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Queen caroline and the power of cari...

Haywood, Ian.

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Queen caroline and the power of caricature in Georgian England

Record Type:	Electronic resources : Monograph/item
Title/Author:	Queen caroline and the power of caricature in Georgian England/ by Ian Haywood.
Author:	Haywood, Ian.
Published:	Cham :Springer International Publishing : : 2023.,
Description:	xiii, 135 p. :illustrations (some col.), digital ;24 cm.
[NT 15003449]:	1. Queen Caroline Comes Home -- 2. A Queen on Trial -- 3. Victory and Popular Coronation -- 4. Backlash -- 5. A Radical End.
Contained By:	Springer Nature eBook
Subject:	English wit and humor, Pictorial - History - 19th century. -
Subject:	Great Britain - History - George IV, 1820-1830 -
Online resource:	https://doi.org/10.1007/978-3-031-46224-5
ISBN:	9783031462245

Queen caroline and the power of caricature in Georgian England
Haywood, Ian.

Queen caroline and the power of caricature in Georgian England[electronic resource] /by Ian Haywood. - Cham :Springer International Publishing :2023. - xiii, 135 p. :illustrations (some col.), digital ;24 cm. - Queenship and power,2730-9398. - Queenship and power..

1. Queen Caroline Comes Home -- 2. A Queen on Trial -- 3. Victory and Popular Coronation -- 4. Backlash -- 5. A Radical End.

This book will be the first dedicated study of the remarkable role of Georgian caricature in the equally remarkable Queen Caroline controversy of 1820-21. When the newly crowned George IV, formerly the Prince of Wales, refused to recognise his estranged wife Caroline as the rightful queen of the Britain, her refusal to rescind her claim to the throne provoked a huge campaign of sympathy and support that almost toppled the government. The British people rallied round the 'injured' queen in their hundreds of thousands, and massed rallies, processions, protests and petitioning became daily news. The Queen Caroline controversy was the zenith of the 'Golden Age' of caricature, a tour-de-force of imagination, wit, inventiveness and sheer political mischief. In image after image, Caroline triumphs over her cowardly and conniving enemies, subverting gender and political hierarchies, and giving a presence and voice to her unenfranchised followers. This book therefore aims to chronicle and analyse this achievement' with a mention of the number and quality of the images in the book, as this is one of its great features: eg something like: 'Containing over 50 beautifully reproduced colour images, this book...' Ian Haywood is Professor of English at the University of Roehampton, UK.

ISBN: 9783031462245

Standard No.: 10.1007/978-3-031-46224-5doiSubjects--Personal Names:

3669065
Caroline,
Queen, consort of George IV, King of Great Britain,1768-1821--Caricatures and cartoons.Subjects--Topical Terms:

3669068
English wit and humor, Pictorial
--History--19th century.Subjects--Geographical Terms:

3669067
Great Britain
--History--George IV, 1820-1830

LC Class. No.: DA538.A2

Dewey Class. No.: 941.074

Queen caroline and the power of caricature in Georgian England
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505 0 $a 1. Queen Caroline Comes Home -- 2. A Queen on Trial -- 3. Victory and Popular Coronation -- 4. Backlash -- 5. A Radical End.
520 $a This book will be the first dedicated study of the remarkable role of Georgian caricature in the equally remarkable Queen Caroline controversy of 1820-21. When the newly crowned George IV, formerly the Prince of Wales, refused to recognise his estranged wife Caroline as the rightful queen of the Britain, her refusal to rescind her claim to the throne provoked a huge campaign of sympathy and support that almost toppled the government. The British people rallied round the 'injured' queen in their hundreds of thousands, and massed rallies, processions, protests and petitioning became daily news. The Queen Caroline controversy was the zenith of the 'Golden Age' of caricature, a tour-de-force of imagination, wit, inventiveness and sheer political mischief. In image after image, Caroline triumphs over her cowardly and conniving enemies, subverting gender and political hierarchies, and giving a presence and voice to her unenfranchised followers. This book therefore aims to chronicle and analyse this achievement' with a mention of the number and quality of the images in the book, as this is one of its great features: eg something like: 'Containing over 50 beautifully reproduced colour images, this book...' Ian Haywood is Professor of English at the University of Roehampton, UK.
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