東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

In Stravinsky's orbit = responses to Modernism in Russian Paris /

Record Type:	Electronic resources : Monograph/item
Title/Author:	In Stravinsky's orbit/ Klára Móricz.
Reminder of title:	responses to Modernism in Russian Paris /
Author:	Móricz, Klára,
Published:	Oakland, CA :University of California Press, : c2020.,
Description:	1 online resource (xiv, 290 p.) :ill.
Subject:	Music - History and criticism. - 20th century - France -
Online resource:	https://www.degruyter.com/isbn/9780520975521
ISBN:	9780520975521

In Stravinsky's orbit = responses to Modernism in Russian Paris /
Móricz, Klára,1962-

In Stravinsky's orbitresponses to Modernism in Russian Paris /[electronic resource] :Klára Móricz. - Oakland, CA :University of California Press,c2020. - 1 online resource (xiv, 290 p.) :ill.

Includes bibliographical references and index.

The Bolsheviks'1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants' and the Bolsheviks' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term.

ISBN: 9780520975521

Standard No.: 10.1525/9780520975521doiSubjects--Personal Names:

518249
Stravinsky, Igor,
1882-1971.Subjects--Topical Terms:

3674130
Music
--History and criticism.--France--20th century

LC Class. No.: ML270.8.P2 / M67 2020

Dewey Class. No.: 780.92/247

In Stravinsky's orbit = responses to Modernism in Russian Paris /
LDR:02253cmm a2200265 a 4500 001 2338327
003 DE-B1597
005 20210526051534.0
006 m o d
007 cr cnu---unuuu
008 240605s2020 caua ob 001 0deng d
020 $a 9780520975521 $q (epub)
020 $z 9780520344426 $q (hbk.)
024 7 $a 10.1525/9780520975521 $2 doi
035 $a 9780520975521
040 $a DE-B1597 $b eng $c DE-B1597
041 0 $a eng
050 4 $a ML270.8.P2 $b M67 2020
082 0 4 $a 780.92/247 $2 23
100 1 $a Móricz, Klára, $d 1962- $3 3674126
245 1 0 $a In Stravinsky's orbit $h [electronic resource] : $b responses to Modernism in Russian Paris / $c Klára Móricz.
260 $a Oakland, CA : $b University of California Press, $c c2020.
300 $a 1 online resource (xiv, 290 p.) : $b ill.
504 $a Includes bibliographical references and index.
520 $a The Bolsheviks'1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants' and the Bolsheviks' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term.
588 $a Description based on print version record.
600 1 0 $a Stravinsky, Igor, $d 1882-1971. $3 518249
600 1 0 $a Duke, Vernon, $d 1903-1969. $3 3674127
600 1 0 $a Prokofiev, Sergey, $d 1891-1953. $3 567648
600 1 0 $a Nabokov, Nicolas, $d 1903-1978. $3 3674128
600 1 0 $a Lourié, Arthur, $d 1892-1966. $3 3674129
650 0 $a Music $z France $z Paris $y 20th century $x History and criticism. $3 3674130
650 0 $a Expatriate composers $z France $z Paris. $3 3674131
650 0 $a Composers $z Soviet Union. $3 3674132
856 4 0 $u https://www.degruyter.com/isbn/9780520975521