東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Actors, audiences, and emotions in t...

McGillivray, Glen.

Linked to FindBook

Google Book

Amazon

博客來

Actors, audiences, and emotions in the eighteenth century = communities of sentiment /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Actors, audiences, and emotions in the eighteenth century/ by Glen McGillivray.
Reminder of title:	communities of sentiment /
Author:	McGillivray, Glen.
Published:	Cham :Springer International Publishing : : 2023.,
Description:	xviii, 223 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Playing to Type -- 3. Communicating Emotions: The Arts of the Actor -- 4. Regulating and Mobilizing Emotions: The Audience -- 5. Mediating Emotions: Practicing Emotions in Place -- 6. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Emotions in the performing arts - History - 18th century. - Great Britain -
Online resource:	https://doi.org/10.1007/978-3-031-22899-5
ISBN:	9783031228995

Actors, audiences, and emotions in the eighteenth century = communities of sentiment /
McGillivray, Glen.

Actors, audiences, and emotions in the eighteenth centurycommunities of sentiment /[electronic resource] :by Glen McGillivray. - Cham :Springer International Publishing :2023. - xviii, 223 p. :ill., digital ;24 cm. - Palgrave studies in the history of emotions. - Palgrave studies in the history of emotions..

1. Introduction -- 2. Playing to Type -- 3. Communicating Emotions: The Arts of the Actor -- 4. Regulating and Mobilizing Emotions: The Audience -- 5. Mediating Emotions: Practicing Emotions in Place -- 6. Conclusion.

'The behavior of people in theaters of the eighteenth century still presents us with a puzzle: why the effusive emotion? In this brilliant study, drawing on a wealth of source material, the emotional style which peaked in Sentimentalism is explained through a deep historical ethnography of the emotional practices of the age. Glen McGillivray attends to both actors' and audiences' performances of feeling, as well as the space in which they were executed, to provide a full picture of what was going on in early modern English theaters.' -Monique Scheer, University of Tübingen, Germany This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces. Glen McGillivray is Associate Professor in Theatre and Performance Studies at the University of Sydney, Australia. He was an associate investigator with the Australian Research Council Centre of Excellence for the History of Emotions, and his research focuses on the intersection between emotions and performance.

ISBN: 9783031228995

Standard No.: 10.1007/978-3-031-22899-5doiSubjects--Topical Terms:

3628973
Emotions in the performing arts
--History--Great Britain--18th century.

LC Class. No.: PN1590.E46 / M34 2023

Dewey Class. No.: 792.094109033

Actors, audiences, and emotions in the eighteenth century = communities of sentiment /
LDR:03040nmm a2200337 a 4500 001 2316061
003 DE-He213
005 20230220201623.0
006 m d
007 cr nn 008maaau
008 230902s2023 sz s 0 eng d
020 $a 9783031228995 $q (electronic bk.)
020 $a 9783031228988 $q (paper)
024 7 $a 10.1007/978-3-031-22899-5 $2 doi
035 $a 978-3-031-22899-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1590.E46 $b M34 2023
072 7 $a HBJD1 $2 bicssc
072 7 $a HIS015000 $2 bisacsh
072 7 $a NHD $x 1DD $2 thema
082 0 4 $a 792.094109033 $2 23
090 $a PN1590.E46 $b M145 2023
100 1 $a McGillivray, Glen. $3 3628972
245 1 0 $a Actors, audiences, and emotions in the eighteenth century $h [electronic resource] : $b communities of sentiment / $c by Glen McGillivray.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xviii, 223 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in the history of emotions
505 0 $a 1. Introduction -- 2. Playing to Type -- 3. Communicating Emotions: The Arts of the Actor -- 4. Regulating and Mobilizing Emotions: The Audience -- 5. Mediating Emotions: Practicing Emotions in Place -- 6. Conclusion.
520 $a 'The behavior of people in theaters of the eighteenth century still presents us with a puzzle: why the effusive emotion? In this brilliant study, drawing on a wealth of source material, the emotional style which peaked in Sentimentalism is explained through a deep historical ethnography of the emotional practices of the age. Glen McGillivray attends to both actors' and audiences' performances of feeling, as well as the space in which they were executed, to provide a full picture of what was going on in early modern English theaters.' -Monique Scheer, University of Tübingen, Germany This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces. Glen McGillivray is Associate Professor in Theatre and Performance Studies at the University of Sydney, Australia. He was an associate investigator with the Australian Research Council Centre of Excellence for the History of Emotions, and his research focuses on the intersection between emotions and performance.
650 0 $a Emotions in the performing arts $z Great Britain $x History $y 18th century. $3 3628973
650 0 $a Performing arts $x Audiences $z Great Britain $x History $y 18th century. $3 3628974
650 0 $a Theater $z Great Britain $x History $y 18th century. $3 771440
650 1 4 $a History of Britain and Ireland. $3 2181940
650 2 4 $a Cultural History. $3 2186830
650 2 4 $a Social History. $3 2181942
650 2 4 $a Theatre History. $3 2181960
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in the history of emotions. $3 2079015
856 4 0 $u https://doi.org/10.1007/978-3-031-22899-5
950 $a History (SpringerNature-41172)