東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Memory made, hacked, and outsourced ...

Tseng, Chia-Chieh Mavis.

Linked to FindBook

Google Book

Amazon

博客來

Memory made, hacked, and outsourced = how the 21st Century Anglophone novels remember and forget /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Memory made, hacked, and outsourced/ by Chia-Chieh Mavis Tseng.
Reminder of title:	how the 21st Century Anglophone novels remember and forget /
Author:	Tseng, Chia-Chieh Mavis.
Published:	Singapore :Springer Nature Singapore : : 2023.,
Description:	xi, 148 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Introduction: Memory and Fiction in the 21st Century -- Chapter 2: Memory Made: Photography, Latency, and Contingency in Penelope Lively's The Photograph -- Chapter 3: Memory in Seriality: Remainder, Repetition, and Authenticity in Tom McCarthy's Remainder -- Chapter 4: Memory Hacking: Remembering, Storytelling, and Unreliable Narrators in Julian Barnes' The Sense of an Ending and The Only Story -- Chapter 5: Remember Like Humans: (Post-)human Memories, Forgetting, and Space of Latency in Kazuo Ishiguro's Never Let Me Go -- Chapter 6: Memory Outsourced: New Memory in the Digital Age in Felicia Yap's Yesterday -- Chapter 7: Conclusion: The Future of 21st Century Memory.
Contained By:	Springer Nature eBook
Subject:	English fiction - History and criticism. - 21st century -
Online resource:	https://doi.org/10.1007/978-981-19-9251-3
ISBN:	9789811992513

Memory made, hacked, and outsourced = how the 21st Century Anglophone novels remember and forget /
Tseng, Chia-Chieh Mavis.

Memory made, hacked, and outsourcedhow the 21st Century Anglophone novels remember and forget /[electronic resource] :by Chia-Chieh Mavis Tseng. - Singapore :Springer Nature Singapore :2023. - xi, 148 p. :ill., digital ;24 cm.

Chapter 1: Introduction: Memory and Fiction in the 21st Century -- Chapter 2: Memory Made: Photography, Latency, and Contingency in Penelope Lively's The Photograph -- Chapter 3: Memory in Seriality: Remainder, Repetition, and Authenticity in Tom McCarthy's Remainder -- Chapter 4: Memory Hacking: Remembering, Storytelling, and Unreliable Narrators in Julian Barnes' The Sense of an Ending and The Only Story -- Chapter 5: Remember Like Humans: (Post-)human Memories, Forgetting, and Space of Latency in Kazuo Ishiguro's Never Let Me Go -- Chapter 6: Memory Outsourced: New Memory in the Digital Age in Felicia Yap's Yesterday -- Chapter 7: Conclusion: The Future of 21st Century Memory.

This book probes the complex relationship between memory and storytelling in contemporary literature. It not only examines how memory is constantly made and remade through words and stories but also explores how literary practices and imagination are shaping new concepts of memory in the 21st century. By analyzing the selected novels - Penelope Lively's The Photograph, Tom McCarthy's Remainder, Julian Barnes' The Sense of an Ending and The Only Story, Kazuo Ishiguro's Never Let Me Go, and Felicia Yap's Yesterday - this book explores the dynamic interplay of remembering and forgetting, and redefines the relationship between fiction and memory in the 21st century. Chia-Chieh Mavis Tseng is the director and associate professor in the Language Center at Taipei Medical University. She received her Ph.D. in Comparative Literature at Rutgers, The State University of New Jersey. Her publications have addressed memory studies, film studies, visual culture, urban modernity, Amy Levy, Kate Chopin, Virginia Woolf, Kazuo Ishiguro, Walter Benjamin, and Jacques Tati's works. Her several research projects (2017-2023), funded by the National Science and Technology Council in Taiwan, R.O.C., focus on representations of memory in contemporary novels and films.

ISBN: 9789811992513

Standard No.: 10.1007/978-981-19-9251-3doiSubjects--Topical Terms:

885161
English fiction
--History and criticism.--21st century

LC Class. No.: PR889

Dewey Class. No.: 823.9209353

Memory made, hacked, and outsourced = how the 21st Century Anglophone novels remember and forget /
LDR:02991nmm a2200325 a 4500 001 2333190
003 DE-He213
005 20230729085309.0
006 m d
007 cr nn 008maaau
008 240402s2023 si s 0 eng d
020 $a 9789811992513 $q (electronic bk.)
020 $a 9789811992506 $q (paper)
024 7 $a 10.1007/978-981-19-9251-3 $2 doi
035 $a 978-981-19-9251-3
040 $a GP $c GP
041 0 $a eng
050 4 $a PR889
072 7 $a DSBH $2 bicssc
072 7 $a LIT024000 $2 bisacsh
072 7 $a DSBH $2 thema
082 0 4 $a 823.9209353 $2 23
090 $a PR889 $b .T882 2023
100 1 $a Tseng, Chia-Chieh Mavis. $3 3663757
245 1 0 $a Memory made, hacked, and outsourced $h [electronic resource] : $b how the 21st Century Anglophone novels remember and forget / $c by Chia-Chieh Mavis Tseng.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xi, 148 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Introduction: Memory and Fiction in the 21st Century -- Chapter 2: Memory Made: Photography, Latency, and Contingency in Penelope Lively's The Photograph -- Chapter 3: Memory in Seriality: Remainder, Repetition, and Authenticity in Tom McCarthy's Remainder -- Chapter 4: Memory Hacking: Remembering, Storytelling, and Unreliable Narrators in Julian Barnes' The Sense of an Ending and The Only Story -- Chapter 5: Remember Like Humans: (Post-)human Memories, Forgetting, and Space of Latency in Kazuo Ishiguro's Never Let Me Go -- Chapter 6: Memory Outsourced: New Memory in the Digital Age in Felicia Yap's Yesterday -- Chapter 7: Conclusion: The Future of 21st Century Memory.
520 $a This book probes the complex relationship between memory and storytelling in contemporary literature. It not only examines how memory is constantly made and remade through words and stories but also explores how literary practices and imagination are shaping new concepts of memory in the 21st century. By analyzing the selected novels - Penelope Lively's The Photograph, Tom McCarthy's Remainder, Julian Barnes' The Sense of an Ending and The Only Story, Kazuo Ishiguro's Never Let Me Go, and Felicia Yap's Yesterday - this book explores the dynamic interplay of remembering and forgetting, and redefines the relationship between fiction and memory in the 21st century. Chia-Chieh Mavis Tseng is the director and associate professor in the Language Center at Taipei Medical University. She received her Ph.D. in Comparative Literature at Rutgers, The State University of New Jersey. Her publications have addressed memory studies, film studies, visual culture, urban modernity, Amy Levy, Kate Chopin, Virginia Woolf, Kazuo Ishiguro, Walter Benjamin, and Jacques Tati's works. Her several research projects (2017-2023), funded by the National Science and Technology Council in Taiwan, R.O.C., focus on representations of memory in contemporary novels and films.
650 0 $a English fiction $y 21st century $x History and criticism. $3 885161
650 0 $a Memory in literature. $3 571692
650 1 4 $a Contemporary Literature. $3 2191758
650 2 4 $a Memory Studies. $3 2200125
650 2 4 $a Literature and Pedagogy. $3 3595364
650 2 4 $a Fiction Literature. $3 3538732
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-19-9251-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)