東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Alterity and capitalism in speculati...

Vergara, Tomas.

Linked to FindBook

Google Book

Amazon

博客來

Alterity and capitalism in speculative fiction = estranging contemporary history /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Alterity and capitalism in speculative fiction/ by Tomas Vergara.
Reminder of title:	estranging contemporary history /
Author:	Vergara, Tomas.
Published:	Cham :Springer Nature Switzerland : : 2023.,
Description:	ix, 206 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Introduction: Anamorphic Estrangement -- Chapter 2: Marxism as Narrative World-Building Method: New Weird Fiction and Capitalist Crisis in China Miéville's Bas-Lag Trilogy -- Chapter 3: The Afterlives of Slavery: Spectres of the Antebellum in Colson Whitehead's The Underground Railroad and Rivers Solomon's Sorrowland -- Chapter 4: Challenging Cultural Studies Through Dystopia: Catatonic Cultural Dominant in Noon's Falling Out of Cars and McCormack's Notes from a Coma -- Chapter 5: Extrapolation and Social Reproduction: Anne Charnock's Dreams Before the Start of Time and Bina Shah's Before She Sleep -- Chapter 6: Conclusion: New Horizons for a Marxist Theory of Speculative Fiction.
Contained By:	Springer Nature eBook
Subject:	Speculative fiction - History and criticism. -
Online resource:	https://doi.org/10.1007/978-3-031-39924-4
ISBN:	9783031399244

Alterity and capitalism in speculative fiction = estranging contemporary history /
Vergara, Tomas.

Alterity and capitalism in speculative fictionestranging contemporary history /[electronic resource] :by Tomas Vergara. - Cham :Springer Nature Switzerland :2023. - ix, 206 p. :ill., digital ;24 cm.

Chapter 1: Introduction: Anamorphic Estrangement -- Chapter 2: Marxism as Narrative World-Building Method: New Weird Fiction and Capitalist Crisis in China Miéville's Bas-Lag Trilogy -- Chapter 3: The Afterlives of Slavery: Spectres of the Antebellum in Colson Whitehead's The Underground Railroad and Rivers Solomon's Sorrowland -- Chapter 4: Challenging Cultural Studies Through Dystopia: Catatonic Cultural Dominant in Noon's Falling Out of Cars and McCormack's Notes from a Coma -- Chapter 5: Extrapolation and Social Reproduction: Anne Charnock's Dreams Before the Start of Time and Bina Shah's Before She Sleep -- Chapter 6: Conclusion: New Horizons for a Marxist Theory of Speculative Fiction.

"As the storm called progress piles wreckage at our feet, speculative fiction is now key to articulating catastrophe. Through paranoid ontologies, anamorphic estrangements, counterfactual energies, crisis historicity, forestalled extrapolations and catatonic thrum, writers like China Miéville and Rivers Solomon, Bina Shah and Colson Whitehead estrange the death throes of a terminal capitalism that refuses to die until it has asset-stripped the world of all possibilities. This is heady stuff and Vergara a critic to be heeded". -Mark Bould, Professor of Film and Literature, UWE Bristol Speculative fiction has been traditionally studied in Marxist literary criticism, following Darko Suvin's paradigmatic model of science fiction, according to a hierarchical division of its multiple subgenres in terms of their assumed inherent political value. By drawing on an alternative genealogy of Marxist criticism, this book presents a non-hierarchical understanding of the estrangement connecting all varieties of speculative fiction, outlining the political potential shared across the spectrum of speculative fiction, along with the specific narrative strategies by which it critically engages with its historical context of production. This study's main point of contention is that speculative fiction performs an estrangement effect on historical reality that can potentially render visible the role of fantasies in the organisation of capitalist social practice. This narrative effect enables an estranged perspective by which the novel interprets and conceptualises historical reality in a totalising manner. Tomás Vergara completed his Ph.D. in English Literature at the University of Edinburgh, UK. He is a lecturer in English at Pontificia Universidad Católica de Valparaíso, Chile. His research interests are focused on speculative fiction, Marxist literary criticism and the environmental humanities. This interest ranges from early forms of science fiction and the Gothic in Victorian literature to the dystopian imaginaries of cyberpunk in Bruce Sterling and William Gibson, and the radical alterity of China Miéville's New Weird fiction attempting to weaponize the fantastic to revitalise the imaginary of revolution. The particular focus on speculative fiction is a consequence of this broader interest in the fantastic. Tomás has published an article on Jeff Noon's Falling out of Cars in the C21 Literature journal.

ISBN: 9783031399244

Standard No.: 10.1007/978-3-031-39924-4doiSubjects--Topical Terms:

3668050
Speculative fiction
--History and criticism.

LC Class. No.: PN3448.S64

Dewey Class. No.: 809.3876

Alterity and capitalism in speculative fiction = estranging contemporary history /
LDR:04160nmm a2200325 a 4500 001 2335549
003 DE-He213
005 20231005014608.0
006 m d
007 cr nn 008maaau
008 240402s2023 sz s 0 eng d
020 $a 9783031399244 $q (electronic bk.)
020 $a 9783031399237 $q (paper)
024 7 $a 10.1007/978-3-031-39924-4 $2 doi
035 $a 978-3-031-39924-4
040 $a GP $c GP
041 0 $a eng
050 4 $a PN3448.S64
072 7 $a DSA $2 bicssc
072 7 $a LIT006000 $2 bisacsh
072 7 $a DSA $2 thema
082 0 4 $a 809.3876 $2 23
090 $a PN3448.S64 $b V494 2023
100 1 $a Vergara, Tomas. $3 3668049
245 1 0 $a Alterity and capitalism in speculative fiction $h [electronic resource] : $b estranging contemporary history / $c by Tomas Vergara.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a ix, 206 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Introduction: Anamorphic Estrangement -- Chapter 2: Marxism as Narrative World-Building Method: New Weird Fiction and Capitalist Crisis in China Miéville's Bas-Lag Trilogy -- Chapter 3: The Afterlives of Slavery: Spectres of the Antebellum in Colson Whitehead's The Underground Railroad and Rivers Solomon's Sorrowland -- Chapter 4: Challenging Cultural Studies Through Dystopia: Catatonic Cultural Dominant in Noon's Falling Out of Cars and McCormack's Notes from a Coma -- Chapter 5: Extrapolation and Social Reproduction: Anne Charnock's Dreams Before the Start of Time and Bina Shah's Before She Sleep -- Chapter 6: Conclusion: New Horizons for a Marxist Theory of Speculative Fiction.
520 $a "As the storm called progress piles wreckage at our feet, speculative fiction is now key to articulating catastrophe. Through paranoid ontologies, anamorphic estrangements, counterfactual energies, crisis historicity, forestalled extrapolations and catatonic thrum, writers like China Miéville and Rivers Solomon, Bina Shah and Colson Whitehead estrange the death throes of a terminal capitalism that refuses to die until it has asset-stripped the world of all possibilities. This is heady stuff and Vergara a critic to be heeded". -Mark Bould, Professor of Film and Literature, UWE Bristol Speculative fiction has been traditionally studied in Marxist literary criticism, following Darko Suvin's paradigmatic model of science fiction, according to a hierarchical division of its multiple subgenres in terms of their assumed inherent political value. By drawing on an alternative genealogy of Marxist criticism, this book presents a non-hierarchical understanding of the estrangement connecting all varieties of speculative fiction, outlining the political potential shared across the spectrum of speculative fiction, along with the specific narrative strategies by which it critically engages with its historical context of production. This study's main point of contention is that speculative fiction performs an estrangement effect on historical reality that can potentially render visible the role of fantasies in the organisation of capitalist social practice. This narrative effect enables an estranged perspective by which the novel interprets and conceptualises historical reality in a totalising manner. Tomás Vergara completed his Ph.D. in English Literature at the University of Edinburgh, UK. He is a lecturer in English at Pontificia Universidad Católica de Valparaíso, Chile. His research interests are focused on speculative fiction, Marxist literary criticism and the environmental humanities. This interest ranges from early forms of science fiction and the Gothic in Victorian literature to the dystopian imaginaries of cyberpunk in Bruce Sterling and William Gibson, and the radical alterity of China Miéville's New Weird fiction attempting to weaponize the fantastic to revitalise the imaginary of revolution. The particular focus on speculative fiction is a consequence of this broader interest in the fantastic. Tomás has published an article on Jeff Noon's Falling out of Cars in the C21 Literature journal.
650 0 $a Speculative fiction $x History and criticism. $3 3668050
650 0 $a Marxist criticism. $3 561529
650 0 $a Other (Philosophy) in literature. $3 1098699
650 0 $a Capitalism in literature. $3 862888
650 1 4 $a Literary Theory. $3 2182071
650 2 4 $a Contemporary Literature. $3 2191758
650 2 4 $a Cultural Studies. $3 1569312
650 2 4 $a Literary Genre. $3 3593294
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-39924-4
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)