Mark Bruce Nigel Ingham, Nela Milic, Vasileios Kantas, Sara Andersdotter, Paul Lowe. |
| remainder title: |
Research on the relationship between autobiographical memory and photography |
| other author: |
Ingham, Mark, |
| Published: |
Hershey, Pennsylvania :IGI Global, : 2023., |
| Description: |
1 online resource (636 p.) :ill. (chiefly col.) |
| [NT 15003449]: |
Section 1. Mobilisations of memory: re-imaginings, re-interpretations, and other catalysts for re-negotiating the past. Chapter 1. Interior archives: an experiment in autobiographical fiction ; Chapter 2. Trauma and memory in women's photographic practice: a diffractive posthuman approach ; Chapter 3. Staging sermon: performing autobiographical memory through "the waste land" ; Chapter 4. The inland lighthouse: a photographic study and interpretation of place and remembrance ; Chapter 5. Still forgetting: minor photographic approaches to desmemòria in the post-Franco era -- Section 2. Interplays sketching a self: psychic configurations, embodied instances. Chapter 6. Playing myself/selves: the unknowing of autobiographical photographic self-portraits ; Chapter 7. Photography as writing of the self ; Chapter 8. Memories of the cruel radiance: the lost art of autopathography ; Chapter 9. The intertwiningthe chiasm: embodiment, affect, and autobiographical photography ; Chapter 10. The burden of the screen: virtual presence and death during Covid-19 ; Chapter 11. The body in photography: a psychological "real"-istic reading -- Section 3. To have and to hold: in the absence ofphotograph. Chapter 12. Make the most of your memories: re-enactment phototherapy, auto-ethnography, memorialisation ; Chapter 13. Identity politics: a study of diasporic identity mediated through family photography ; Chapter 14. To have and to hold: touch and the objects of the dead ; Chapter 15. In the absence of the photograph ; Chapter 16. The implicated spectator: inscribing oneself into a photograph -- Section 4. Shadowy archives. Chapter 17. Embodying the family album:photography as a mnemonic device ; Chapter 18. Beyond the photograph: the phenomenon of confabulation in family photographs counter-memory and narrative from the silenced shadow archives ; Chapter 19. Me and my mom's camera: family archives and collaborative memory work ; Chapter 20. Understanding, reactivating, and reproducing autobiographical memory: discovering the historical family archive ; Chapter 21. Milk is a thin fluid thickly filled with opaque white globules -- Section 5. Six entangled ecologies of autobiographical memory and photography. Chapter 22. Photographic non-self ; Chapter 23. Urgent autobiographies: lived experiences of ecology in photographic practice ; Chapter 24. The frame and the fold:violent autobiography, photography, and unfurling from flatness ; Chapter 25. Beads in the necklace of time ; Chapter 26. The impossible remembering in Walid Raad's artwork "secrets in the open sea" (1994/2004) ; Chapter 27. The memory ofothers. |
| Subject: |
Photography - Psychological aspects. - |
| Online resource: |
http://services.igi-global.com/resolvedoi/resolve.aspx?doi=10.4018/978-1-6684-5337-7 |
| ISBN: |
9781668453384 (electronic bk.) |