Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Contemporary argentine women filmmakers
~
Vohnsen, Mirna.
Linked to FindBook
Google Book
Amazon
博客來
Contemporary argentine women filmmakers
Record Type:
Electronic resources : Monograph/item
Title/Author:
Contemporary argentine women filmmakers/ edited by Mirna Vohnsen, Daniel Mourenza.
other author:
Vohnsen, Mirna.
Published:
Cham :Springer International Publishing : : 2023.,
Description:
xv, 272 p. :ill., digital ;24 cm.
[NT 15003449]:
1. Introduction. Women Filmmakers in Argentina: Reworking Cinematic Practices Mirna Vohnsen & Daniel Mourenza Auteurs -- 2. Lita Stantic: "The Personal Is Political" Is Professional Constanza Burucúa -- 3. Jeanine Meerapfel: Cosmopolitan Auteur of the Immigrant Condition Matt Losada -- 4. María Victoria Menis's Counter-Cinema: La cámara oscura (2008) and María y el Araña (2013) Carolina Rocha -- Traumatic Experiences -- 5. Sisterhood on the Threshold in Julia Solomonoff's Hermanas (2005) Mirna Vohnsen -- 6. Screaming into the Abyss: Trauma and Witnessing in Albertina Carri's Los rubios (2003) and La rabia (2008) Fiona Clancy -- 7. Are You Listening? Voices and Images in Gabriela David's Taxi, un encuentro (2001) and Lucía Puenzo's El niño pez (2009) Ana Forcinito -- 8. Intersectionality in Gabriela David's La mosca en la ceniza (2010) Traci Roberts-Camps -- Aesthetics -- 9. They Are All around Us: Pain, Memory and Multisensory Images in Paula Markovitch's El premio (2011) Guillermo Severiche -- 10. The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz's El futuro perfecto (2016) Pedro Cabello del Moral & Roberto Elvira Mathez -- 11. Manipulating the Gaze in La novia del desierto (dir. Cecilia Atán and Valeria Pivato, 2017) Andrea Meador Smith -- Genre Cinema -- 12. Women, Hybridity and Genre in the Films of Verónica Chen Beatriz Urraca -- 13. A Different Terror: Crudo Films and Women's Horror Cinema in Argentina Jonathan Risner -- 14. Girlhood and the Uncanny in the Coming-of-Age Genre: Abrir puertas y ventanas (dir. Milagros Mumenthaler, 2011) and Mamá, mamá, mamá (dir. Sol Berruezo Pichon-Rivière, 2020) Daniel Mourenza -- Epilogue. On Cinematic Disobedience Inela Selimović.
Contained By:
Springer Nature eBook
Subject:
Women motion picture producers and directors - Argentina. -
Online resource:
https://doi.org/10.1007/978-3-031-32346-1
ISBN:
9783031323461
Contemporary argentine women filmmakers
Contemporary argentine women filmmakers
[electronic resource] /edited by Mirna Vohnsen, Daniel Mourenza. - Cham :Springer International Publishing :2023. - xv, 272 p. :ill., digital ;24 cm.
1. Introduction. Women Filmmakers in Argentina: Reworking Cinematic Practices Mirna Vohnsen & Daniel Mourenza Auteurs -- 2. Lita Stantic: "The Personal Is Political" Is Professional Constanza Burucúa -- 3. Jeanine Meerapfel: Cosmopolitan Auteur of the Immigrant Condition Matt Losada -- 4. María Victoria Menis's Counter-Cinema: La cámara oscura (2008) and María y el Araña (2013) Carolina Rocha -- Traumatic Experiences -- 5. Sisterhood on the Threshold in Julia Solomonoff's Hermanas (2005) Mirna Vohnsen -- 6. Screaming into the Abyss: Trauma and Witnessing in Albertina Carri's Los rubios (2003) and La rabia (2008) Fiona Clancy -- 7. Are You Listening? Voices and Images in Gabriela David's Taxi, un encuentro (2001) and Lucía Puenzo's El niño pez (2009) Ana Forcinito -- 8. Intersectionality in Gabriela David's La mosca en la ceniza (2010) Traci Roberts-Camps -- Aesthetics -- 9. They Are All around Us: Pain, Memory and Multisensory Images in Paula Markovitch's El premio (2011) Guillermo Severiche -- 10. The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz's El futuro perfecto (2016) Pedro Cabello del Moral & Roberto Elvira Mathez -- 11. Manipulating the Gaze in La novia del desierto (dir. Cecilia Atán and Valeria Pivato, 2017) Andrea Meador Smith -- Genre Cinema -- 12. Women, Hybridity and Genre in the Films of Verónica Chen Beatriz Urraca -- 13. A Different Terror: Crudo Films and Women's Horror Cinema in Argentina Jonathan Risner -- 14. Girlhood and the Uncanny in the Coming-of-Age Genre: Abrir puertas y ventanas (dir. Milagros Mumenthaler, 2011) and Mamá, mamá, mamá (dir. Sol Berruezo Pichon-Rivière, 2020) Daniel Mourenza -- Epilogue. On Cinematic Disobedience Inela Selimović.
This edited volume offers a wide-ranging picture of Argentine women filmmakers' contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women's voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers. "This is the first book in English dedicated to the rich output of recent Argentine women filmmakers and features work by leading experts. A comprehensive, and well researched book that tells multiple stories of women's filmmaking in Argentina." - Deborah Shaw, Professor of Film and Screen Studies, University of Portsmouth, UK Dr Mirna Vohnsen is Assistant Lecturer in Spanish at Technological University Dublin. She specialises in contemporary Argentine cinema and culture. She is the author of Portrayals of Jews in Contemporary Argentine Cinema: Rethinking Argentinidad (2019) and the co-author of Eva Perón: A Reference Guide to Her Life and Works (2021) Dr Daniel Mourenza is Assistant Professor in Hispanic Cultural Studies at Radboud Universiteit. His research focuses on film theory, visual culture and Spanish and Latin American cinema. He is the author of Walter Benjamin and the Aesthetics of Film (2020) Mourenza has also co-edited a special issue of Parallax on 'Barbarism'.
ISBN: 9783031323461
Standard No.: 10.1007/978-3-031-32346-1doiSubjects--Topical Terms:
3663716
Women motion picture producers and directors
--Argentina.
LC Class. No.: PN1995.9.W6 / C66 2023
Dewey Class. No.: 791.4302330982
Contemporary argentine women filmmakers
LDR
:04545nmm a2200325 a 4500
001
2333164
003
DE-He213
005
20230706184002.0
006
m d
007
cr nn 008maaau
008
240402s2023 sz s 0 eng d
020
$a
9783031323461
$q
(electronic bk.)
020
$a
9783031323454
$q
(paper)
024
7
$a
10.1007/978-3-031-32346-1
$2
doi
035
$a
978-3-031-32346-1
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN1995.9.W6
$b
C66 2023
072
7
$a
AP
$2
bicssc
072
7
$a
PER004000
$2
bisacsh
072
7
$a
AT
$2
thema
082
0 4
$a
791.4302330982
$2
23
090
$a
PN1995.9.W6
$b
C761 2023
245
0 0
$a
Contemporary argentine women filmmakers
$h
[electronic resource] /
$c
edited by Mirna Vohnsen, Daniel Mourenza.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2023.
300
$a
xv, 272 p. :
$b
ill., digital ;
$c
24 cm.
505
0
$a
1. Introduction. Women Filmmakers in Argentina: Reworking Cinematic Practices Mirna Vohnsen & Daniel Mourenza Auteurs -- 2. Lita Stantic: "The Personal Is Political" Is Professional Constanza Burucúa -- 3. Jeanine Meerapfel: Cosmopolitan Auteur of the Immigrant Condition Matt Losada -- 4. María Victoria Menis's Counter-Cinema: La cámara oscura (2008) and María y el Araña (2013) Carolina Rocha -- Traumatic Experiences -- 5. Sisterhood on the Threshold in Julia Solomonoff's Hermanas (2005) Mirna Vohnsen -- 6. Screaming into the Abyss: Trauma and Witnessing in Albertina Carri's Los rubios (2003) and La rabia (2008) Fiona Clancy -- 7. Are You Listening? Voices and Images in Gabriela David's Taxi, un encuentro (2001) and Lucía Puenzo's El niño pez (2009) Ana Forcinito -- 8. Intersectionality in Gabriela David's La mosca en la ceniza (2010) Traci Roberts-Camps -- Aesthetics -- 9. They Are All around Us: Pain, Memory and Multisensory Images in Paula Markovitch's El premio (2011) Guillermo Severiche -- 10. The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz's El futuro perfecto (2016) Pedro Cabello del Moral & Roberto Elvira Mathez -- 11. Manipulating the Gaze in La novia del desierto (dir. Cecilia Atán and Valeria Pivato, 2017) Andrea Meador Smith -- Genre Cinema -- 12. Women, Hybridity and Genre in the Films of Verónica Chen Beatriz Urraca -- 13. A Different Terror: Crudo Films and Women's Horror Cinema in Argentina Jonathan Risner -- 14. Girlhood and the Uncanny in the Coming-of-Age Genre: Abrir puertas y ventanas (dir. Milagros Mumenthaler, 2011) and Mamá, mamá, mamá (dir. Sol Berruezo Pichon-Rivière, 2020) Daniel Mourenza -- Epilogue. On Cinematic Disobedience Inela Selimović.
520
$a
This edited volume offers a wide-ranging picture of Argentine women filmmakers' contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women's voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers. "This is the first book in English dedicated to the rich output of recent Argentine women filmmakers and features work by leading experts. A comprehensive, and well researched book that tells multiple stories of women's filmmaking in Argentina." - Deborah Shaw, Professor of Film and Screen Studies, University of Portsmouth, UK Dr Mirna Vohnsen is Assistant Lecturer in Spanish at Technological University Dublin. She specialises in contemporary Argentine cinema and culture. She is the author of Portrayals of Jews in Contemporary Argentine Cinema: Rethinking Argentinidad (2019) and the co-author of Eva Perón: A Reference Guide to Her Life and Works (2021) Dr Daniel Mourenza is Assistant Professor in Hispanic Cultural Studies at Radboud Universiteit. His research focuses on film theory, visual culture and Spanish and Latin American cinema. He is the author of Walter Benjamin and the Aesthetics of Film (2020) Mourenza has also co-edited a special issue of Parallax on 'Barbarism'.
650
0
$a
Women motion picture producers and directors
$z
Argentina.
$3
3663716
650
0
$a
Motion pictures
$z
Argentina
$x
History.
$3
1099961
650
1 4
$a
Latin American Film and TV.
$3
3596363
650
2 4
$a
Media and Gender.
$3
3538730
650
2 4
$a
Directing.
$3
2200203
650
2 4
$a
Film and Television Production.
$3
3538709
700
1
$a
Vohnsen, Mirna.
$3
3663715
700
1
$a
Mourenza, Daniel.
$3
3507416
710
2
$a
SpringerLink (Online service)
$3
836513
773
0
$t
Springer Nature eBook
856
4 0
$u
https://doi.org/10.1007/978-3-031-32346-1
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9459369
電子資源
11.線上閱覽_V
電子書
EB PN1995.9.W6 C66 2023
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login