東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The post-soul cinema of Kasi lemmons

Wynter, Dianah.

Linked to FindBook

Google Book

Amazon

博客來

The post-soul cinema of Kasi lemmons

Record Type:	Electronic resources : Monograph/item
Title/Author:	The post-soul cinema of Kasi lemmons/ edited by Dianah Wynter.
other author:	Wynter, Dianah.
Published:	Cham :Springer International Publishing : : 2023.,
Description:	xii, 129 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1. Introduction by D. E. Wynter, California State University Northridge -- Chapter 2. Some Illnesses are Hard to Put a Finger on: Race, Memory and Revision in Eve's Bayou Chinaza Okoli -- Chapter 3. The Caveman's Valentine: Fight the Towers that Be D. E. Wynter -- Chapter 4.Talk to Me: A Post-Soul Allegory Jonathan Tazewell -- Chapter 5. Black Nativities: Transgressing Tradition Monique Taylor -- Chapter 6. Framing the Feminine: Constructing Black Female Subjectivity in Harriet Joi Carr -- Chapter 7. Conclusion: Lemmons and the Art of Post-Soul Resistance.
Contained By:	Springer Nature eBook
Subject:	Motion picture producers and directors - United States. -
Online resource:	https://doi.org/10.1007/978-3-031-12870-7
ISBN:	9783031128707

The post-soul cinema of Kasi lemmons
The post-soul cinema of Kasi lemmons[electronic resource] /edited by Dianah Wynter. - Cham :Springer International Publishing :2023. - xii, 129 p. :ill., digital ;24 cm.

Chapter 1. Introduction by D. E. Wynter, California State University Northridge -- Chapter 2. Some Illnesses are Hard to Put a Finger on: Race, Memory and Revision in Eve's Bayou Chinaza Okoli -- Chapter 3. The Caveman's Valentine: Fight the Towers that Be D. E. Wynter -- Chapter 4.Talk to Me: A Post-Soul Allegory Jonathan Tazewell -- Chapter 5. Black Nativities: Transgressing Tradition Monique Taylor -- Chapter 6. Framing the Feminine: Constructing Black Female Subjectivity in Harriet Joi Carr -- Chapter 7. Conclusion: Lemmons and the Art of Post-Soul Resistance.

"With her debut as a filmmaker, Lemmons' Eve's Bayou was both miracle and miraculous. The same can be said of this richly deserved, thorough and scholarly examination of her first five films." - Angela Bassett, Actor/Filmmaker. "This is a solid volume focusing on the work of Kasi Lemmons. This volume should have a very long shelf-life as it has not been embarked upon before by any researcher. Professor Wynter has taken up this mantle because she has recognized there is a dearth in scholarship pertaining to the work of Kasi Lemmons that is most deserving given the filmmaker's body of esteemed work." -R. Dianne Bartlow, PhD Author, Altruism and African-American Women in Contemporary Popular Music. In this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema-an oeuvre of quality, of note, of international recognition-will get the full film-studies treatment. This collection offers the first scholarly examination of Lemmons' films through various frameworks of film theory, illuminating her highly personal, unique, and rare vision. In Lemmons' worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens-the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased-and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. This collection delves into Lemmons' iconoclastic drive and post-soul aesthetic as emanations of her attitudes toward personal agency, social agency, and social justice. Dianah Wynter is a Full Professor at California State University Northridge, USA, where she teaches Women Filmmakers, Directing, and Film as Literature. An Emmy-nominated director, she holds MFAs from the Yale School of Drama and the American Film Institute. Her publications include Referentiality and the Films of Woody Allen.

ISBN: 9783031128707

Standard No.: 10.1007/978-3-031-12870-7doiSubjects--Personal Names:

3629325
Lemmons, Kasi.
Subjects--Topical Terms:

794273
Motion picture producers and directors
--United States.

LC Class. No.: PN1995.9.P7 / P67 2023

Dewey Class. No.: 791.430233092

The post-soul cinema of Kasi lemmons
LDR:03745nmm a2200325 a 4500 001 2316219
003 DE-He213
005 20230209124944.0
006 m d
007 cr nn 008maaau
008 230902s2023 sz s 0 eng d
020 $a 9783031128707 $q (electronic bk.)
020 $a 9783031128691 $q (paper)
024 7 $a 10.1007/978-3-031-12870-7 $2 doi
035 $a 978-3-031-12870-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.P7 $b P67 2023
072 7 $a AP $2 bicssc
072 7 $a PER004010 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.430233092 $2 23
090 $a PN1995.9.P7 $b P857 2023
245 1 4 $a The post-soul cinema of Kasi lemmons $h [electronic resource] / $c edited by Dianah Wynter.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xii, 129 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1. Introduction by D. E. Wynter, California State University Northridge -- Chapter 2. Some Illnesses are Hard to Put a Finger on: Race, Memory and Revision in Eve's Bayou Chinaza Okoli -- Chapter 3. The Caveman's Valentine: Fight the Towers that Be D. E. Wynter -- Chapter 4.Talk to Me: A Post-Soul Allegory Jonathan Tazewell -- Chapter 5. Black Nativities: Transgressing Tradition Monique Taylor -- Chapter 6. Framing the Feminine: Constructing Black Female Subjectivity in Harriet Joi Carr -- Chapter 7. Conclusion: Lemmons and the Art of Post-Soul Resistance.
520 $a "With her debut as a filmmaker, Lemmons' Eve's Bayou was both miracle and miraculous. The same can be said of this richly deserved, thorough and scholarly examination of her first five films." - Angela Bassett, Actor/Filmmaker. "This is a solid volume focusing on the work of Kasi Lemmons. This volume should have a very long shelf-life as it has not been embarked upon before by any researcher. Professor Wynter has taken up this mantle because she has recognized there is a dearth in scholarship pertaining to the work of Kasi Lemmons that is most deserving given the filmmaker's body of esteemed work." -R. Dianne Bartlow, PhD Author, Altruism and African-American Women in Contemporary Popular Music. In this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema-an oeuvre of quality, of note, of international recognition-will get the full film-studies treatment. This collection offers the first scholarly examination of Lemmons' films through various frameworks of film theory, illuminating her highly personal, unique, and rare vision. In Lemmons' worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens-the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased-and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. This collection delves into Lemmons' iconoclastic drive and post-soul aesthetic as emanations of her attitudes toward personal agency, social agency, and social justice. Dianah Wynter is a Full Professor at California State University Northridge, USA, where she teaches Women Filmmakers, Directing, and Film as Literature. An Emmy-nominated director, she holds MFAs from the Yale School of Drama and the American Film Institute. Her publications include Referentiality and the Films of Woody Allen.
600 1 0 $a Lemmons, Kasi. $3 3629325
650 0 $a Motion picture producers and directors $z United States. $3 794273
650 0 $a African American motion picture producers and directors. $3 854075
650 0 $a African American women motion picture producers and directors. $3 3629327
650 1 4 $a Directing. $3 2200203
650 2 4 $a Race and Ethnicity Studies. $3 3592462
650 2 4 $a American Film and TV. $3 3538710
650 2 4 $a Media and Gender. $3 3538730
700 1 $a Wynter, Dianah. $3 3629326
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-12870-7
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)