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John ruskin, the Pre-Raphaelites, an...

Beaumont, Sheona.

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John ruskin, the Pre-Raphaelites, and religious imagination = sacre conversazioni /

Record Type:	Electronic resources : Monograph/item
Title/Author:	John ruskin, the Pre-Raphaelites, and religious imagination/ edited by Sheona Beaumont, Madeleine Emerald Thiele.
Reminder of title:	sacre conversazioni /
other author:	Beaumont, Sheona.
Published:	Cham :Springer International Publishing : : 2023.,
Description:	xxiv, 315 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Earth and Heaven: Ruskin on Dirt, Work, and Beauty -- 3. Ruskin's Venice: Embracing Sacred Fragments of Imperfect Beauty -- 4. 'Those are Leaves': Ruskin's Analogical Imagination and the Pre-Raphaelite Theology of Nature -- 5. Sounds and Visions at The Chapel of St Michael and All Angels. 6. Ruskin, Rossetti, and the Sacra Conversazione of Colour -- 7. 'The Loveliest Traditions of the Christian Legend': Ruskin, Burne-Jones, and the Imaging of the Cross -- 8. Crystal Balls: Visions of Creation in the Art of Burne-Jones -- 9. A World Without Ceiling: Mary Watts's 'Language of Symbols' at Limnerslease -- 10. Victorian Exodus: Visualising the Old Testament in Dalziels' Bible Gallery (1881) -- 11. Heaven on Earth: Evelyn De Morgan's Rejection of Materialism -- 12. Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions -- 13. Envoi.
Contained By:	Springer Nature eBook
Subject:	Christianity and art - History - 19th century. - Great Britain -
Online resource:	https://doi.org/10.1007/978-3-031-21554-4
ISBN:	9783031215544

John ruskin, the Pre-Raphaelites, and religious imagination = sacre conversazioni /
John ruskin, the Pre-Raphaelites, and religious imaginationsacre conversazioni /[electronic resource] :edited by Sheona Beaumont, Madeleine Emerald Thiele. - Cham :Springer International Publishing :2023. - xxiv, 315 p. :ill., digital ;24 cm.

1. Introduction -- 2. Earth and Heaven: Ruskin on Dirt, Work, and Beauty -- 3. Ruskin's Venice: Embracing Sacred Fragments of Imperfect Beauty -- 4. 'Those are Leaves': Ruskin's Analogical Imagination and the Pre-Raphaelite Theology of Nature -- 5. Sounds and Visions at The Chapel of St Michael and All Angels. 6. Ruskin, Rossetti, and the Sacra Conversazione of Colour -- 7. 'The Loveliest Traditions of the Christian Legend': Ruskin, Burne-Jones, and the Imaging of the Cross -- 8. Crystal Balls: Visions of Creation in the Art of Burne-Jones -- 9. A World Without Ceiling: Mary Watts's 'Language of Symbols' at Limnerslease -- 10. Victorian Exodus: Visualising the Old Testament in Dalziels' Bible Gallery (1881) -- 11. Heaven on Earth: Evelyn De Morgan's Rejection of Materialism -- 12. Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions -- 13. Envoi.

This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin's writing for today's audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin's drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of 'sacra conversazione'. Sheona Beaumont is an artist and writer working with photography. She was Bishop Otter Scholar (2017-2020) with the Diocese of Chichester and King's College London and has held artist residencies in various ecumenical settings. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021) Madeleine Emerald Thiele is an art historian and public lecturer. Her research examines John Ruskin, Venice, Tractarian aesthetics and the angelic form within British art c.1840s-1900s. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021)

ISBN: 9783031215544

Standard No.: 10.1007/978-3-031-21554-4doiSubjects--Personal Names:

653712
Ruskin, John,
1819-1900.Subjects--Topical Terms:

3662420
Christianity and art
--History--Great Britain--19th century.

LC Class. No.: BR115.A8 / J64 2023

Dewey Class. No.: 261.57

John ruskin, the Pre-Raphaelites, and religious imagination = sacre conversazioni /
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505 0 $a 1. Introduction -- 2. Earth and Heaven: Ruskin on Dirt, Work, and Beauty -- 3. Ruskin's Venice: Embracing Sacred Fragments of Imperfect Beauty -- 4. 'Those are Leaves': Ruskin's Analogical Imagination and the Pre-Raphaelite Theology of Nature -- 5. Sounds and Visions at The Chapel of St Michael and All Angels. 6. Ruskin, Rossetti, and the Sacra Conversazione of Colour -- 7. 'The Loveliest Traditions of the Christian Legend': Ruskin, Burne-Jones, and the Imaging of the Cross -- 8. Crystal Balls: Visions of Creation in the Art of Burne-Jones -- 9. A World Without Ceiling: Mary Watts's 'Language of Symbols' at Limnerslease -- 10. Victorian Exodus: Visualising the Old Testament in Dalziels' Bible Gallery (1881) -- 11. Heaven on Earth: Evelyn De Morgan's Rejection of Materialism -- 12. Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions -- 13. Envoi.
520 $a This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin's writing for today's audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin's drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of 'sacra conversazione'. Sheona Beaumont is an artist and writer working with photography. She was Bishop Otter Scholar (2017-2020) with the Diocese of Chichester and King's College London and has held artist residencies in various ecumenical settings. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021) Madeleine Emerald Thiele is an art historian and public lecturer. Her research examines John Ruskin, Venice, Tractarian aesthetics and the angelic form within British art c.1840s-1900s. She is a co-founder of Visual Theology, whose first edited publication was Transforming Christian Thought in the Visual Arts (2021)
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